The Amnesiac Crown Prince Finds a Husband for His Little Sister… and Jealously Loses His Mind
Novel Info

Summary

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Jiang He transmigrates into the body of a vicious supporting character in a novel, waking up in an intimate situation with Xie Zhao, a man she has just been forced to marry. Xie Zhao is a amnesiac Imperial Grandson who was rescued by Jiang He’s father after being ambushed and falling from a cliff. The original Jiang He had manipulated the dying wishes of her father to bind Xie Zhao to her through marriage, despite his lack of romantic feelings and his noble status which made him unsuitable for a merchant’s daughter. Jiang He is acutely aware of the original plot: Xie Zhao will eventually recover his memories, return to the capital, and leave her. The original Jiang He, unable to accept this, becomes increasingly hostile and controlling, leading to a divorce and her eventual brutal assassination by enemies she made in the capital.

Seeking to avoid this tragic fate, Jiang He confesses her deception to Xie Zhao at her father’s grave. She reveals that she fabricated the dying wish out of fear of being abandoned alone. To her surprise, Xie Zhao already knew the truth; his adoptive father had intended for him to protect Jiang He as a sworn brother and help her find a suitable husband. Xie Zhao agrees to maintain the marriage facade for now, not out of love, but out of a sense of duty and gratitude to the Jiang family. Their relationship shifts from hostile spouses to a more comfortable, sibling-like dynamic, with Xie Zhao referring to himself as her "Big Brother" to establish clear boundaries.

With the Jiang family’s wealth depleted by medical bills and funeral costs, Jiang He and Xie Zhao face severe poverty. Jiang He discovers her father’s hidden account books, revealing outstanding debts owed to the family, including a significant sum from a merchant in Liang City. She plans to use this capital to restart the family business, specifically aiming to enter the textile trade by implementing standardized quality controls and advance payments to local weavers. However, they lack the funds for travel. Xie Zhao, working as a laborer at a construction site, takes on dangerous work installing a main roof beam to earn a substantial bonus, which he successfully secures despite the risks.

As they navigate their new reality, Xie Zhao begins to subtly introduce Jiang He to Lu Changgeng, a kind and educated fellow worker who is preparing for civil service examinations. Xie Zhao, honoring his adoptive father’s wish, hopes to find a suitable husband for Jiang He before his own memories return and he departs. Jiang He, focused on her business ambitions and survival, remains unaware of his matchmaking intentions. The story follows their daily struggles, the gradual rebuilding of their lives, and the evolving bond between them as they rely on each other for support in a hostile world, all while the clock ticks toward Xie Zhao’s inevitable recovery and departure.

Novel Items

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Treasure
A half-broken jade pendant that was found by Wang Cuihua when she adopted baby Lin Kexin. It was hung around Lin Kexin's neck for over a decade. Lin Tianci stole it as a gift for a girl, was rejected, and threw it at Lin Kexin's face, breaking it into two pieces. When Lin Kexin's blood touched the jagged edge, it activated a Spatial Spirit Spring mystical space.
Event
A traditional Chinese festival. The Old Master invited the Yan clan elders to the Jingyuan Marquisate before this festival arrived, indicating the urgency of the situation.
Event
The 49-day memorial ceremony for the deceased in Chinese tradition. Father Jiang passed away 49 days before the story begins, and this day marks the end of the mourning period. Jiang He and Xie Zhao visit his grave to pay respects.
Event
Jiang He and Xie Zhao performed a hasty, simple wedding ceremony in front of Father Jiang's coffin. Jiang He falsely claimed it was Father Jiang's dying wish. They never consummated the marriage until the events of Chapter 1.
Event
Assassins sent by Xie Zhao's political enemies ambushed him on his way back to the capital after the Crown Prince's death. He suffered multiple stab wounds and fell from a cliff, leading to his memory loss and rescue by Father Jiang.
Item
Sold at shops around Daguang Temple along with incense and prayer beads.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c19
2026-08-11shanghai fantasy c18
2026-08-11shanghai fantasy c17
2026-08-11shanghai fantasy c16
2026-08-11shanghai fantasy c15
2026-08-11shanghai fantasy c14
2026-08-11shanghai fantasy c13
2026-08-11shanghai fantasy c12
2026-08-11shanghai fantasy c11
2026-08-11shanghai fantasy c10
2026-08-11shanghai fantasy c9
2026-08-11shanghai fantasy c8

