The Vicious Ex-Wife Ran Away with the Baby, Sending the Abstinent Commander into a Frenzied Search
+Add to Custom List
Genres:
Novel Info

Summary

... Read More

Shen Zhaozhao, a neonatal ward nurse from modern times, finds herself transmigrated into the body of a vicious side character in a 1980s novel after a night of excessive drinking. In the original story, this Shen Zhaozhao was an airheaded, malicious woman sent to the countryside with her stepsister. After being denied a return to the city, she attempted to drug her crush, Fu Shixuan, but accidentally drugged Gu Shichuan, the idle son of the village party secretary. The original character then blackmailed him into marriage, only to demand a divorce shortly after, leading to her death and miscarriage on the train back to the city. Upon waking in a rustic brick house in 1980, Shen Zhaozhao realizes she is in this precarious situation and resolves to change her fate. She intends to secure a return to the city while keeping herself and her unborn child alive, rejecting the tragic ending of the original plot.

Gu Shichuan, initially cold and resentful due to the original owner’s past cruelty, is surprised by Shen Zhaozhao’s sudden shift in demeanor. Instead of the usual scheming and manipulation, she proposes a pragmatic partnership. She reveals bruises from the previous night to feign victimhood when his parents, Luo Erfen and Gu Guanghui, threaten to break down their door. Gu Shichuan plays along, claiming they are discussing marriage to defuse the situation, while secretly observing her calculated actions. Shen Zhaozhao drafts a divorce agreement with strict terms, including a ban on shared beds and intimate contact, aiming to maintain her independence until she can return to the city. Gu Shichuan signs it, intrigued by her sharpness and the stark contrast to the woman he previously despised.

The core conflict escalates as Wang Yurou, the novel’s original heroine, attempts to frame Shen Zhaozhao for the drugging incident. Wang Yurou manipulates Fu Shixuan into believing she is his victim, securing his promise of marriage. However, Shen Zhaozhao refuses to be a passive victim. She confronts Wang Yurou, exposing the hypocrisy of her moral high ground and physically dominating her in a confrontation. Shen Zhaozhao also uncovers that her mother’s jade pendant, a valuable heirloom, was stolen by Wang Yurou, further solidifying her resolve to dismantle the heroine’s schemes. Meanwhile, she notices the strange favoritism Luo Erfen shows toward Fu Shixuan, suspecting he may not be entirely unrelated to the family, a theory she plants to unsettle her mother-in-law.

As Shen Zhaozhao navigates village politics, she discovers that her deadbeat father and stepmother have likely squandered her mother’s inheritance. She realizes her step-sister may not be her biological sister but rather the illegitimate daughter of her father and stepmother, explaining the blatant favoritism shown to her. This revelation fuels her determination to reclaim her assets and secure a future for her child. She begins to build a new life in the countryside, focusing on her health and preparing for her return to the city, while Gu Shichuan watches her transformation with growing curiosity and unexpected protectiveness. The story moves toward Shen Zhaozhao outsmarting her enemies, protecting her child, and potentially altering the romantic trajectory that was originally destined for Fu Shixuan and Wang Yurou.

Novel Items

More
Drug
Stolen from the village clinic by Zhang Shufen. When taken in large amounts, it takes ten to twenty minutes to effect; with less, about half an hour. It was used in the scheme in the dorm, causing Gu Dahai, Zhou Shanshan, and Zhang Shufen to become unconscious or incapacitated. The drug's effects last at most twenty minutes.
Book
A book Wen Qinghe found at the courtyard gate and read while basking in the sun. It was actually the lost book of villager Feng Congjun, who had been searching for it everywhere. Wen Qinghe returned it to him wrapped carefully in old newspaper.
Document
The contract between Jiang Yunzhi and Yan Wenjing that they entered into as a marriage of convenience. Jiang Yunzhi wanted to cancel it because she didn't want to leave when it expired.
Event
Yu Yan's soul transmigrated from the modern world into the body of a bird-type sub-beastman after he collapsed from a dull chest pain while working late at night in the hospital emergency department.
Event
Ye Wuyou's attempt to divorce Ling Yu and leave the village. She offered increasing amounts of money (250, 300, then negotiated) to buy back her freedom. Ling Yu deliberately set an impossible price of 10,000 yuan to prevent her from leaving. Eventually, Ye Wuyou decided to stay due to the difficulties of leaving in this era.
Event
Jiang Wan lost her baby due to severe uterine hemorrhaging after a car accident. The doctor said she might not be able to get pregnant again. This was the event that broke her and led to her decision to leave the Sheng family.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c3
2026-08-11shanghai fantasy c2
2026-08-11shanghai fantasy c1

Community Reviews

Rating(3.9 / 5.0, 15votes)
5 stars
5(33%)
4 stars
3(20%)
3 stars
7(47%)
2 stars
0(0%)
1 stars
0(0%)

