Summary

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Tan Qinyin is a successful online romance novelist who enters an arranged marriage with Lu Yanzhi, a man from an old Beijing family. The union was orchestrated by Lu Yanzhi’s grandmother to fulfill her dying wish, and although the couple had known each other since childhood, their wedding night was platonic. Lu Yanzhi requested a year-long period of getting to know one another before consummating the marriage, a request Tan Qinyin accepted with the assumption that his kindness indicated genuine affection. For twelve months, Lu Yanzhi played the role of the perfect husband, remembering her preferences and treating her with consistent tenderness. However, the illusion shatters when Lu Yanzhi falls ill and murmurs the name Shen Yaoyue in his delirium. Tan Qinyin, who had never heard the name before, is left devastated and confused, realizing that her husband’s heart belongs to another woman.

The emotional distance between them becomes palpable during a social gathering where they play a drinking game. When tasked with kissing his partner, Lu Yanzhi refuses to engage with Tan Qinyin, instead drinking the penalty himself and coldly shutting down the teasing of their friends. Tan Qinyin overhears a conversation between Lu Yanzhi and his friend Zeng Yiyang, confirming that Lu Yanzhi married her only out of familial duty and still harbors deep feelings for Shen Yaoyue. Heartbroken, Tan Qinyin decides to end the marriage and initiates a separation. She plans to return to her hometown of Nan City, but before she can formally discuss the divorce with Lu Yanzhi, she is involved in a severe car accident.

Tan Qinyin suffers a concussion that results in retrograde amnesia. Upon waking in the hospital, she does not recognize Lu Yanzhi but instead identifies Chu Nanyu, a cold and aloof friend of her brother, as her husband. Medical experts warn that forcing her to remember the truth could cause a mental breakdown, so her brother Tan Yan makes the difficult decision to have Chu Nanyu temporarily pretend to be her spouse. Chu Nanyu agrees to the arrangement, moving Tan Qinyin into his luxurious residence and assuming the role of her devoted husband. Despite his initially reserved demeanor, Chu Nanyu finds himself drawn to Tan Qinyin’s innocent and affectionate nature, which contrasts sharply with the polite distance she maintained with Lu Yanzhi.

Lu Yanzhi, who had planned to finalize the separation, is forced to watch from the sidelines as Tan Qinyin grows closer to Chu Nanyu. He struggles with jealousy and regret, particularly when he discovers that Tan Qinyin had intended to register their marriage officially before the accident. The situation becomes increasingly complex as Tan Qinyin, unaware of her past with Lu Yanzhi, begins to fall for Chu Nanyu. She writes a novel with Chu Nanyu as the male lead, and their interactions grow intimate, blurring the lines between his performance and his true feelings. Lu Yanzhi confronts Chu Nanyu, warning him not to take advantage of the situation, but Chu Nanyu remains unmoved, confident that Tan Qinyin will eventually remember the truth.

As Tan Qinyin’s recovery progresses, the fabricated memories begin to clash with reality. She notices the absence of wedding rings and feels a growing confusion about her past, yet her bond with Chu Nanyu strengthens. Lu Yanzhi, realizing he may have taken Tan Qinyin’s devotion for granted, becomes desperate to regain her trust. The story moves toward a critical juncture where Tan Qinyin must reconcile her current happiness with Chu Nanyu against the reality of her past life with Lu Yanzhi. The central conflict revolves around whether love can be built on a foundation of deception and if Tan Qinyin can ever truly choose between the man she remembers and the man who has cared for her in her time of need.

