It’s a nice story with a roller coaster of situations and emotions!
Thank you so much for this great work dear Author I’ve always been crazily waiting for your newest updates, couldn’t stop coming back to check if you got it updated coz the app notifications always came so late (sometimes almost a day) after latest chapter released.
Currently on Ch 5, interesting.
Nice story, i hope the author will update more often
Great story! Kept me engaged throughout.
amazing amazing amazing ... ... ...️ ... ... ...️ ... of course muse never serves anything less than amazing ... ... ... ...️ ... ... ... ... ...
it is beautiful hope sofiya does not hold any bad thing in her heart
Super Cute!!!!
Great plot! Loved the growth in FML. 100% outstanding.
this story is awesome!!!!! love it!!!!
I don't usually comment on dialogue, but this author has a genuine gift for making characters sound like actual human beings instead of plot devices wearing skin. Take Chen Zhiwei's line: 'If others don't provoke me, I won't provoke them. But they went too far, so I had no choice.' That's not something people say in real life—that's something people SAY when they're trying to sound reasonable while being absolutely done with someone. And it's perfect because it's exactly how Zhiwei operates: she's not aggressive by nature, but she's not naive either. The dialogue captures her moral compass without making her sound preachy. Then there's the village head: 'The riverbank land is poor and usually unwanted, but it's close to water—suitable for a workshop.' This is functional dialogue that also world-builds. We learn about the land, about priorities, about how decisions get made in this setting—all in one sentence that sounds like something a village elder would actually say. But the dialogue that really sold me was the villagers gossiping. 'Stubborn Madam Wang! If not for you, we might have signed up and gotten in.' 'Exactly! Chen Dashan, can't control your wife and can't shut your mouth yourself… truly bad luck for our village having you two around.' This is how people actually talk when they think no one important is listening. It's messy, it's petty, it's alive. And the author lets it breathe without moralizing. Zhiyi's voice is also distinct—his stammering 'R-Replying to Teacher… I… I don't know any characters… I can count… to ten…' with each word getting softer. You can hear a child's shame in those ellipses. And then later, 'Sis… I… I don't understand most of it…'—the repetition of 'I' shows he's still processing, still embarrassed, but trusting his sister enough to be vulnerable. The narrative voice itself is warm without being saccharine. It describes scenes with enough sensory detail to paint the picture but never so much that it slows you down. It's the kind of prose that gets out of the way and lets the characters do their thing.
I loved the first book a cant wait to finish the second.