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Shen Qingyao was a survivor of the year 3020, living in a post-apocalyptic world where she possessed a mysterious spatial dimension known as the Space. This dimension, originally a mobile game called My City, contained a villa, various shops, and a spiritual spring capable of healing and purifying the body. Despite having the means to survive indefinitely, Shen Qingyao died after showing kindness to a young girl named Liang Xinxin, who betrayed her by poisoning her drink to steal the Space. Upon her death, Shen Qingyao transmigrated into the body of another Shen Qingyao in the Yunyang Kingdom, a dynasty mirroring the Three Kingdoms era. The original host was the illegitimate eldest daughter of the Prime Minister, born with a large black birthmark covering half her face. Although a prophecy declared she possessed the destiny of a phoenix and would marry an emperor, her family despised her ugliness and treated her worse than a servant, locking her away in a secluded courtyard.

The original Shen Qingyao had fallen in love with Xiao Jingyu, the Third Prince, who had courted her under the guise of affection. In reality, he was using her to secure his claim to the throne, as the prophecy dictated that only her husband could become emperor. While pretending to be her devoted husband, Xiao Jingyu secretly maintained a romantic relationship with her younger half-sister, Shen Shuyan. The Prime Minister and his wife were complicit in this deception, viewing their eldest daughter merely as a political tool. After Xiao Jingyu ascended the throne, he immediately deposed Shen Qingyao and elevated Shen Shuyan to the position of Empress. On the day of the enthronement ceremony, the Empress ordered Nanny Zhang to force the deposed consort to drink poison, intending to silence her permanently. The original host had already died of starvation, allowing the modern Shen Qingyao to take over her body at that critical moment.

Upon awakening, Shen Qingyao discovered that her Space had accompanied her to this new world. She immediately turned the tables on Nanny Zhang, forcing the poison down the woman's throat and mutilating her to prevent escape. After disposing of the body with sulfuric acid to destroy all evidence, Shen Qingyao used her Space to purify her new body, removing the birthmark and healing her chronic ailments. She then embarked on a systematic campaign of revenge and resource acquisition. During the wedding night of the Emperor and Empress, she infiltrated the palace and emptied the national treasury, the imperial household department, the imperial kitchen, and the private treasuries of the Empress and Empress Dowager. She also looted the Prime Minister's residence and the Duke's mansion, stripping them of all wealth and valuables.

Shen Qingyao captured the Emperor, the Empress, and the Empress Dowager, along with two disguised men involved in the Empress Dowager's illicit affairs, and hung them naked from the city gate for the public to see. To ensure their reputations were destroyed, she printed thousands of copies of a document detailing the royal family's crimes and scattered them across the capital from a high pavilion. The public revelation caused widespread shock and outrage, exposing the hypocrisy and cruelty of the ruling class. Meanwhile, she dealt with Liang Xinxin, the girl who had murdered her in the previous life. Finding the traitorous girl inside her Space, Shen Qingyao cut out her tongue to punish her for her betrayal and abandoned her among a group of beggars in a ruined temple.

As the capital descended into chaos, the Chief Eunuch secretly retrieved the unconscious royals from the city gate and returned them to the palace. When Xiao Jingyu awoke, he was confronted with the reality that his palace had been completely emptied, leaving him with no resources, no treasury, and a disgraced public image. The story concludes with the Emperor facing the consequences of his actions, while Shen Qingyao remains hidden within her Space, having successfully dismantled the lives of those who wronged the original host and secured her own freedom and wealth in this new world.

Novel Items

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Arcane Treasure
Ye Wuyou's special spatial ability discovered after her powers awakened in the apocalypse. It contains supplies and a space beast named Youyou.
Poison
A poison specifically ordered by the Empress Shen Shuyan to be found. It takes one shichen (about two hours) to kill the victim. It causes excruciating pain as it slowly rots away the victim's internal organs before taking their life. There is no antidote. Nanny Zhang died from this poison after Shen Qingyao forced it down her throat.
Prophecy
A prophecy declared by the abbot of the Protectorate Temple when the original Shen Qingyao was born. It stated that whoever married Shen Qingyao would one day ascend to the throne and become emperor. This prophecy was the reason the Prime Minister kept her, the reason Xiao Jingyu married her, and the reason the Emperor placed faith in it.
Materials
Energy materials used for cultivation and restoring spiritual abilities. Ye Wuyou was quickly absorbing them to restore her powers after transmigration. Yoyo had previously suggested giving it two crystal cores to handle something.
Pills
Water from a spiritual spring within An Ruoyan's space. After drinking a cup of diluted spiritual spring water, her injuries began to heal, though she felt dizzy and did not want to overdo it for fear of someone noticing her recovery.
Weapon
A dagger stored in Ye Wuyou's space. She drew it with full intention to stab Ling Yu when she felt herself weakening and lost control during their fight, but collapsed from exhaustion before she could use it.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c1