Novel Items

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Event
A card game played at the private club gathering. Tasks included revealing the name of an ex for the Ten of Hearts, a princess carry task for two men, and the King of Hearts must kiss someone of their choice for three minutes. Zeng Yiyang became the King and set the kissing task. Lu Yanzhi drew the Ten of Hearts and Tan Qinyin drew the Three of Hearts.
Communication
Digital messages exchanged between characters. Tao Wanxing receives messages from her sister questioning why she hung up and asking about Meng Chu. Later, Gu Yue sends Tao Wanxing photos and messages about seeing Meng Chu with Zhu Yan, causing Tao Wanxing distress.
Event
Four days before the story begins, Guan Xuxu was thrown over 20 meters by a car while saving Guan Ruirui. Everyone thought she would not survive. The Guan family's first reaction was to comfort Guan Ruirui rather than check on Guan Xuxu. She survived without a scratch, which Bai Shuqin privately suspected might mean she is some kind of monster.
Event
A medical condition Tan Qinyin developed after her car accident. She retains memories of her parents, brother, and herself, but cannot remember Lu Yanzhi and instead mistakes Chu Nanyu for her husband. She only remembers his surname is Chu and a small mole at the corner of his eye.
Item
A gift Lu Yanzhi offers Tan Qinyin as a way to coax her when she is unhappy. She declines, saying there is no need.
Item
A meal Chu Nanyu brings Tan Qinyin in a thermal lunchbox after she wakes up in the hospital. It is described as light yet flavorful.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c11
2026-08-11shanghai fantasy c10
2026-08-11shanghai fantasy c9
2026-08-11shanghai fantasy c8
2026-08-11shanghai fantasy c7
2026-08-11shanghai fantasy c6
2026-08-11shanghai fantasy c5
2026-08-11shanghai fantasy c4
2026-08-11shanghai fantasy c3
2026-08-11shanghai fantasy c2
2026-08-11shanghai fantasy c1

