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"Don't you know 'Blessing Spring'? Dance it for them!" — this line from the system made me laugh out loud because it's giving such chaotic energy. The system's voice is genuinely one of the best things about this novel. It's not just a plot device; it has opinions, it gets angry, it has memories. When it says 'This scumbag is just like that. He finds a worthless replacement for nothing. He doesn't cherish her when she's alive, and now he's pretending to be affectionate after she dies'—that's not system dialogue, that's a character with trauma and vendettas. And Song Yuejiao's reaction to it is perfect. She just...accepts it. 'Auntie! You're amazing!' Like, yes, my voice in my head knows ancient palace drama and has strong opinions about emperors. Normal. Totally normal. The human dialogue is equally good. Song Yuejiao's internal monologue is where the comedy lives—'I would choose the princess without hesitation' followed by 'Even though this princess was a bit petty and targeted her' shows her self-awareness. And Pei Chi's lines are deliberately flat and earnest, which makes every romantic beat land harder because he's not trying to be charming. He's just...honest. 'Miss Song, no matter what, as long as the engagement is still in place, you are my fiancée.' That's not a pickup line. That's a statement of fact. The concubine's dialogue is appropriately sharp and condescending—'It seems Miss Song is quite arrogant'—and the Emperor's protective tone contrasts perfectly with his earlier coldness. The narrative voice itself is also doing a lot of work, especially the bracketed system thoughts that interrupt Song Yuejiao's POV. It creates this layered narration that's rare in the genre.
Please post next chapter soon as you can please
DANGIT you’ve got to let me know what is going on with Ace and Elizabeth!!!!!! The suspense is killing me here
I love the coordination... Lyka is quite the character ??? Good luck!
love it thank you for the updates
I love ittttt
Thanks y'all.
will there be any additional chapters?
I want to talk about the lotus. Not the flower itself, but the fact that it appears on Zhou Xiaomai's right index finger when she senses danger. It materializes instinctively when she sees the bear-man. This is clearly some kind of power or artifact tied to her spatial dimension abilities, and the fact that it's a LOTUS is significant. Lotus symbolism runs deep across cultures—purity rising from mud, enlightenment, spiritual awakening. Zhou Xiaomai is a woman who rose from the mud of the apocalypse, survived biological warfare and zombie hordes, and now finds herself in a world where the air is clean and the wolves are far away. The lotus on her finger is a reminder of what she carries—both power and the memory of where she came from. Then there's the two hundred taels of silver. In the apocalypse, paper money was useless. Only gold and silver mattered. The fact that she feels uneasy about the silver note—even in this peaceful world—shows how deeply the trauma of that life is embedded in her. She's physically safe now, but her mind is still in survival mode. This is the lingering effect the text explicitly mentions. And the clean air, the green mountains, the stream water—all of these are symbols of what the apocalypse destroyed and what she's now reclaiming. The world isn't just a setting; it's the physical manifestation of everything she fought for. Her parents died developing a serum to suppress the zombie virus, and now she lives in a world where that virus never existed. Every breath she takes is a victory. The recurring motif here is contrast. Past vs. present. Apocalypse vs. peace. Submission vs. defiance. The original Zhou Xiaomai was a doormat; the new one speaks her truth in a bank full of strangers. The transformation isn't just internal—it's reflected in the world around her.
I don’t understand why readers on NU keep giving low ratings because they can't see character development. If you're desperate for character development, you might want to read books tagged as "New York's Best Seller"; it seems like you should be reading those kinds of books.
The translation is quite decent. It's not so bad that it feels like you're reading a machine-translated work. Those who give poor reviews based on the translation are either too picky, act like they know everything, or have very low reading comprehension.
The book is well-written, and the story is laid-back. If you've watched or read "Campfire Cooking in Another World with My Absurd Skill," you'll find a similar vibe when reading this one. The movies and series the author describes are captivating, and reading those scenes will make you feel like you're watching a real movie. I particularly enjoyed the films "Over the Rainbow" and "My Clinic" (the series where the protagonist grapples with whether he's using his ability just right or overusing it).
The main character has lived multiple lives, some short, some long, but he has never been human in any of them. He is always a monster.
All the books present stories where he dies young. These include tales of weak monsters and monsters with short lifespans. He can't even estimate the number of books here.
From these lines, you can understand how many lives he has led and how many deaths he must endure to achieve a peaceful life in a human body.
So, what kind of character development do people expect from him? If I were a god and saw the main character go through all those lives, I would place him in a world where he could live a peaceful, fulfilling, and easy life.
Some might think he's overpowered because of the library. Not true. He practices and learns for each role he takes on. He studied the violin, learned to dance, and even acted. He practiced and waited for eight months to perfect his role as a villain. The books and his ability only provide the aura he needs for the role, making it more realistic and closer to what he wants. He still does the acting himself (you'd have to be pretty dumb to think it's all thanks to the ability).