Popular reviews

... Read More
Let me just say — the pacing in this section is absolutely ruthless and I am here for it. Chapter 7 opens with Shen Zhaozhao already deep in investigation mode, piecing together why Gu Shichuan's parents are treating him like garbage while worshipping Fu Shixuan. She's connecting dots, asking sharp questions, and the chapter immediately establishes that this is a woman who is NOT going to be a victim. Then BOOM — the divorce agreement scene. Two pages of pure tension where she's negotiating boundaries with a man who could physically overpower her but chooses to sign her terms instead. That's a power move wrapped in a legal document. Chapter 8 shifts gears completely. We go from the claustrophobic tension of the Gu household to Shen Zhaozhao walking alone through the village, sand in her pocket, watching for threats. The author slows things down here — we see her dormitory, her two pairs of patched shoes, her single thin quilt. This is where the story lets you feel what the original owner went through: beautiful, naive, defenseless. Then Fu Shixuan appears. The pacing accelerates again with his apology, and just when you think the chapter is winding down... she's already thinking about her thirty-day countdown and her plan to return to the city. Chapter 9 drops a BOMB — the step-sister revelation — and I'm pretty sure that's where the cliffhanger hits. The author doesn't even let you process the apology before yanking the rug out. One chapter you're feeling warm and fuzzy about Fu Shixuan's maturity, the next you're wondering if the entire family tree is built on lies. The chapter transitions are seamless. No lingering scenes, no filler. Every paragraph either advances the plot, deepens character, or raises the stakes. I finished these chapters in one sitting and I blame the author for that.
... Read More
There are so many layers to unpack in this section and I want to focus on the ones that kept me up at night. The mask motif is everywhere. Shen Zhaozhao explicitly tells Gu Shichuan: 'When you're out in the world, you've got to wear a mask. Would you lay every part of your true self bare for everyone to see? Only a fool would do that.' But then she immediately reveals that her entire performance of being the clumsy, naive original owner was itself a mask. She's been wearing masks within masks within masks. And Gu Shichuan — the guy whose parents treat him like he doesn't exist — is the only person who notices she's different. His profession as a scout, his training in observation, it all comes back to this moment where he sees through the performance. The mask-themes aren't just about deception; they're about survival. In a world that would crush you if it knew your true self, wearing a mask isn't dishonesty — it's armor. Then there's the bed. The divorce agreement's most famous clause — no sharing a bed, one meter of distance — is such a loaded symbol. It's about physical boundaries, yes, but it's also about autonomy. The original owner of this body had no boundaries. She was drugged, used, discarded. Shen Zhaozhao drawing a line in the sand (or one meter on a one-point-two-meter bed) is an act of reclamation. She's saying: my body is mine now. My space is mine. My choices are mine. And the sand in her pocket? That's not just a self-defense tool. It's a symbol of the original owner's vulnerability — this beautiful woman who walked through the world defenseless, not knowing who wanted what from her. Shen Zhaozhao carrying sand is carrying the memory of that naivety, armed and aware. The deepest theme here might be the one about family. Gu Shichuan's parents praise a lying cousin and neglect their own son. Luo Erfen treats Fu Shixuan like a golden child while her real son is invisible. Family isn't shown as a source of love but as a hierarchy of utility — you're valued for what you can do for them. Shen Zhaozhao's entire arc is about building a family of her own choosing, on her own terms.
... Read More
Okay so let me just say this about Gu Shichuan for a second because I am genuinely shook. The man has been raised by people who treat him like furniture in his own home. His mother praises a cousin who can lie and steal, calls him nothing but a bundle of flaws, and he just... absorbs it all like a rock. No drama, no breakdown, just numb acceptance. That is some serious emotional armor right there. But the real moment for me is when he looks at Shen Zhaozhao and realizes she's changed. Not just changed — she's performing. The old Shen Zhaozhao would've been blushing and stammering. This new one? Sharp, calculating, looking him dead in the eye and saying 'We're two of a kind, aren't we?' And the terrifying thing is... she's right. Both of them wear masks. Both of them have been playing a part since the moment they met. I love how their dynamic shifts from this weird arranged-marriage tension to something almost like mutual recognition. They're not falling in love in some cheesy way — they're recognizing each other as fellow survivors. That agreement scene where she negotiates the one-meter sleeping distance? She's not just being difficult, she's establishing boundaries with someone who has every reason to be hostile toward her. And he signs it. Not because he's weak, but because he sees the strategy. The line that got me though: 'But Shen Zhaozhao… she was different.' That's it. That's the whole novel in one sentence. He's not just noticing she's smarter now. He's noticing she's *real* now. And that terrifies him because it means he can't predict her anymore.
... Read More