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Popular reviews

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I keep coming back to the hands in this text. They're everywhere — Tan Qinyin hooking her finger through Chu Nanyu's knuckle, Lu Yanzhi's knuckles turning white from clenching, Chu Nanyu's 'well-defined, fair, and slender' hands that Tan Qinyin examines like they're something precious, the 'large hand' that blocks her phone screen. Hands are how these characters touch, control, reject, and connect. They're the physical language of a story where words fail. Then there's the name 'husband.' Tan Qinyin changes it in her phone from 'Chu Nanyu' to 'husband' — a tiny act of reclamation, of making the fabricated memory feel real. But names are also what Lu Yanzhi loses. She doesn't call him husband. She doesn't call him anything. He's reduced to 'Brother Lu' — a title that's both intimate and distant, like their relationship now. The name 'husband' belongs to someone else now, and he can't take it back without hurting her. The novel-within-a-novel is the biggest symbol though. Tan Qinyin wants to write 'The Iceberg Husband Keeps Getting Teased into a Smile' — she's going to turn her own life into fiction, control the narrative, decide how the story ends. But whose story is it really? Is she writing about Chu Nanyu because she's falling for him, or because it's safer to love a character she controls than a real man who might hurt her? And what about Lu Yanzhi — is he a character in her story at all, or has he been written out? The peanut soup is another detail that sticks with me. It's domestic, intimate, the kind of thing a real husband would remember. Chu Nanyu performs this role so well that Tan Qinyin's body responds to it — she smiles, she hooks his finger, she feels safe. But it's a performance. Or is it? The line between fabricated memory and genuine emotion is thinner than any of them realize. And Shen Yaoyue. That name. It appears once, in a phone call flashback, and it changes everything. Who is this person? Why did Tan Qinyin ask about them right before asking 'do you like me?' and then hanging up? The name is a ghost in the text — absent but omnipresent, like the truth that's been there all along.
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Okay so let me just... sit with this for a second. The whole Lu Yanzhi-Chu Nanyu-Tan Qinyin situation is absolutely delicious and I have so many thoughts. First off, Chu Nanyu. This guy is so calm about the whole thing. His friend's wife has amnesia and thinks HE is her husband, and he just... agrees? No drama, no hesitation, just 'alright' and starts bringing her peanut soup the next morning. But here's the thing that got me — when Tan Qinyin hooks her finger through his knuckle and says 'thank you, husband,' the text says 'the lingering warmth on his fingertips seemed to hold the touch of the woman.' That line hit me like a truck. Is he feeling something? Or is he just good at acting? I need to know. And Lu Yanzhi! Poor guy. He shows up, his wife looks at him like he's a stranger, and then watches her call another man 'husband' while that man carries her to the car. The trash can kick at the end? Chef's kiss. That's not anger, that's pure helpless frustration. He can't force her to remember him without risking her mental health, and he can't exactly tell Chu Nanyu to back off because... well, his brother-in-law vouched for him. The dynamic between Lu Yanzhi and Chu Nanyu is everything though. They don't even throw punches — it's all silent glares, clenched knuckles, and loaded pauses. When Chu Nanyu carries Tan Qinyin past Lu Yanzhi and just... lifts his eyelids slightly to meet his gaze 'without any extra emotion,' that's not calm, that's dominance. He's asserting himself without saying a word. Also the detail about Tan Qinyin changing his contact from 'Chu Nanyu' to 'husband' on her new phone? I literally gasped. She has no memory of him but her subconscious still wants him close. That's either the sweetest thing or the most manipulative thing depending on how you look at it. Who else is noticing the Lu-Chu family tension? Tan Yan literally says 'I know the relationship between the Lu and Chu families isn't harmonious' — so these two guys have history beyond just this situation. What did I miss? What happened between their families?!
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The pacing in these chapters is so deliberate it almost hurts. The author takes their time — and I mean that as a compliment. Every scene lingers just long enough for the emotional weight to settle before moving to the next beat. Look at how the hospital scene unfolds: Tan Qinyin wakes up, doesn't recognize Lu Yanzhi, Tan Yan covers, Chu Nanyu arrives with soup, Tan Qinyin lights up, Lu Yanzhi darkens, they step into the corridor for 'the talk,' back to the room, the carrying scene, the car ride, the contact name change. It's a chain of emotional escalations that never lets you catch your breath, but each beat gets its own space to breathe. No rushing. The corridor conversation between Tan Yan and Lu Yanzhi is a masterclass in pacing. It's the only scene where the romantic tension pauses and the plot actually moves forward — explaining the amnesia situation, establishing the rules, raising the stakes about Chu Nanyu 'overstepping.' It's necessary exposition but it doesn't feel like exposition because it's wrapped in Lu Yanzhi's raw emotion. 'You're saying I should calmly watch as my wife calls another man husband?' That line does triple duty: it's plot explanation, character revelation, and emotional devastation all at once. The flashback to the phone call where Tan Qinyin asks 'Who is Shen Yaoyue?' and then 'Lu Yanzhi, do you like me?' before hanging up — that's dropped in right when we need it most. It reframes everything. This isn't just about amnesia. There was ALREADY trouble in the marriage before the accident. The pacing here is surgical: reveal the amnesia crisis, let it sink in, then drop the bomb that the crisis might have been coming anyway. The chapter ends on the contact name change and the novel title idea. Perfect cliffhanger. Not a cliffhanger of danger or drama, but of emotional implication. What happens when she starts writing him? What happens when Lu Yanzhi finds out? The author knows exactly how to keep you scrolling.
