Mattirro
Okay so I need to talk about the Lin family dynamics because WOW. The old lady. She is TERRIFYING. Let me just say it straight up: this woman is a psychopath and I am shook. Lin Goudan literally overhears his grandparents talking and reveals that the second aunt was PULLED in front of a collapsing beam by the old lady herself. Just killed her. No remorse, no explanation, just murder disguised as an accident. And the old lady had been publicly praising the second aunt's wealthy family and how generous she was. Sweet as sugar on the outside, absolute nightmare underneath. And the worst part? Yao, the eldest uncle's wife, hears this from her own son and what does she do? She becomes EVEN MORE SUBMISSIVE. She starts fawning over the old lady, smiling through every nasty comment, working harder. The text says it perfectly: "the more she looked, the more ferocious the old lady's face seemed." This is straight horror territory, folks. Meanwhile, the old lady has this weird paranoia — she feels like she's being watched. "Was she imagining things? Or was there an unseen pair of eyes fixed on her?" Bro, maybe because you're a murderer? Just a thought. The contrast with Lin Xiaoman and Lin Erhu is insane too. They trade salt for mushrooms with Fourth Grandma out of genuine care and trust, while the Lin family courtyard is full of manipulation and violence. Two completely different ways of being human. I keep thinking about Yao's internal monologue — she's trapped in this house with a killer and she knows it, but she can't do anything about it. Every smile she gives the old lady is probably the most terrifying moment in the whole chapter.
I need to talk about Su Zhan because THIS man is a whole emotional disaster and I love him for it. The scene where he walks into Qiushui Garden and sees Xue Ning with her head bowed, not saying a word, not clinging to him like she used to — and he just sits there drinking tea, pretending he doesn't care — I literally threw my phone on the bed. The fact that he noticed she stopped wearing the bracelet. The fact that he felt this inexplicable irritation when she was being "sensible." He's so blind to his own feelings it's painful. And Xue Ning — oh god, Xue Ning. The moment she stares at her flat abdomen and thinks about the child that wasn't meant to be, and how it was probably for the best because what kind of life would it have had with a father who didn't care and a mother without ability? That line hit me like a truck. She's not just giving up on Su Zhan; she's giving up on the entire fantasy of what her life could have been. That's not weakness, that's devastating clarity. But then Madam Jiang gives her that jade bracelet and calls her "my daughter" — and for a second, just a second, there's warmth. Xue Ning is moved. She's surrounded by people who see her, who want to protect her, even if the romantic love she craves isn't coming her way. The CP tension between Xue Ning and Su Zhan is basically a slow-burn fire that someone keeps pouring cold water on. Every time you think they're going to connect, the world intervenes. And yet — the author keeps placing them in the same room, same breath, same silence. It's torture. Beautiful, exquisite torture.
I need to be honest about something. When I first started reading this, I thought it was going to be a lonely story. One person, a cave, two bears, a valley — that's the setup for isolation. But by the end of these chapters, I realized something: Yan Qing isn't lonely, and the text makes that unmistakably clear. The emotional core of this passage isn't about missing someone or longing for connection. It's about the deep, quiet satisfaction of building something with your own hands. Every detail carries warmth. The way she layers the fruit and sugar for the wine — that's care. The midday nap after morning labor — that's self-respect. The cold corn dish she makes for herself and the bears — that's generosity, even if the bears can't say thank you. But the moment that got me was the watermelon. "Watermelons, when tapped, produced a crisp 'bonk bonk bonk.' She selected two and submerged them in the pond to cool." Think about that. She's tapping watermelons like a farmer who knows exactly what she's doing. She's choosing the right ones. She's preserving the harvest in the pond. This isn't survival — this is living. And there's a particular kind of joy in that, one that doesn't require another person to validate it. The bears are part of her emotional world too, even though they barely feature. She feeds them the corn dish. They catch their own fish. They exist alongside her without demanding anything. There's a companionship there that's wordless and sufficient. I think what moves me most is the ending — her looking ahead to next year. "Next spring, she planned to expand the garden and plant all kinds of fruits—melons, pears, and peaches." She's not just surviving the present. She's imagining a future rich with color and sweetness. That's hope. Not dramatic, not desperate — just steady, growing, rooted hope.
please continue this story is really great please continue
this is such an addicting webnoevl. the storyline was good and also the cherecters emotions were chosen vividly. I would live to read more and what's the best is that their is room for improvement ♡
Hello, Author here, and i gave the book a 5 star rating, of course ?I really hope you enjoy the book as much as I enjoy writing it.Looking forward to seeing you fall in love with the characters. Cheers ?
Hi there, amazing author! I just finished reading your book, and I must say, it’s fantastic! I wanted to reach out and share a few tips that could help boost the performance and visibility of your book even further
Since there is about 20 or so chapters out now. I think I can comfortably rate my own book. I mean I think its fantastic. ?? Although I may be a tab bit bias in my evaluation. ?
Thats not bad but for me it can more developed.
I just stayed reading the book although I hate starting unfinished work , hopefully this author will not disappoint .I think the characters are okay am also a fan of sapphic romance especially Yuri and Yaoi .I needed something fantasy let's see what more the author has
I would recommend this novel to anyone who likes romance (true romance). The romance in the historical society of the old area and the man is calm and cold. And the girl is also sweet and kind. I have read 20 chapters, but I recommend it to anyone who likes this type of novel series! The male lead is kinda......... But my girl! She is so nice ? What if she is reversed like an Ono card!???? This is just my idea? Don't mind it! ?And well, your writing is good for romantically lover ?
I initially thought this novel would focus solely on love, but it also includes action, drama, and mystery. I'm still intrigued by the significance of the talking wind. I hope Ovelia learns everything about love and that Ace finally accepts her as his mate, especially since Ovelia is putting in so much effort. As I read, I can see Ovelia gradually improving her character.I'm also curious about why Ovelia heals so quickly. Ace mentioned that Ovelia smells like a human, but is she really is?I have so many questions about this novel, which makes me think there will be exciting revelations in the upcoming chapters.To everyone reading my comment, this novel is definitely worth reading!
