The story had a cliche plot from the beginning but that's generally okay. Good plots are used over and over because people like them. My issue was terrible writing quality and an insensible amount of plot armor. There's far too little world background, and our main character seemingly caught up to people with a 2 year head start in like 4 chapters. Now he's participating in world events he shouldn't be strong enough to touch. Entire guilds. These people should vastly out level him.
Really good book in my opinion. The main character is a person from Earth who has transmigrated into the body of a prince, and his power is to see the luck of people as halos with colors representing luck levels. His is pitch black, the embodiment of unluckiness though ?.
If i were to be given the chance i will choose the power of creation..why would you choose Aura system .when you can create anything with the power of creation..just why
it's a mesmerizing world! im glad you're sharing a story native to you and not seen much before for a lot of us here and it's interesting to see the different view on witches. though a lot of sentences could be cut down or actually split with punctuation. overall good job!
Carlos is really going to regret what he did. Interesting story!
Seems to be interesting. I would love to read further. Author, updates please.
This book is Awesome, a must read
I just finished reading chapters 27-34 and I need to talk about how smoothly this section moves because the pacing is genuinely excellent. The author takes us from the journey's end—Qingqing arriving at Peach Blossom Village—to purchasing a house, settling in, and then this incredibly intimate nighttime scene, all in one continuous flow without a single drag. The chapter opens with Lin Heng's internal monologue: "After she had played to her heart's content, Qingqing wrapped the washed cherries in a lotus leaf and carried them back to the carriage." That's it. One sentence and we're already in a moment. Then immediately the journey continues, they arrive, they meet the village head, the house is shown, the purchase is made, they settle in, and by the time night falls, we're right there in that bedroom with them. What I love most is how the author uses Qingqing's busyness as a pacing device. She's constantly moving—driving the carriage, talking to villagers, cleaning the house, counting silver, buying nothing yet because she's resourceful. This keeps the narrative energetic and forward-moving. But then when night falls and she lies down beside Lin Heng, the pace slows dramatically. The prose becomes quieter, more sensory. "In the darkness, Lin Heng's face flushed hot." The pacing shift mirrors his emotional shift—from observation to feeling. The transition from day to night is also handled beautifully. Morning comes with birds singing, she wakes up in his arms, and then immediately the routine resumes—washing, breakfast, plans for town. It feels natural, like a real day. No forced cliffhangers, no artificial tension. The chapter just... breathes. And honestly, that's harder to pull off than any action scene.
So far, very good
one of the best ceo billionaire books here!
i love this
awesome story ...