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I need to talk about the bedroom scene because the author really went all out here and I am HERE for it. "The room was decorated in cool-toned Morandi colors, simple yet elegant." — okay first of all, Morandi colors on a man who supposedly can't even share a bed with his wife? The aesthetic matches his personality perfectly. Everything is muted, controlled, put together but emotionally distant. It's a man cave disguised as a bedroom. But then — "The crisp, clean scent unique to him lingered in the air around her, and she blinked. A strange, unfamiliar feeling surged straight to her heart." This is the kind of sensory detail that makes me actually feel like I'm in the room. The scent isn't described as cologne or perfume, it's described as UNIQUE TO HIM. That's intimate in a way that doesn't require physical contact. And then the hairdryer scene! The low hum, the rustling, her patting the bed — it's so domestic and ordinary and that's exactly why it works. This isn't a dramatic confession scene or a rain-kiss. It's two people in a bedroom at night and the tension comes from what's NOT happening. He lies on the edge. She pulls his arm into her embrace. He doesn't pull away. The silence after she says "This way, you won't run off in the middle of the night" is deafening. The hospital VIP infusion room is another standout — quiet, clinical, but somehow more intimate than the bedroom because now they're forced to interact without the buffer of their own space. "The VIP infusion room was very quiet." Four words and I can picture the whole scene. The author knows how to use silence as a setting.
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The stakes in this section are deceptively low on the surface but actually really high underneath. Let me explain. On the surface: a woman notices her husband sleepwalks, he gets a fever, they go to the hospital. Sounds like a slice-of-life chapter. But the REAL conflict is internal and it's building like a pressure cooker. Chu Nanyu's conflict: he's physically repulsed by sleeping near his wife (hence the sleepwalking avoidance) but he also clearly feels guilty about it. "I didn't want it to be like this" — he wants things to be different but doesn't know how. His fever forces him into a position where he CAN'T maintain his emotional distance. He's vulnerable, dependent on her care, and he hates it even as he needs it. Tan Qinyin's conflict is subtler but equally important. She's caught between her physiological memories from her past life and her current reality. That "strange, unfamiliar feeling" in the bedroom — is it attraction? Is it nostalgia? Is it the ghost of a previous relationship resurfacing? She doesn't fully understand her own emotions, which makes her reactions unpredictable and therefore dangerous to Chu Nanyu's carefully maintained walls. The stakes escalate when she discovers her novel on the computer. Now she has a fictional version of their relationship that she's already written — meaning she has expectations, a narrative arc, a projected ending. What happens when reality doesn't match her story? Or worse — what if reality matches it too closely? The hospital scene raises the stakes one more time. He's sick, she's caring for him, and for the first time he's not pushing her away. The conflict isn't resolved — it's just paused. And that pause is more terrifying than any argument could be, because it means he might actually let her in.
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The stakes in this story are deceptively simple on the surface — a woman with amnesia, a pretend husband, a real husband watching from the sidelines. But dig into it and the conflict is layered like an onion that'll make you cry. On the external level, the conflict is clear: Lu Yanzhi vs. Chu Nanyu, fighting over a woman who can't remember either of them. But the real tension comes from the fact that NEITHER man can actually do anything about it. Lu Yanzhi can't force Tan Qinyin to remember him — the doctor literally says it could cause permanent damage or a mental breakdown. Chu Nanyu can't confess that he's not her real husband because... well, why would he? The situation benefits him, and he's clearly not unhappy about it. But the internal conflicts are where this story lives or dies. Lu Yanzhi is fighting something he can't name — jealousy, yes, but also guilt. That phone call flashback reveals everything: Tan Qinyin asked 'Who is Shen Yaoyue?' and then 'Do you like me?' and hung up. Something happened BEFORE the accident. Is he guilty of whatever caused that conversation? Is that why she's distancing herself even before the amnesia? Chu Nanyu's internal conflict is more subtle but just as important. He's playing a role, but the text keeps showing us cracks in the performance. His back stiffens when she plays with his hand. He notices the redness at her eyes. He brings her soup from a specific auntie. These aren't the actions of a man just doing a favor for his friend. He's investing. And that's dangerous — for her, for Lu Yanzhi, and increasingly for himself. The stakes keep rising too. It's not just 'will she remember' anymore. There's the family history between the Lu and Chu families. There's Shen Yaoyue. There's the fact that Tan Qinyin is a writer who's about to immortalize this whole situation in fiction. Every layer adds pressure. And the author isn't rushing to resolve any of it — they're building a slow, inevitable collision course. The trash can kick. That's the moment the conflict becomes physical. Lu Yanzhi can't scream, can't fight, can't force his wife to remember. So he kicks a trash can. And then Chu Nanyu carries her out past him like he owns the place. The next confrontation is coming, and it's going to be explosive.
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