Summary

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Sang Ji is a wealthy businesswoman who recently returned to China after years abroad. She is the older sister of twin brothers, Shen Xi and Shen Ci, who are top-tier traffic stars in the entertainment industry. Upon waking, Sang Ji discovers two conflicting systems in her consciousness: a Villainess Counterattack System urging her to become a female lead, and a Cannon Fodder Male Lead Salvation System tasked with saving her brothers from tragic fates. She learns that her world is based on a novel where her brothers are doomed to career ruin and blacklisting due to the interference of an illegitimate daughter and a female lead. Sang Ji dismisses the villainess plot as nonsense but accepts the salvation mission to protect her family from the predicted disasters.

Sang Ji intervenes in her brothers' careers by joining the variety show "The Sibling Formula" alongside Shen Xi and Shen Ci. This move shocks the industry, as the twins had publicly distanced themselves from each other and were rumored to have a hostile relationship. The production team had originally planned to pair Shen Xi with actress Liang Shiyu to boost her profile, but Sang Ji's presence disrupts these arrangements. Liang Shiyu, aware of the original plot where she manipulates Shen Xi into dependency, attempts to maintain her gentle persona while secretly plotting to secure her position. She invites Su Tang, a newcomer and sister of tech CEO Su Ye, to join her team, hoping to leverage Su Tang's wealthy background.

During the show's filming, the guests participate in competitive games to determine their living conditions and rewards. Sang Ji's group dominates the challenges, displaying their wealth and talents. In one instance, Sang Ji reveals a custom-made watch worth eighty million yuan, silencing critics who questioned her background. The twins also showcase their skills, with Shen Ci demonstrating his dedication to acting and Shen Xi displaying his athletic abilities. The siblings' close bond and mutual protection become evident, contrasting sharply with the public perception of their estrangement. Shen Xi and Shen Ci develop a protective rivalry, each wanting to prove their worth to their sister.

As the show progresses, Sang Ji navigates interactions with other guests, including Jiang Siwei, a rival actor with a history of conflict with Shen Ci, and Jiang Rui, an influencer known for flaunting her wealth. Sang Ji remains indifferent to the entertainment industry's politics, focusing instead on ensuring her brothers avoid the pitfalls outlined in the novel. She maintains a calm and composed demeanor, using her resources and intelligence to counter any attempts by others to undermine her family. The systems in her mind continue to offer advice, but Sang Ji largely ignores them, relying on her own judgment.

The narrative highlights the tension between the predicted plot and the actual events. Liang Shiyu's schemes begin to unravel as Shen Xi rejects her advances, and Shen Ci remains aloof from the industry's drama. Sang Ji's presence acts as a stabilizing force, redirecting her brothers away from the tragic paths foretold in the book. The story sets the stage for further conflicts as the twins' careers continue to rise, defying the original narrative's predictions of downfall. Sang Ji's role evolves from a protective sister to an active participant in shaping her family's destiny, challenging the forces that sought to control their lives.

Novel Items

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System
A system bound to Sang Ji that prompts her to counterattack, become the female lead, and win over the male lead. It is excited about entering the entertainment industry and competes with System No. 001 for Sang Ji's attention.
System
A system bound to Sang Ji that aims to save Shen Xi and Shen Ci from their tragic novel endings. It realizes that changing the twins' fates will complete its mission and can hear Sang Ji's thoughts.
Document
A contract for a variety show that Gu Xiao wants cancelled. The company behind the show is affiliated with Wei Corporation's entertainment division, with the Wei family as primary investors. Gu Huai insisted on participating in the show despite his father's objections.
Event
Shen Ci's team is in talks for a big-budget movie role. The other party seems very sincere and desperate to cast him, despite his small company and reputation for being difficult.
Item
Sang Ji brings shopping bags containing gifts from her mother for Shen Xi. The gifts are accumulated over time and dumped during visits, which Shen Xi sets aside casually.
Item
A gaming console that Shen Xi grabs to play while waiting for Sang Ji's arrival. He drops it when the doorbell rings.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c10
2026-08-11shanghai fantasy c9
2026-08-11shanghai fantasy c8
2026-08-11shanghai fantasy c7
2026-08-11shanghai fantasy c6
2026-08-11shanghai fantasy c5
2026-08-11shanghai fantasy c4
2026-08-11shanghai fantasy c3
2026-08-11shanghai fantasy c2
2026-08-11shanghai fantasy c1