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I want to talk about how this chapter moves because the pacing is absolutely relentless and I love it. We open with Shen Qingyao finishing a hamburger and cola—modern food in an ancient palace. That's our hook. She's not just a transmigrator; she's a transmigrator with a space full of modern goods. Then she immediately moves to murder. Sulfuric acid, sizzling flesh, complete disfigurement. Boom. Chapter 4 is titled 'Truly Ruthless' and it delivers exactly that. But here's what I appreciate: the author doesn't linger. She doesn't spend three pages on Nanny Zhang's suffering. She gets the job done, comments on the old woman's wrinkled skin, and moves on. 'I'm sorry, but you'll just have to suffer a little.' That's it. Next scene: guards discover the body and gossip. Then Shen Qingyao changes clothes, goes to the burger shop, and deals with Liang Xinxin. The tongue-cutting scene is longer, obviously, because it's more personal—this is the woman who murdered the original owner. But even here, the pacing is tight. Liang Xinxin begs, Shen Qingyao responds with 'How useless,' and the scene ends. Then—here's where it gets wild—she takes a NAP inside her space. A nap! After murdering two people in one night, she just... sleeps. And when she wakes up, it's dark and she's heading to the treasury. The transition from violence to looting is seamless. She's not emotionally processing anything. She's not having a breakdown. She's just... doing. The chapter ends with her discovering a hidden passage, which is a perfect cliffhanger. What's behind that door? What secrets is the Emperor hiding? And we're left wanting more. The structure is basically: murder → cover-up → personal revenge → loot → discovery. Each beat flows into the next without a single wasted moment. This is how you write a revenge novel.
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The pacing in these chapters is absolutely ruthless and I'm here for it. You start with the Prime Minister fainting from shock, then the steward discovering the treasury is empty, then they check every single courtyard and it's ALL gone. The Duke's residence too. It's this escalating wave of disaster that just keeps building and building and building. Every time you think 'okay this can't get worse,' it does. Then BAM — cut to Shen Shuyan in palace maid clothes trying to return home. The tension here is different though, it's not 'what terrible thing happens next' it's 'will she be recognized, will she survive this humiliation.' The author keeps the pressure on but shifts the type of pressure, which is smart. And then the scene transitions to Shen Qingyao in her space, casually modifying household registration documents with modern technology. The whiplash from absolute chaos to this calm, methodical problem-solving is incredible. She's not even stressed. She's eating hot pot. Planning her next move. It's such a satisfying contrast. The chapter ends with Liang Xinxin waking up among beggars in a ruined temple. Another hard cut, another new mystery. The author is basically saying 'we're not done yet, there are more pieces to this board.' Each section is self-contained but they all feed into the larger narrative. No dragging, no filler. Every scene pushes something forward.
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Okay so let me just say this: the two guards outside the Cold Palace are the funniest background characters I have ever encountered. Like, they literally watch Shen Qingyao walk out wearing Nanny Zhang's hood, hear her speak in Nanny Zhang's accent, and just... accept it. No questions. No second thoughts. One of them even says 'Nanny Zhang is really ruthless' like they're discussing the weather. Meanwhile the other guard is just sitting there thinking 'I should never offend the Empress' while the Empress's own sister just got turned into a melted corpse inside. The dramatic irony is so thick you could cut it with a knife. And Shen Qingyao? She doesn't even flinch. She just 'swaggered out of the Cold Palace without the slightest fear of being recognized.' Swaggered. Like she was walking to get bubble tea, not after committing murder. The fact that she imitates Nanny Zhang's tone and accent perfectly shows she's not just smart—she's studied these people. She knows how they move, how they speak, how the world sees them. And she uses that knowledge like a weapon. What really gets me though is Liang Xinxin. This girl went from being tied up like a rice dumpling to having her tongue literally yanked out. And Shen Qingyao's reaction? 'How useless.' Three words. Complete disdain. She doesn't even feel anything when Liang Xinxin faints from the pain. The fun was gone because the victim passed out. That's not revenge—that's something else entirely. I keep wondering if the original owner of this body even recognized what she was becoming, or if this coldness was always there and the transmigration just unlocked it.
