It was so good to church with python family and friends now I have a friend that I love love and feelings and I don’t want that I love love him don miss me and my love I wan see how it is when you come back to me and my love I don’t want you feeling sick I’m tired abeg tired and I don’t know what to do it I don’t want you getting mad at you I’m not going home you don’t know how how to you feel better I don’t understand you do it you don’t know how you want me I
You should trust the author's review. Even though the novel has a slow pace, but the quality of the story, character, and the plot will never make you disappoint. If you search for the second chance novel with clever MC, you will fall in love with this novel.This author really need to be blamed for addicting others with his novel.
This story begin with a very OP Mc who can summon high level creature and litteraly the definition of OP characters but this is not really a problem for me. They are a lots of novels with OP Mc who is pleasure for reading.The mc class is summoner ?? LONG LIVE TO ALL SUMMONER!!! (FUCK THIS MC).So the problem in this novel is mc personnality, he repeat every second that the Humanity is "HORRIBLE HAAHA FUCK HUMANS ALL OF YOU ARE EVILS" he can save people easy but why if you can be a dark cucklord who just save people with potential that I think will be forgotten in the future.So the is just random dark mc who can't believe in humanity but he think only people with 3 of IQ can read that and should see a shrink.I rarely do 1 ☆ review because if I don't like a story I just drop and leave people like their kind but the story is filled with shit by the author who don't care about other humans(I think he is 40 yo virgin who the GF left him) (all my respect to the virgins)
Truly an excellent story. The world is awesome! There were some tense issues in the first few chapters, which have since been fixed. I hope that the author continues with this and gives us hundreds- maybe even thousands- of chapters. This one has the potential to make it up there with Castle of Black Iron or Martial World. This author has a gem; however, the key to popularity- and money- on this type of site is regularity of releases. I hope that the author can regularly release 1 or 2 chapters a day. If so, this will be one of the most popular stories on qidian.
This is prime example how you do NOT write a good fantasy novel. The story is all over the place. Characters act like a binary code - one second they are admiring mc, then over some non-existant cause they are out to gouge his eyes with a spoon (real people don't act like that, which may be a surprise for author). Mc himself is badly written mary sue. The world is generic and rules are non existant, cause author writes them down ONLY for the mc and any other character to break them in the next paragraph. Oh, also "zoomer language" is not helping. Over all this is worst novel, no, worst piece of media I saw in a LONG time. So am I writing this? Well, you see, this TEXT is somehow 4th place in rating, hence why I picked it up. Turns out, you should never trust in ratings.
You Killed It...You Killed It...You Killed It...You Killed It...You Killed It...You Killed It...You Killed It...You Killed It...You Killed It...You Killed It...You Killed It...You Killed It...You Killed It...You Killed It...You Killed It...You Killed It...
POV i think that the author does wrong with Conrad's character, delivering him as a willingness child without at all self respect... Dialogues keep repeating themselves in various occasions!!! Discontinued for me at chapter 43!!!
i think the book is nice, I'm more drawn to the female lead than other characters. more updates
The conflict in this chapter operates on so many levels it's almost dizzying. On the surface, there's the external threat — the flood, the cold, the desperate neighbors. But the real stakes are internal, between the four brothers. Remember earlier when they were ready to kill each other over Li Tong? This chapter shows us the aftermath of that. They've all survived the physical fight, but the emotional damage is clearly still there. Xiong Ji hasn't shaved in three days. Nan Qi and Xiong Ji don't even dare to approach her at first. They're all carrying guilt, fear, and this desperate need to make amends. The scene where they realize they're going to share her is the turning point. It's not a happy resolution — it's more like three men looking at a terrible math problem and deciding that the only way none of them lose is if they all share the prize. Qin Shuo says it plainly: 'I can't be without her!' And Jiang Xun's response — 'What difference does it make? Doesn't it all end the same, with the loser crawling away?' — that's the real stakes laid bare. Every version of this ends in pain for someone. And Li Tong? She's caught in the middle of all of it. She's the one who triggered the knife incident, the one who collapsed and scared them half to death, the one they're now competing over. But she's also the one holding all the power — her healing ability, her Small World, her affection. The stakes for her are different: can she survive being loved this intensely by four people who are clearly not okay?
'The sound of a train whistle drifted through the window into the bustling office.' That first sentence is doing so much heavy lifting. In eight words, we're in a specific time, a specific place, and we understand that this is a working-class world where trains and buses are the arteries of daily life. The author doesn't need to explain that this is 1976 China—we feel it through the Zhongshan suits, the 'comrade' address, the iron rice bowl obsession, the educated youth reference hanging in the background like a storm cloud. The sugar factory residential compound is such a vivid setting. It's not just a backdrop; it's a character. The courtyard apartment where two branches of a family live crammed together, the shade of the tree where grandmothers gossip, the dust on the dirt roads, the rooster that wakes everyone up at dawn—these details create a world that feels lived-in and specific. You can smell the cooking oil, hear the neighbors arguing through thin walls, feel the cramped intimacy of a family that has nowhere to hide. The contrast between the bright public performance and the dark private reality is built into the setting itself. Outside, under the tree, Grandma Huang Caiying is radiant and proud. Inside, the dinner table is a battlefield. The courtyard apartment forces every secret into the open—there's no private space, no escape from family drama. That's brilliant environmental storytelling. And the old house in Hekou Village, collapsed and overgrown, waiting to become valuable—that's such a powerful image. It's a physical representation of what this family has lost and what they might yet gain. The author is planting seeds in the landscape that will bloom later. I love how the setting itself feels like it has memory and potential.
great book.....
Loved this book! It kept my interest as there were many plot twists and I couldn’t stop reading until it was over!