Summary

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Xue Jingyao was born prematurely on the Qingming Festival in 1998, beside a solitary grave. Due to her fragile health and an inauspicious birth time, she suffered from a persistent, unexplained fever from the age of ten. Her parents, desperate to save her life, consulted a Kanshi Xiansheng who diagnosed her condition as Xiebing, a supernatural affliction that ordinary medicine could not cure. The master prescribed a Chongxi ritual, a traditional practice where a girl is symbolically married off to a spirit to ward off evil. During the eerie ceremony, Jingyao was dressed in red and made to kowtow to a large red rooster and a spirit tablet. She was given a Longxing Yupai, a jade plaque that was said to protect her and ensure her safety, with the strict warning that she must never remove it.

After the ritual, Jingyao’s health improved dramatically, and she seemed blessed with extraordinary luck, surviving dangerous accidents that should have killed her. However, her mother became increasingly protective and forbade her from dating, claiming that Jingyao already had a husband she must remain loyal to. Jingyao dismissed these warnings as superstition as she entered university, where she longed for a normal romantic life. Her best friend, Su Weiwei, encouraged her to attend a class gathering where she met a charming senior named Song Lin. During a nap, Jingyao experienced sleep paralysis and saw a mysterious man in red robes sitting by her bed, a vision that left her terrified yet intrigued.

At the gathering, Song Lin pursued Jingyao aggressively. Despite her reservations, she allowed him to walk her home. In the car, his demeanor shifted from gentle to menacing, and he drove her to a remote wilderness. Song Lin revealed himself to be a monstrous entity intent on eating her. Just as he was about to kill her, the man in red from her vision appeared, crushing Song Lin’s head with a single step. The man identified himself as Yu Qingzhou, the husband engraved on the spirit tablet. He rescued Jingyao but warned her not to remove the Yupai again, threatening to twist her head off if she disobeyed.

Upon returning home, Jingyao discovered that her father had been injured and was in a coma, an event her mother blamed on Jingyao angering Yu Qingzhou. Jingyao learned that the love letters she received from Song Lin had appeared at her parents' bedside, indicating that the spirit had been stalking her. Forced to confront her supernatural husband, Jingyao knelt before Yu Qingzhou’s spirit tablet and begged for his help to save her father. Yu Qingzhou agreed but demanded she meet him at Wuli River at midnight.

That night, Jingyao encountered a spectral figure claiming to be her grandmother, who had died years prior. The entity attempted to bite her, revealing its true predatory nature. Jingyao realized that the Yupai had disappeared again, leaving her vulnerable to these supernatural attacks. Her mother took her to Mr. Guo, the Kanshi Xiansheng who had performed the original ritual. Mr. Guo revealed that Jingyao had a Four Yin constitution and that one of her souls had been taken at birth. Without the Yupai, she was attracting various ghosts and monsters. He explained that the only way to save her was to fully become the Dragon King’s woman, marked by his seal, a path that would bind her eternally to Yu Qingzhou and the supernatural world.

Novel Items

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Arcane Treasures
A jade plaque about two fingers wide, strung on a red cord. Given to Xue Jingyao by the Kanshi Xiansheng during the Chongxi ritual at age ten. It is said to keep her safe and ensure she never falls ill again. The plaque grows warm when supernatural events occur. Su Weiwei temporarily removed it and replaced it with a pearl necklace before the class gathering, which caused Jingyao to feel a chilling sensation.
Cultivation Methods
A supernatural marriage ceremony performed when Xue Jingyao was ten years old to cure her Xiebing illness. The ritual involved red decorations, red clothes worn by Jingyao, a large red rooster, drums, gongs, and suona horns. The Kanshi Xiansheng chanted incantations including Hongyue Zhiye Longwang Quqin and Xuejia marries off a daughter; to betray is to perish. The ritual gave Jingyao a spiritual husband who protects her but also restricts her from having real romantic relationships.
Arcane Treasures
A large red rooster with sleek shiny feathers and a comb as red as dripping blood, with a large red flower tied to its chest. Used by the Kanshi Xiansheng during the Chongxi ritual. After the ritual, the rooster was given to Jingyao's parents with instructions to raise it until it dies of natural causes.
Cultivation Methods
A supernatural illness diagnosed by the Kanshi Xiansheng when Xue Jingyao was ten years old. It caused a year-long unbreakable fever and constant delirium. Ordinary medicine was useless against it. The Chongxi ritual was the prescribed remedy to dispel the evil spirits causing this affliction.
Jewelry
A pearl necklace found on the stone slab inside Cheng Youyou's cave. She discovered it upon returning home, completing a pearl set along with the ring and bracelet. The giver is unknown, and Cheng Youyou plans to question Zi Wu about it.
Arcane Treasures
A pendant or amulet that Xue Jingyao keeps under her pillow and wears around her neck. Her mother has strictly warned her since childhood that it must never leave her body, reminding her of this as often as she forbids her from getting boyfriends. Removing it appears to have serious consequences.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c10
2026-08-11shanghai fantasy c9
2026-08-11shanghai fantasy c8
2026-08-11shanghai fantasy c7
2026-08-11shanghai fantasy c6
2026-08-11shanghai fantasy c5
2026-08-11shanghai fantasy c4
2026-08-11shanghai fantasy c3
2026-08-11shanghai fantasy c2
2026-08-11shanghai fantasy c1