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There's something deeply symbolic about the sulfuric acid scene that I can't stop thinking about. Shen Qingyao pours acid on Nanny Zhang's face first, then her entire body, because 'no one could possibly identify who the corpse had once been.' Identity. Recognition. These are the things that matter in a world where a woman can be imprisoned in the Cold Palace and her sister can be murdered without anyone asking questions. The hooded hat Nanny Zhang wore becomes Shen Qingyao's mask—she walks out of the palace wearing someone else's face, and nobody notices. The guards never saw Nanny Zhang's face, which means in this palace, faces don't matter. Power matters. Status matters. And Shen Qingyao is learning to wield both. Then there's the tongue. Liang Xinxin's tongue—the instrument of her betrayal, the thing that allowed her to speak lies and spread poison. Shen Qingyao doesn't just kill her; she removes the very thing that made her dangerous. 'Without a tongue, how could she ever speak again?' The question Liang Xinxin asks is the same question the reader should be asking: what kind of world produces people who can betray so easily? And what kind of person becomes ruthless enough to punish that betrayal with surgical precision? The treasury looting is another symbol. Shen Qingyao takes everything—gold, silver, silk, grain, weapons. She's not just stealing wealth; she's stripping the Emperor of his power base. 'Since the bastard refused to act like a human being, he couldn't blame her for taking revenge on behalf of the original owner and leaving him with nothing.' This is about justice, but it's also about balance. The Prime Minister gave half his wealth to the Empress as dowry but neglected his legitimate daughter. Shen Qingyao takes it all back. The hidden passage in the Imperial Study represents the secrets this empire is built on—layers of deception, hidden doors, things that appear solid but conceal darkness. Every symbol in this chapter points to the same truth: identity is fluid, power is everything, and the surface of this world is a lie.
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I've been thinking about the Space a lot since I finished this chapter, and I keep coming back to one idea: it's a gilded cage. For Shen Qingyao, it's paradise—unlimited resources, spiritual spring water that heals her body, a perfect world where she's essentially a goddess. But for Liang Xinxin, it's a prison. She has everything she ever wanted material-wise, but she can't leave. She can't control it. She's a bird in a cage made of diamonds. The birthmark is another symbol that really got me. Half of Shen Qingyao's face was covered by a black birthmark, and the text says "Everyone knew that if not for that birthmark... Shen Qingyao's beauty would have been unrivaled." The birthmark represents everything that made her vulnerable—her perceived ugliness, her weakness, the reason people underestimated her. And when the Spiritual Spring Water purges her body of impurities and removes the birthmark, it's not just a physical transformation. It's symbolic of her shedding the old self and becoming something new. The black water draining from her body is literally her past suffering leaving her. And then there's the game itself—"My City." The fact that she spent ten thousand yuan every month on this game without really understanding why, and then it turns out her subconscious KNEW the apocalypse was coming... that's such a powerful theme about intuition and preparation. The game was a metaphor for the world she'd need to survive in. The shops, the resources, the villa—it was all training disguised as entertainment. The hamburger restaurant where Shen Qingyao leaves Liang Xinxin tied up is also interesting. It's a place of consumption and normalcy—she goes there to eat, to live her life—while simultaneously becoming a place of imprisonment and punishment. The automatic doors closing behind her as she leaves... that image of Liang Xinxin watching them shut, realizing she's trapped, is haunting. What's the book really saying about power and freedom? That power changes you. That having everything you need can make you cruel. That the line between savior and captor is thinner than you'd think.
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Let's talk about Nanny Zhang for a second, because this woman is the perfect introduction to the kind of toxicity our protagonist is walking into. From her very first line — "Ugly freak, if you die, don't come back to haunt me" — you know exactly who she is. No subtlety, no hidden agenda disguised as kindness. She's cruel because she's been allowed to be cruel, and she's the Empress's most trusted servant. That tells you everything you need to know about the power structure in this story. But what I found genuinely fascinating is how Shen Qingyao handles her. Most transmigration protagonists would either be terrified or start monologuing about justice. Our girl? She asks a simple question: "What kind of poison is this? Will it hurt?" And then she flips the entire situation on its head. That moment where she pours the poison into Nanny Zhang's mouth — it's not rage. It's cold, calculated, almost casual. She's not even angry. She's just... done. The relationship between them is the microcosm of everything wrong in this world. Nanny Zhang sees an ugly, starving woman and assumes she's powerless. Shen Qingyao sees a petty, cruel woman and decides she's disposable. The power dynamic shifts in three seconds flat. And then there's the original Shen Qingyao's backstory, which is honestly heartbreaking in the most infuriating way. Her own parents despised her. Her own family helped cover up her husband's affair with her sister. Everyone knew and nobody cared. The prophecy made her valuable, and once the Third Prince had what he needed, she was discarded like trash. "Who would ever marry someone like that?" Nanny Zhang thinks. And that's the whole tragedy — the original Shen Qingyao fell in love with the first person who was kind to her, and that person was a manipulator. She gave her whole heart to someone who saw her as a tool. That's the kind of wound that makes a transmigration necessary. You don't replace a victim. You replace someone who's going to make sure nobody ever gets that chance again.
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