SeraphWedd
really I waited for 4 f*ck*ng month's for ONE F*CK*NG CHAPTER
No no high school dxd is peak ?
This is my first time seeing your comment
The author doesnt own this story anymore, webnovel or something yoinked it from em
Well thats a thing in most of the world all countries have at least one country that if they dont hate they dislike at least and tbh i think the hate between countries is less than it used to be but that can change sadly ?
I wonder why any translators are not pickng it up??
It is such a interesting fan fiction...
I am still waiting???
It turned into sci-fi shit in the end ...
A charming and concise novel. The plot is straightforward, and fortunately, the chapters don’t drag on.
What I appreciate about this novel is that the children genuinely behave like kids—cute and playful. An'an, the main character, is shy and loves to follow her mother around. Contrary to my initial assumption that the father would be a domineering CEO, he isn’t. He’s quite playful and enjoys kissing An'an and Mama.
In one scene, poor guy! Both Mama and the baby tend to ignore him, favoring each other more. Once, Mama had to go on a shoot, and An'an wanted to follow her. However, the director was intimidating, and An'an didn’t want to be near him. She then considered that if she stayed with Dad, she would have to face her scary grandfather. Since she had to deal with a scary older man either way, she chose to stay with Mama, whom she preferred over Dad. ??
Another positive aspect is that, unlike many novels with child protagonists, An'an doesn’t have a suggested future love interest, and no other kids are portrayed as villains. The story focuses on Papa, Mama, and their little baby.
I also loved the character development of the original!FL character. Initially, she was introduced as a typical white lotus—using her daughter to please her in-laws and her scummy fiancé. However, she later began to reflect:
- Why did she allow the scumbag to trample on her dignity?
- When did she start prioritizing others over her daughter’s happiness?
- Why did she act so mindlessly in the past?
Eventually, when the scumbag proposed to her, she rejected him and left the house with her daughter, vowing never to use her daughter for financial gain and to be a perfect role model for her. She even admitted her mistakes to the main character’s mother.
"She was no longer the weak FL protagonist but the protagonist of her own life."
Her daughter, Qiqi, befriended An'an. This child is incredibly mature for her age. Seeing her mother struggle to earn money, she decided to stop dancing (though she eventually rejoined the classes). When anyone teased her for being fatherless, she proudly declared, "I might not have a father, but I have the best mother."
They both support and love each other deeply.
The volume rating is as follows: anything below 7.5/5 receives a mixed response, while 7 and above rates at 3.5. My opinion on Death March (DM) is currently neutral. Both positive and negative aspects have valid points. The main character, Satou, is portrayed as laid-back, highly overpowered, and skilled in various areas, accompanied by a harem.
The decline in my rating isn't due to a decrease in quality; it's simply that the story hasn't evolved significantly since the first few volumes. The dynamics between the MC, supporting characters, and enemies remain consistent, with no major changes or progression. The plot lacks clarity even after 15 volumes, as the enemy identity and direction are unclear. Initially, action scenes were detailed and engaging, but now, they often involve repetitive encounters with underwhelming opponents, such as the always-present "Cocky Bandit A" or similar foes.
There's a lot to discuss, but summarizing the pros and cons is challenging due to the extensive content. In the end, while I occasionally look forward to updates, when it comes to Death March, I find myself thinking, "Maybe I'll check it later."
Ignore the negative reviews from immature individuals who believe one can act freely without respect for status, authority, or wealth (they're clueless!). The main character, MC, is relatable - low on status, limited skills, and financially constrained, akin to a servant bound to obey or face consequences. The setting is harsh, with extreme violence and a rigid social hierarchy. I appreciate that it doesn't feature a typical overpowered protagonist.
I encounter situations where I receive no answers, such as events from three years ago. Was it due to his migration that he hasn't been the same since then? What happened to Tang Jin? And why haven't their last names changed, particularly Dudu? The pace of events feels too rapid and unbelievable. I thought there would be a scene with Ye Fan's parents discussing, but it's missing. Even the character development feels implausible within a year. The female lead's portrayal seems unrealistic to me, but she displays admirable qualities as a mother. Despite its cliches, the overall story has its merits.
The essence of the book revolves around the intense clash and eventual connection between two contrasting characters, who learn to love each other despite their initial animosity. The relationship between the main character (MC) and the love interest (ML) is captivating, with both characters being strong and self-sufficient, which adds depth to their dynamic.
The ML undergoes a compelling character development, outshining the MC in terms of growth, making him one of the most well-written characters in the story. Initially portrayed as a manipulative puppeteer seeking to harm the MC, his motivations evolve into control and eventually love, marked by a profound realization about the nature of desire.
Though the couple doesn't explicitly declare their love, their subtle gestures and interactions reveal their deep affection. The ML's public display of their relationship and commitment is endearing.
However, the story's arcs are mixed, with the school arc losing interest for some readers due to its拖沓 nature and lack of a satisfying supernatural school experience. The plot could have been stronger, and the story didn't live up to its horror tag consistently. There were also underdeveloped aspects, such as the MC's transmigration, the dimensions' significance, and the reactions of those involved in the 'Unlimited Flow' world.
Nonetheless, the book stands out as unique due to its fusion of genres. The enemies-to-lovers trope is executed effectively, with the constant conflict between the MC and ML forming a thrilling foundation for the narrative. Overall, it's a decent read that might pique your interest, especially if you enjoy this particular trope. Give it a try!
