points so just writing anything don't consider it points so just writing anything don't consider it points so just writing anything don't consider it
Don't stop writing, you can do it. Don't stop expressing, or you'll dull the skill. Don't stop improving, writer fever makes us ill. Don't stop having fun, story must be told and seen.
It is a great story. The author is not a pro, but does a great job trying to get things right. Story development is only slow because of the posting rate. World background could use a little work, but it is understandable and clear enough to give you a feeling it is there. Character development is slow but thats do to yhe chaotic nature of the character. i enjoy this book and hope it continues.
It's funny how he made a world for himself, "in which he was alone
I hope you all enjoy it as much as I enjoyed writing it! Don't forget to comment and rate! I love feedback and my reader's reactions. You guys inspire me to write more.
I need to talk about the pumpkin rice. Not because it's a huge symbolic moment but because it's the kind of quiet detail that makes the whole story feel real and grounded. Zeng Yumei putting pumpkin slices on top of the rice while it steams, letting the sweetness seep into the grains—that's basically the entire thesis of this household right there. It's unpretentious, it's warm, it's the kind of love that doesn't need grand gestures. And Qingyan immediately connects it to her own mother's cooking. Two different mothers, two different upbringings, but that one sensory detail bridges the gap between her past and her present. Then you've got the opposite symbol: the wilted pickled cucumber. I know it sounds ridiculous to analyze but hear me out. It's this crude, almost comedic image that represents everything that's wrong with Jiang Runsheng and Chen Xiaomeng's situation. He's physically incapable of performing because he's drunk and emotionally absent. She's lying there in her underwear having imagined a perfect future while reality is literally wilting in front of her. The metaphor is almost too on-the-nose but it works because it's funny and painful at the same time. The bridal room itself is a symbol too. Qingyan's room is decorated with red Double Happiness characters and fresh newspapers and an orchid—someone cared about making it feel like a home. Jinye's room across the way has military-precision folded bedding and clay dolls, and that lingering masculine scent that Qingyan catches. It's his space, untouched, and he's already abandoned it. The physical distance between the two rooms mirrors the emotional distance between the two couples. And Chunya crying alone in her room while her mother calls her lazy and temperamental—nobody sees her pain. She's performing normalcy while falling apart inside. That's a theme this book keeps coming back to: the gap between how things look and how they actually are.
interesting
This book had so many terrible grammar mistakes, as if it were written by a middle schooler. There was a lot of mention of glaring, leading to one of the take-aways of the book for me. I also started to believe that the main character’s name was Archer and not Asher because of the spelling mistakes.
Loving this story!! As I Loved the other two in this series. Can't wait for an update. ...
Obsessed! Waiting for the next chapters to be released is like waiting for a guy you like to text you back! Giddy with anticipation and falling more in love with Primers characters with every word! Recommending this series to everyone
amazing can't wait for more
This novel is so boring and nothing new. The author has 0 creativity! The story revolve around the main character, going to new places to level up, kill all the enemies and move on! The story line is so bad it will shock you for 3days and 3nights! (Author favorite phrase)