When’s the next update? I’m dying to know what happens next!
Loved the book. Keep it up .
Don't drag the story too long.
35 chapters 3-12-23
Seriously I read all through the night, I could not put this down. Excellent stories, I don’t want this to end, I am going to miss these characters. WTG outstanding storytelling.
Will there be another story line???
nice story. Check out my new book 'Baby, You Are Mine.' Thank you and much love!!
Does Adrian really have to divorce Violet just because his first love returned? ... you shouldn't toy with people's feelings and emotions like that
Incomplete incomprehensible story
Amazing story loved it !!!!
Dear Author,
When will you update the sequels?
Can we just take a moment to appreciate how natural the dialogue is in this chapter? Because I'm genuinely impressed. The Old Lady's voice is instantly recognizable. 'Get out of here! I was part of the Niangzijun back in the day. Did you think I was like those people who cling to every penny they have?' This is a woman who doesn't mince words, who throws shoe soles as a form of communication, who can go from scolding her son to giving a profound speech about education in the same breath. Her dialogue has texture — it's sharp, warm, authoritative, and funny all at once. Xu Yongze's lines are perfect for his character too. 'Old Lady, you're even bolder than I am!' — this is the carefree, slightly irresponsible uncle who nonetheless has enough self-awareness to recognize when he's been outmatched. And his response to his mother's threat about splitting the household? Just spreading his hands and saying 'See? Did they really think the child was foolish?' He's amused, affectionate, and completely unfazed. This is someone who knows his place in the family hierarchy and is perfectly comfortable in it. But the dialogue that really got me was Taotao's interaction with Zhang Zhaodi. It's so simple: 'Second Aunt!' and then 'I want to go, I want to go! I'll go get the basket. Second Aunt, wait for me a moment.' There's nothing fancy here — just a child's genuine excitement, the kind that comes out in repetition and exclamation marks. And Zhang Zhaodi's response is equally understated: 'Taotao, I'm going up the mountain to dig for some wild vegetables. Do you want to come along?' No grand speech, no emotional declaration. Just an invitation. But coming from someone who hasn't sought Taotao out in who knows how long, it carries so much weight. The narrative voice is also worth discussing. It's omniscient but deeply anchored in Taotao's perspective, with moments where the narrator knows things Taotao doesn't (like the daughters-in-law's true motivations) and moments where we're limited to just her experience. This selective omniscience creates this wonderful sense of dramatic irony — we know more than Taotao, which makes her moments of naive joy even more poignant.