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Okay so let me just say—this opening is a masterclass in slow-burn dread. The author drops us right into Jingyao's backstory with her birth on Qingming Festival, premature, sickly, and then BOOM, the Chongxi ritual at age ten. That scene with the red rooster and the blood-moon? Chilling. And the way the plot threads are woven together is brilliant. The mother's warnings about men, the jade plaque, the near-misses with death (the truck, the bus crash)—all of it builds this underlying sense that Jingyao is somehow protected but also trapped. And then university hits, and we get Song Lin. The senior who seems perfect on paper but whose car ride takes a wrong turn into nowhere. That moment when Jingyao realizes they're not on the road back to campus? My heart dropped. And those whispers in the KTV about someone sitting in the corner who disappears when looked at? The author is playing with us like a cat with a mouse. The plot has this beautiful dual tension—what happened with the Chongxi husband, and what is Song Lin actually up to? Are they connected? I'm already theorizing that Song Lin might not be entirely human, or at the very least, he's connected to the supernatural world Jingyao was pulled into as a child. The pacing is deliberate but never boring. Every chapter ends on a hook that makes you immediately want the next one.
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The pacing in these chapters is wild. You go from pure horror — black energy coiling around your neck, a corpse-faced Song Lin floating toward you, thunder splitting the sky — and then literally two pages later you're watching Jingyao threaten to smash a spirit tablet to force her husband to appear. That tonal whiplash is intentional and honestly it works because Jingyao's voice is so grounded. She's terrified one moment and bargaining the next, and the chapter transitions feel natural rather than jarring. Chapter 7 ends with the grandmother reveal and Chapter 8 immediately pivots to Jingyao rushing to see her unconscious father. No breathing room, which is exactly what you want after a shock like that. The author doesn't let you rest. But then within Chapter 8, there's a comedic beat — Jingyao calling celebs 'husband' as an excuse — that gives you a moment to exhale before Yu Qingzhou kicks her off the bed. It's a rollercoaster and I was locked in the whole time. One structural choice I found interesting: the Yu Qingzhou confrontation scenes are short and punchy. He appears, he threatens, he leaves. No drawn-out dialogues. This keeps him mysterious and dangerous, which serves the story well. If he stayed in the room for five pages chatting, he'd lose his edge.
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Let me just start by saying the ritual chant from Chapter 1 is absolutely gorgeous: 'Hongyue Zhiye, Longwang Quqin. Xuejia marries off a daughter; to betray is to perish.' That's the kind of line that sticks in your head for days. The author clearly understands how to use ceremonial language to create atmosphere, and it contrasts beautifully with the everyday dialogue that follows. Jingyao's conversations with Su Weiwei feel natural and contemporary—'You won't blame me, will you?' 'I really have to thank you for that!'—they sound like real college girls talking. But then you have the mother, whose dialogue shifts dramatically depending on the context. When she's explaining the Chongxi, her words are heavy with emotion: 'Jingyao, don't blame us for making that decision back then. We just wanted you to live.' That's raw and believable. And Song Lin's dialogue is carefully calibrated—he's polite, gentle, almost too perfect. 'I wonder if I have the honor?' That formal, slightly archaic phrasing feels intentional, like the author is subtly signaling that this character isn't entirely ordinary. The narrative voice itself is also worth noting. It's first-person, which puts us directly inside Jingyao's head, and the tone shifts from casual and slightly sarcastic (her internal monologue about Su Weiwei removing the jade plaque) to genuinely frightened (the car scene). The author doesn't over-explain things, which means the dialogue has to carry a lot of subtext. When Jingyao says 'We'll see' about Song Lin, it's not just hesitation—it's the sound of someone torn between years of conditioning and a desperate desire for normalcy. The voice is consistent and distinct, and I can hear Jingyao's personality in every line.