I keep coming back to the consumption thing and how layered it is. On the surface, Shen Zhaozhao is faking a disease to escape chores. But consumption—tuberculosis—has this whole cultural weight in Chinese literature. It's associated with fragility, with beauty in sickness, with women who waste away and become objects of pity and protection. Shen Zhaozhao weaponizes all of that. She uses the appearance of being deathly ill to force Gu Shichuan's hand into marriage. 'Even if I have consumption... would you still marry me?' This is her turning weakness into power, sickness into a trap. The irony is that she's perfectly healthy—she was crying so hard last night her eyes are red, but otherwise fine. She's performing fragility as a strategic tool. And then there's the broader theme of performance throughout this entire passage. Wang Yurou performs innocence and victimhood. Fu Shixuan performs noble responsibility. Luo Erfen performs maternal authority while being absolutely tyrannical. Shen Zhaozhao performs illness. Everyone is playing a role, and the question that keeps haunting me is: who is the real Shen Zhaozhao underneath all these performances? The author keeps dropping little symbols—the 'fox-like air' the other young men whispered about, the vivid bold flower imagery around Shen Zhaozhao, the way she's described as 'a peerless blade' with 'cold, bloodthirsty light.' These aren't just decorative descriptions; they're building a portrait of a woman who has transformed from someone 'empty-headed' and 'easy to manipulate' into someone who understands that in this world, performance is survival. The consumption act isn't just a plot device—it's her declaring that she will use every tool available to her, even a fake disease, even pretended love, even whatever it takes.
... Read More
'Did you slip breeding medicine to Shixuan?!' — Luo Erfen, absolutely losing her mind. This line alone tells you everything you need to know about this woman: she's aggressive, she's suspicious, she has zero filter, and she's willing to accuse people of attempted poisoning in front of a crowd of neighbors. The dialogue here is SO distinctive for each character it's almost uncanny. Wang Yurou's performance is a masterclass in fake vulnerability: 'Aunt Luo, you know me—I've always been proper, never daring to covet anything that isn't mine.' She's putting on such a convincing show of a shy, wronged girl that even I almost felt bad for her. Almost. The way she pivots from tears to pointing at Shen Zhaozhao is smooth—like, 'It was Shen Zhaozhao! She's the one who did it!' One second she's sobbing, the next she's throwing someone under the bus. The dialogue shift is so sharp you can practically hear the record scratch. And Fu Shixuan's 'I must take responsibility' speech—delivered with such gravitas, like he's in a Shakespeare tragedy, when in reality he's been completely played. The author's narrative voice has this wonderful dry wit too. Right after Fu Shixuan's noble declaration, we get: 'In truth, her heart was pounding so hard it felt ready to leap out of her chest. Beneath her excitement, however, lay a flicker of unease.' The narrator is basically winking at us while Wang Yurou is out here living her biggest lie. Shen Zhaozhao's voice is my favorite though. That moment when she says 'cough, cough... what do I need to do today? I... cough, cough... didn't hear you clearly—could you say it again?' while deliberately spraying people with spit? The voice is perfect—frail on the surface, absolutely vicious underneath.
... Read More
The stakes in this section are deceptively low-key until they absolutely aren't. On the surface, Shen Zhaozhao has thirty days. Thirty days until she can return to the city, thirty days to survive in a village full of people who want something from her body. Thirty days to outsmart women who've spent their lives manipulating social dynamics, thirty days to navigate a household where the husband's parents would rather see him dead than happy. But the real conflict isn't external — it's the war between who Shen Zhaozhao was forced to be and who she's becoming. Every interaction is a battle. The scene where she walks to the dormitory with sand in her pocket? That's not a walk, that's a tactical maneuver. She's mapping threats, assessing escape routes, reading body language. The original owner would've waved at everyone and gotten herself killed. Shen Zhaozhao moves like a soldier because she IS one — just not in the way anyone expects. The Gu household is a pressure cooker. Luo Erfen and Wang Yurou are actively hostile, spreading rumors, manipulating social situations. But the most dangerous conflict is the one between Shen Zhaozhao and her own past. She carries the original owner's memories, her regrets, her unprocessed trauma. When she rubs her waist and winces, it's not just physical pain — it's the ghost of every violation that happened in this body before she took over. And then there's Gu Shichuan. He could be an ally. He could be a threat. He's both. The tension of not knowing which one he'll choose is what keeps you turning pages. When he signs the divorce agreement, is he submitting or is he playing a longer game? The author never lets you rest. The cliffhanger about the step-sister being the deadbeat father's biological daughter? That's not just drama. That's a landmine that's going to explode the entire family structure and Shen Zhaozhao is standing right in the blast zone with thirty days left on the clock.
See all reviews

Characters

See all characters

Custom lists

Oops…There is nothing here.