Good read! Loved the ending ❤️
❤️❤️❤️❤️❤️❤️❤️❤️
A gripping and different take on werewolf and human interaction.
❤❤❤❤❤❤amazing
it was the best I have read so far
Loved it !!!
Lovely story with wonderful characters.
A good read.
Chapters need to be longer, but the story line is great can’t wait for the rest of it.
Don't bother reading this book. This is the absolute definition of a TRASH!
great book!
I have to say, the author really knows how to paint a scene. The train carriage description is one of those moments where you immediately feel like you're standing right there in the 1970s. Let me just quote this because it's too good: "Inside the 1970s train carriage, the air was thick with the mingling scents of sweat, poultry, and cheap tobacco — a combination that made Song Fanghua feel somewhat uncomfortable." Can you smell that? I can. It's disgusting and vivid and absolutely real. The author doesn't just tell us it's the seventies — they make you experience it through sensory details. The crowded carriage, the overhead racks, the three-person seats, the people squeezing past with food... it all creates this immersive, almost cinematic atmosphere. But what I love most is the contrast the author sets up. On one hand, you have the cramped, suffocating Song family home where Fanghua has been trapped. On the other hand, this filthy, noisy, overcrowded train carriage — and somehow, it gives her "a sense of freedom." That's such a powerful image. The world outside her prison, even at its most uncomfortable, feels like liberation compared to what she's leaving behind. And the Haijiao Cun detail — choosing a remote fishing village because of the sea and year-round spring weather — shows how the author is building a world that has real economic logic behind it. This isn't just a backdrop; it's a setting where Song Fanghua's future as a "seafood tycoon" actually makes sense. The world feels lived-in and purposeful, not just decorative. That's rare in this genre.