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Okay so let me just say this — the grandmother reveal in Chapter 7 is genuinely one of those moments where you physically stop reading and just stare at the screen. Jingyao has these warm, vivid memories of her grandmother holding her hand, taking her to visit relatives, the whole thing. And then her mom just drops 'you don't have a grandmother' like it's nothing. My brain immediately started racing: whose memories are these? Did Song Lin plant them? Is this some kind of possession or identity swap situation? The text says 'who was the grandmother in my memories?' and I am NOT okay with this unanswered question. And then on top of that, the father being in a coma? Song Lin escaping as black energy? Yu Qingzhou's identity as the husband on the ancestral tablet? The plot is moving at a furious pace and every chapter ends with a new mystery that makes you immediately open the next one. The only thing I'm slightly confused about is the timeline — did Jingyao actually go back in time or is she in a different body? The text hints at it with 'should aim for a better reincarnation in your next life' but never confirms it outright. That ambiguity is both a strength and a frustration. I want answers but I also kind of love the mystery.
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I need to talk about Jingyao's mother because WOW. She's one of those characters who is simultaneously loving and deeply controlling, and that contradiction is fascinating. She knelt before the Kanshi Xiansheng to save her daughter's life—that's devotion. But then she raises Jingyao with this constant fear-mongering about men, about loyalty to a husband she's never even met? That's manipulation wrapped in maternal protection. The line 'he is right by your side. He knows your every move' gave me actual chills. Is the mother genuinely scared for her daughter, or is she enforcing some kind of supernatural contract? And Jingyao herself—she's caught between rebellion and obedience. She questions the Chongxi, she wants to live a normal university life, but she's also deeply conditioned by years of her mother's warnings. The scene where she's forced to kneel all night after the boy in high school got into an accident? That's not discipline, that's punishment for existing. I'm also intrigued by Su Weiwei as a character. She's the supportive best friend who pushes Jingyao toward normalcy, but even she accidentally removes the jade plaque—that moment where Jingyao feels the cold spreading from Su Weiwei's hand? Subtle foreshadowing or just narrative coincidence? And then there's Song Lin. On the surface, he's the perfect love interest—handsome, kind, shares interests. But his silence in the car, the way his expression changes, the glance in the rearview mirror... something is OFF. I can't tell if he's a threat or if he's part of the Chongxi husband's story. The relationship dynamics here are layered and I'm here for it.
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I have to be honest—the sleep paralysis scene in Chapter 2 wrecked me in the best way. Not because it was romantic (though there's something weirdly intimate about it), but because it was so visceral. Jingyao can't move, can't speak, and this figure in red is just... watching her. 'His eyes were icy, and under his stare, I felt as if I had fallen into an ice cellar, my entire body stiffening.' That description is haunting. It's fear and fascination mixed together, and I think that's exactly what the author is going for with the romantic tension here. The Chongxi husband is supposed to be this scary, unknown entity, but there's also this weird sense that he's PROTECTING her. Every time danger comes close, she survives. The truck swerves. The bus crashes. And now this man in red appears in her dorm room. Is he a ghost? A spirit? Something else? The emotional core of this story feels like it's built on this question: can Jingyao ever have a normal life when she's bound to someone she can't see, can't understand, and maybe can't even trust? And then Song Lin enters and offers her something she's been denied—normal romantic attention. But is it real? The tension between the invisible husband and the very present senior creates this emotional push-pull that's incredibly compelling. I found myself wanting to reach through the page and shake Jingyao, telling her to run, but also hoping she'd find some kind of happy ending. That's the mark of good emotional writing—you care about the character even when you're screaming at them to make different choices.
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