Good story. Nice characters, they are a little off sometimes but still a nice story.
Great book!! One of my favorites so far on this Ap!! Loved all the characters and side stories!! Great job Natie!! Highly recommend!!
Another good read from Jane Doe. She never disappoints. Loved the way the characters interacted and matured as the story progresses. And Lilac - she is just one strong- willed, non-nonsense gal. Loved her!
Complete non-sense, since the \\"time-skip\\" I cannot understand a thing from this novel anymore. So disappointing, I liked this novel at first and I'm reading it day night but its now a mess.
Love the story!! Write more pls.
Love this writer. All of her books are excellent, but this one, by far, has become one of my favorites.
I loved the first book and recommend it...how ever the sequel that continues after it finishes, unfortunately, is seldom updated. So, I wouldn't recommend starting it and paying for the chapter. Unless it is completed as well.
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Nice story ...You will fell love everywhere...
I have read this chapter over and over I love it. Hopefully anne finds something soon
it's great
There's this one detail that kept looping in my head: the hair. Yun Xi notices her hair is knee-length, and the author specifically contrasts this with her previous life where she kept it either shoulder-length or in a crew cut because she lacked patience. Hair here isn't just physical description—it's a symbol of identity, of the life she's leaving behind versus the one she's entering. In her old life, she controlled her appearance. Short hair, practical, suited for diving and parkour and bungee jumping. Here, she wakes up with hair she didn't grow, that reaches her knees, and she has to casually lift it up to inspect it. It's not hers, but it's on her body. That dissonance between self and vessel is the core theme of transmigration, and the author expresses it through something as simple as hair length. The canopy bed is another symbol worth noting. Enclosed but not suffocating. It's a liminal space—between darkness and light, between death and life, between who she was and who she's becoming. She's literally under cover, hidden, in a transitional state. The bed curtain is both protection and confinement, which is exactly where she is as a transmigrator. And the hard pillow versus the soft quilt? That contrast mirrors her entire situation. The outer world (the quilt, the appearance of comfort and wealth) is soft and smooth, but the underlying reality (the hard pillow, the hard bed, the painful information dump) is unforgiving. She's wrapped in the illusion of safety while lying on something that hurts. That's a pretty sharp commentary on transmigration itself—the fantasy of a fresh start versus the brutal reality of adapting to an unknown world.