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Popular reviews

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This chapter has a really interesting rhythm to it. It starts with the movie aftermath, transitions into the beach game, spikes with conflict when Jiang Rui snaps at Su Tang, then deflates into something tender with the seashell exchange and sand drawings. The author knows exactly when to tighten the screws and when to let the reader breathe. The volleyball game itself is quick—three to one, done. No drawn-out sports drama. The conflict with Jiang Rui is sharp and brief: she snaps, Sang Ji calls her out, Jiang Rui mutters a reluctant sorry, and then it's over. The author doesn't let the negativity linger because variety show chapters need to keep moving. What I appreciate most is how the scene transitions work. After the director calls off further competitions, we cut to Sang Ji and the others returning to the leisure area, noticing Shen Ci is missing, then spotting him walking toward them with the bucket. That's a smooth visual pivot. Then Shen Xi wanders off to find his own shells, Su Tang leads Sang Ji to her drawing, Shen Ci follows, Shen Xi spots them and heads over too. The camera of the narrative moves naturally, following different characters to different points of interest. The live stream comments are interspersed throughout, which serves as both comic relief and a pacing tool—they give the reader brief pauses between action beats. The chapter ends on a light, almost comedic note with the twins attempting to draw in the sand. It's a perfect button. The pacing never drags, never rushes. It feels like a real day at a variety show—some excitement, some boredom, some unexpected moments of beauty.
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Let me just say this watch reveal was one of the most satisfying moments I've read in a long time. Not because of the money—though that definitely helped—but because of HOW it was built up. The author literally had everyone else pulling out their expensive items, the barrage mocking Sang Ji's group for having nothing, Jiang Rui being smug and confident, and then... nothing. Silence. And then Sang Ji just casually opens a suitcase like she's going on vacation, not like she's about to detonate everyone's assumptions. The stakes kept rising in this scene too. First it's just about who has the more expensive watch, then Cheng Yu recognizes it as an Ivan piece, then he has to explain that these are basically royal collection items, then he calls his collector friend who offers EIGHTY MILLION for it on the spot. Each beat escalated the tension and the satisfaction. Jiang Rui going from smug to seething to quietly putting her own watch away when no one was looking? Chef's kiss. But what really made me care wasn't just the face-slapping. It was the underlying conflict—Sang Ji didn't WANT to bring this watch. She kept it hidden. She only revealed it because the game wasn't over and because, and I quote, "she wasn't particularly fond of these two siblings." There's this whole history with Jiang Siwei and Shen Ci that I'm dying to know more about. The watch reveal was the surface conflict but underneath there's this current of real resentment and protection that made the whole scene feel layered instead of just a cheap flex. And then the aftermath with the barrage going wild, the rumors starting about her background, the mistress comments... the author doesn't let the victory feel clean. Even when Sang Ji wins, there are people twisting it. That's realistic and it kept me engaged beyond just the thrill of the win.
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The supermarket scene is such a perfect microcosm of everything going on here. You've got the rich kids casually shopping without looking at prices, Cheng Yu standing in front of instant noodles like his entire financial world has collapsed, and Sang Ji just casually offering to let them join her group for dinner like it's nothing. The contrast between the street-side supermarket with its "seaside charm" decorations and the later mention of Lanjing Hotel—tens of thousands per night, top political and business elites only, you need connections just to get in—creates this whole layered sense of class that the author doesn't even have to explicitly state. And then there's the vacation house itself: six-seater dining table that's "slightly cramped for seven people." Seven. Of course it is. Every group dynamic in this show seems to revolve around forced proximity and uncomfortable seating arrangements. The live stream comments about Jiang Siwei and Jiang Rui eating boxed meals while everyone else feasts? That's worldbuilding through audience reaction, which is honestly genius. You get the sense of a whole ecosystem—celebrities, staff, punished cast members, watching audiences—all existing in different tiers of this island paradise.
