I need to talk about Xu Chenxin because OH MY GOD. The way the author describes him is absolutely lethal. Fine scattered hair over strong brow bone, deep-set obsidian eyes, thin pale lips, 190 centimeters tall—this man is built like a walking romance novel cover. But it's the CONTRAST that gets me. He has this cold, sharp aura but a gentle smile on his face. Is he kind? Is he dangerous? Both? That's the kind of character I cannot resist. And the scene where he examines her head? "Don't move." Just two words but the intimacy of it—his breath on her neck, his fingers on her scalp, the way Chu Youhuan feels those tingling sensations. The author writes it so casually but it's basically the most romantic moment in the history of romantic moments. She's lying there with a dirt-smudged face and he's crouched over her being all professional and she's internally screaming because he's her ideal type and she literally just transmigration'd into the 1970s where holding hands in public is impossible. The regret she feels about never having fallen in love in her previous life hit me hard. She died busy with work and now she's in a new body in a new era and her first thought is about finding a handsome man. That's so human. That's so relatable. And then she catches his gaze and he SEES right through her. He knows she's being fake. He knows she's performing. And he doesn't say anything about it. That moment of eye contact—"those charming upturned peach blossom eyes shimmering with a cunning light"—is the kind of moment that makes you put the book down and just stare at the wall. The chemistry isn't even romantic yet and I'm already invested. What is this man going to do to her heart?
There's this recurring motif of food in these chapters that I can't stop thinking about. The wild boar. That entire animal represents survival, labor, and the children's capability. They dragged it back together — Hua Yun carrying her injured sister, Hua Lei supporting them, the younger two helping. And what happens to that boar? It gets cooked by Mrs. Wan for hours, and then the main branch eats it all while the kids get nothing. Food is power here. Whoever controls the food controls the family. Mrs. Li using the meal as leverage — 'you lazy wretch, the sun is already high in the sky, and you still haven't finished preparing the meal. Are you trying to starve your parents-in-law to death?' — this is how oppression works in this household. Not just physical violence, but the systematic control of basic survival. And then there's the blood. Both Hua Yun's head wound from last night and Mrs. Wan's bleeding head this morning. Blood as evidence. Blood as proof of abuse. Hua Yun specifically positions Mrs. Wan so everyone can SEE the injury. She wants the blood to be visible, undeniable. It's almost like she's turning her mother's suffering into a public document. The whole public scene is theater — but it's theater with real stakes. Hua Yun understands that in this society, reputation matters more than truth. The neighbors don't care about justice, they care about gossip. But she uses their gossip as a weapon. The theme here is about how the powerless survive — not through direct confrontation, but through manipulation of social structures.
Okay so let me just say—this opening hit different. The earthquake-to-transmigration trope is nothing new, but the way it's executed here is surprisingly clean. She wakes up mid-meeting, which is honestly the most chaotic possible moment to drop a new soul into someone's body. No gradual adjustment period, no "wait, where am I" monologue. She's just there, forced to pretend she knows what's going on while copying notes from the girl next to her. That scene alone is gold for establishing both the stakes and the comedy. What I appreciate is how the plot doesn't waste time. Chapter 1 establishes the transmigration, the workplace hierarchy, the bullying dynamic, AND her first act of defiance—all in one sitting. By the end of that chapter she's already shoved Wang Na to the ground. Most novels would spend three chapters on the bullying buildup before the protagonist fights back. This one? Done. Next page. The structure is also smart because it gives us the CEO as a looming presence without fully revealing him. We only see half his face in the conference room, and even in his office, he's mostly cold and dismissive. That's classic slow-burn setup. The plot is clearly laying groundwork for a romance arc while simultaneously establishing her independence storyline. Two threads, one narrative engine. My only question so far: where's the original owner's death being explained? The text hints at it but doesn't confirm anything. That's a mystery I'm curious to see resolved—or maybe it doesn't matter and the story is just using transmigration as a clean slate device. Either way, the pacing feels tight and I'm invested enough to keep reading.
It ok for now but I spect more in future
Ay ano ba yan! 3 chapters pa lang. Invested na agad ako kay Eva
Fantastic, spectacular, immaculate writing as always. Who knew smut could be so poetic! Gimme moreeeee! When Brother Zhi writes you know it's gonna be good~
Classic "C: The Money of Soul and Possibility Control" inspired work we all love! Really well written!Can't wait to read more.Keep writing, fellow evil doer!
jst wow trust me guys worth a diamond tis novel won't lest us down!! I really wish the author could release 100 chapters a day ? so interesting the plot.
this novel is really good. The first few Chapters definitely hook me up?
i am liking this new cover! ?the color change and everything is good
Hi there, amazing author! I just finished reading your book, and I must say, it’s fantastic! I wanted to reach out and share a few tips that could help boost the performance and visibility of your book even further
Very good debut, i love the concept i hope the author dont surrend and update with more chapter