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Popular reviews

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Can we talk about how distinct these characters sound when they speak versus when they think? Xie Zhao's dialogue is short, direct, sometimes gruff. "Shut up." "What do you think of Lu Changgeng?" "You've really grown bold." But his internal monologue? Completely different person. He's constantly analyzing, planning, rehearsing. The gap between his external brevity and internal verbosity is where the humor lives. Like when Lu Changgeng tells him about the lacquer painting job paying twenty copper coins a day, and Xie Zhao's immediate response is "Then I'll go too." And Lu Changgeng's deadpan "..." tells us everything. Xie Zhao says he can't paint but "I can try." This is a man who would literally learn a completely new trade because his friend mentioned better pay. His dialogue is minimal but his actions are maximal. Jiang He's dialogue is equally distinctive. She's quick, defensive, uses humor as a shield. "I didn't notice." "What do you think?" "I'll leave everything to you, Brother." But watch how her speech changes depending on who she's talking to. With Xie Zhao, she's casual, sometimes sarcastic, uses "you" and "hey" because she refuses to be put in a subordinate position. With Lu Changgeng's prospect being discussed, she becomes formal, almost distant — "Mm. I'll leave everything to you, Brother." That single "Mm" says so much. The wonton scene is peak Jiang He dialogue: "Come on." "I'll treat you to a bowl of wontons." "The stall is just over there." "I ate there earlier. They're really delicious." She's facing down an angry man with a stick and her strategy is FOOD RECOMMENDATIONS. It's so her. And Xie Zhao's response: "Wontons? You think I'm in the mood for wontons?" — followed immediately by throwing away the branch and hugging her. The dialogue does the emotional work here. He says he's not in the mood, but his actions contradict him instantly.
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"You really don't understand?" / "Am I supposed to?" / "You don't understand why I'm angry?" / "..." The dialogue in these chapters is absolutely stellar. Xie Zhao's voice is so distinct — he's formal when he's serious, clipped when he's frustrated, and there's this underlying current of someone who genuinely doesn't understand how his actions come across. The man says things like "Dummy" and pinches her thigh and has no idea he's being romantic. That's not cluelessness — that's a writing choice that makes him endlessly entertaining. Jiang He's internal voice is equally sharp. Her thoughts are fast, sarcastic, and wildly inappropriate for the situation. When she's being carried on his back and thinking about how he's basically flirting while claiming it's sibling affection, the narrative voice captures that perfect blend of exasperation and attraction. "Who's the dummy here? You're treating a teenage girl like this." The exchange about the Big Brother title is comedy gold: "You haven't called me 'Big Brother' in a long time." "..." "Come on. Call me once." *pinches thigh* This is dialogue that does triple duty — it advances the plot, reveals character, and makes you laugh out loud. The author clearly understands that what characters say and what they actually mean are two completely different things, and the gap between those two is where all the magic lives.
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Let me just say this: the author has a very specific rhythm going on in these chapters and it works. Chapter 14 opens with the aftermath of their big emotional confrontation — Xie Zhao is still processing, Jiang He is still defensive, and they're working through it in real time. That's a smart structural choice. Instead of having them resolve everything in one dramatic scene and then move on, the author lets the resolution breathe across multiple interactions. First the physical closeness (the hug that goes too far), then the argument about her traveling alone, then the oath scene, then the wonton eating where they actually talk business. Each beat serves a different purpose. Then Chapter 15 shifts entirely — it's practical, it's about the journey home, the horse rental, the return to Anyue. The pacing here is almost documentary-like. You've got the relay station, the horse selection, the ride back, the deposit return, Auntie Zhang's cameo, the next morning routine. It's all very matter-of-fact. But that's the point. The author is showing us that these characters have real lives with real logistics. They're not just existing in a romance bubble. The transition from the emotional intensity of Chapter 14 to the practical business focus of Chapter 15 is jarring in the best way — it grounds the story. And the ending of Chapter 15, with Jiang He explaining the grading system to the other women and then realizing the timeline problem (autumn harvest, New Year delivery), it's a perfect little cliffhanger that doesn't feel manufactured. The author is building tension through practical constraints rather than dramatic reveals, and I respect that approach. It makes the world feel real.
