I need to talk about how the dialogue in these chapters operates on two levels, because that's honestly the author's superpower.
Take this exchange:
"You weren't calling me that earlier."
"You're traveling incognito. We mustn't let others learn your identity."
"But there are so many people around now. Aren't you afraid of eavesdroppers?"
"Wife."
On the surface, this is just a couple bantering. But read it again. Ji Zhaohé is deliberately provoking him—she knows he said "Wife" when no one was listening, and now she's cornering him into saying it again in public. It's playful, almost teasing, but there's also genuine testing happening. She wants to know if he means it when it matters. And he does. He murmurs it like it costs him something to say it out loud, which makes it mean more.
The narrator's voice is also doing interesting work. When Ji Zhaohé thinks about Shen Qingtang, the prose gets this almost giddy quality—"soft, glutinous rice cake—utterly squishable." That's not the voice of someone describing their husband; that's the voice of someone who's genuinely delighted to have found someone beautiful to dote on. It's fresh, it's funny, it's completely unlike how the original Third Princess would think.
And then there's the boat scene where the attendants swarm Ji Zhaohé. The dialogue here is almost comedic in its absurdity:
"How old are you, Madam?"
"None of your business??"
"You're so handsome, Madam—"
"I'm well aware."
The internal responses are perfect. They reveal Ji Zhaohé's personality—she's sharp, she's impatient, but she's also clearly enjoying the attention even as she's annoyed by it. And Shen Qingtang's single line—"Fu Jiu, give me the handkerchief"—is so understated it's devastating. He doesn't need to say much. His calmness in chaos is his power.
The author also uses silence brilliantly. When Ji Zhaohé asks "Was it nice?" after the dance and no one answers, that silence speaks volumes. Shen Qingtang is hurt, processing that she brought him to a place where entertainers might flirt with his wife while he sits there like furniture. The fact that he doesn't immediately confront her makes it more painful, more realistic.