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Okay, Liang Shiyu is genuinely terrifying and I need a minute. Like, she literally narrated her own scheming in this chapter and I was sitting there like—wait, is she serious? She spent days trying to befriend Su Tang and it didn't work, so she pivoted to cooking for everyone? And then she specifically asked Sang Ji about Lanjing Hotel because she wanted to see her fall from grace? The text literally says: "A subtle, mischievous urge rose within her, wanting to see Sang Ji fall from the clouds. That would be satisfying." That's not just petty, that's full-blown villain energy wrapped in a gentle smile. And the worst part? She knows exactly what she is. "Liang Shiyu had always been willing to acknowledge the darkness in her heart. She never saw it as something shameful. As long as she appeared virtuous and graceful in front of others, that was enough." Chilling. Absolutely chilling. Meanwhile the Shen siblings are so transparently jealous of Su Tang getting Sang Ji's attention that they caught her giving a mischievous smile and immediately put her in the "highest alert category." These kids are twelve emotionally. And Shen Xi handing Sang Ji a single grape while Shen Ci peels an orange for her? The sibling rivalry is so transparent it hurts. I love it. I also hate them all a little bit.
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I need to talk about dialogue because this author really knows how to make characters sound distinct and the subtext is where it's at. The most iconic moment has to be Shen Xi and Sang Ji's exchange about the dance move. Let me just replay it: "Do you want to give it a try?" "Do I… want to?" "Oh, then you probably don't." That's it. That's the whole thing. Three lines and you get the entire dynamic between these two. She knows him so well she can read his hesitation as a no. He's so used to deferring to her that his first instinct isn't even his own desire—it's checking with her. And the audience reaction in the barrage literally says "Even though they're speaking Chinese, why can't I understand what they're saying?" which is the highest compliment to subtextual writing. Then there's Su Ye messaging Sang Ji. The way he writes—"Sang jiejie…" with the pitiful emoji, the whole kidnapped vibe—creates this immediate comedic contrast to how disdainful Fu Ziyin is about him. You don't need narration to tell us Su Ye is a bit much. His dialogue does the work. Jiang Rui's dialogue is also perfectly calibrated. Every line she says is designed to make herself look superior while subtly putting others down. "Xiao Tang, do you have anything?"—said with this expectant look at Su Tang like she's about to be impressed by her wealth. The fact that Su Tang just shakes her head and Jiang Rui's whole plan deflates is comedy gold, and it's all carried by dialogue. The narrative voice itself is also worth noting. It's observant without being overbearing, and it lets the characters' actions and words carry the emotion rather than telling us how to feel. The author trusts the reader.
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Let me just say this once: the wristwatch Sang Ji is wearing and the Lanjing Hotel are clearly the same symbol—both represent a world of wealth that Liang Shiyu can observe but never access. The watch is described as "astronomically expensive" and the hotel costs "tens of thousands to hundreds of thousands per night." These aren't random details. They're markers of a class divide that runs through the entire narrative. And then there's the grape. Shen Xi hands Sang Ji a single grape. A single. Grape. While Shen Ci peels an entire orange for her. It's such a small moment but it says everything about sibling dynamics and the desperate, childish ways people compete for affection. The orange-peeling is intimate, patient, thoughtful. The grape is performative, minimal, an afterthought. "No need to go that far, she has hands," Sang Ji thinks—and honestly, same. But the fact that he felt the need to do something, anything, to match Shen Ci's gesture? That's the real tragedy here. These siblings are so starved for their sister's attention that they're fighting over fruit. Meanwhile Su Tang just sits there watching them all with this knowing, mischievous little smile like she's the only one who sees the whole board.
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