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"Eat a little faster. Today is Father's seventh-seven memorial. We need to visit his grave." That's it. That's the line. And yet it says *everything* about Xie Zhao. Let's talk about this man for a second. He lost his memory, survived a cliff fall, spent two months drifting down a river on a log, recovered in a declining merchant family's home, and what does he do? He *cooks breakfast*. He snaps firewood like it's nothing. He cools down her porridge by pouring it between bowls because he notices she can't eat it hot. This is a man who was raised as a crown prince, trained since childhood in brutal military discipline, and yet here he is, crouching by a stove in a half-open robe, sweating in April heat, taking care of a girl who lied to him about her dying father's last words. The original Jiang He fell in love with him, and honestly? I get it. He's competent, quiet, kind without being performative about it. But here's the thing that kills me — he has no romantic feelings for her. None. The gratitude is real, the care is real, but it's the care of someone who sees her as the sister he never had, not a wife. And Jiang He? She's terrified. She knows the plot. She knows that once his memories return, she's done. But she's also watching him right now, in these quiet domestic moments, and I can feel her heart doing things it shouldn't be doing. The author writes these glances — her stealing looks when he opens his robe, her freezing when their eyes meet — and it's so painfully human. The dynamic is a landmine. Every kind gesture he makes is one step closer to her falling for him, and every step closer to her falling is one step closer to the tragedy waiting at the end of the book.
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The stakes keep rising and I can't look away. Xie Zhao is doing roof beam work—dangerous, skilled labor that veteran craftsmen spend three years apprenticing for. Lu Changgeng literally tells him: 'You were lucky the last time you fell. But luck doesn't last forever.' And then a worker dies from heatstroke. The stakes just went from 'he might get hurt' to 'people are actually dying.' Jiang He's facing her own conflict—she wants to pursue her business dreams but can't reconcile that with his safety. She's an orphan, she's poor, she has no one. If something happens to Xie Zhao, what happens to her? The author makes us feel this: 'A powerless orphan like her, living alone in such a large house, would become easy prey.' That's not romantic drama, that's survival fear. And Xie Zhao has his own internal conflict—he suspects he once had martial arts skills, but he's not confident his body will react instinctively. If he doesn't and he falls and gets crippled? He'd only become a burden. The tension between love and survival, between ambition and safety, between what they want and what they can afford to lose—it's all layered on top of a literal drought that's making everything harder. Every decision feels weighted with real consequence.
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Okay so let me just say this upfront: the premise is *chef's kiss*. You wake up as the cannon fodder ex-wife whose only narrative purpose is to die horribly, and the clock is literally ticking. Qingming Festival next year — that's the deadline. If she doesn't produce an heir by then, the original plot kicks in and she's dead meat. That's not just tension, that's a guillotine with a countdown. What I love is how the author layers the backstory. We get the transmigration reveal in Chapter 1, but the real meat comes in Chapter 2 when we learn the full history — the Jiang family's decline, Father Jiang saving Xie Zhao, the mother's death, the father's death, the forced marriage built on a lie. It's not info-dumped all at once; it's peeled back like an onion, and each layer makes the situation more suffocating. The biggest twist for me? The original Jiang He wasn't just some cartoon villain. She was a desperate girl who fell in love with the man who cared for her, and when she lost her family, he was all she had. That makes the new Jiang He's position infinitely more complicated. She's not just fighting a predetermined death — she's fighting the emotional wreckage her predecessor left behind. And that ending of Chapter 3? She's standing at her father's grave, about to confess the biggest lie of her life. The author just *left* us there. No resolution, no comfort. Just 'what would happen' hanging in the air like smoke from the joss paper.
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