***BEWARE*** Pricey chapters with very few pages. Repeated chapters. Several chapters are the exact same. I thought this was going to be a great book but it’s a big let down!!!
My favorite author. I could read your work until the end of time
The main guy has gone nuts he's obsessed with Stella. It's like she's an object and not a person. It's horrible that that lady is so obsessed with him that she'd kill her own son. Poor Zach! It's bad enough all the stuff Stella has gone through that now they will try and pin this on her.
I hope they don’t encounter too many more turmoil... I hope this book doesn’t get too dragged out like ‘Married by Mistake.’ It would be such a shame.
Can’t wait to read more it’s so good can’t wait to see what other books you come out with
any new on the next update or even when the book might finish the wait is hard
So Thomas is the male version of Tara …
Heroic fantasy
Loved reading it
great book keep me posted
Really love the mystery keeps me itching for more.
I need to talk about dialogue because this author really knows how to make characters sound distinct and the subtext is where it's at. The most iconic moment has to be Shen Xi and Sang Ji's exchange about the dance move. Let me just replay it: "Do you want to give it a try?" "Do I… want to?" "Oh, then you probably don't." That's it. That's the whole thing. Three lines and you get the entire dynamic between these two. She knows him so well she can read his hesitation as a no. He's so used to deferring to her that his first instinct isn't even his own desire—it's checking with her. And the audience reaction in the barrage literally says "Even though they're speaking Chinese, why can't I understand what they're saying?" which is the highest compliment to subtextual writing. Then there's Su Ye messaging Sang Ji. The way he writes—"Sang jiejie…" with the pitiful emoji, the whole kidnapped vibe—creates this immediate comedic contrast to how disdainful Fu Ziyin is about him. You don't need narration to tell us Su Ye is a bit much. His dialogue does the work. Jiang Rui's dialogue is also perfectly calibrated. Every line she says is designed to make herself look superior while subtly putting others down. "Xiao Tang, do you have anything?"—said with this expectant look at Su Tang like she's about to be impressed by her wealth. The fact that Su Tang just shakes her head and Jiang Rui's whole plan deflates is comedy gold, and it's all carried by dialogue. The narrative voice itself is also worth noting. It's observant without being overbearing, and it lets the characters' actions and words carry the emotion rather than telling us how to feel. The author trusts the reader.