Summary

... Read More
Cheng Xi, a university student from a family of Traditional Chinese Medicine practitioners in the 21st century, wakes up in the 1980s inhabiting the body of a capitalist's daughter who shares her name. Her parents, facing political persecution and financial ruin, have secretly registered a marriage certificate with the Qin family to secure a backer and send her away for safety. Forced to travel thousands of miles from Shanghai to a remote northern military compound, Cheng Xi arrives exhausted and dirty, expecting to find a husband she can quickly divorce once she establishes her independence.

The compound is home to Regiment Commander Qin An, a tall, handsome, and stern man who is deeply resentful of the arranged marriage. His mother had publicly derided Cheng Xi as someone picking up "leftovers" because she was previously engaged to another man whose family had fallen from grace. Qin An initially ignores her arrival, ordering only that she be settled in the family quarters. Cheng Xi faces immediate hostility from the other military wives, particularly Zhao Yinghua, the wife of the Vice Regiment Commander, who mocks her delicate appearance and inability to perform manual labor. After Cheng Xi falls and injures her ankle while being ridiculed, she uses her knowledge of Traditional Chinese Medicine to diagnose Zhao Yinghua's health issues, silencing her critics and establishing a fragile reputation.

The core conflict arises from Cheng Xi's inability to adapt to the harsh living conditions, specifically the lack of a private toilet. When Qin An refuses her request to build one, citing military regulations, she decides to construct it herself. With the help of her kind neighbor Li Jing, Cheng Xi designs and builds a dual-pit alternating toilet with ventilation, impressing the other wives and drawing the attention of Division Commander Han Tieshan. Qin An, initially cold and distant, secretly asks the Division Commander for permission and then spends the night reinforcing the structure, revealing a growing, albeit unacknowledged, sense of responsibility and protectiveness.

A key turning point occurs when Cheng Xi attempts to cook porridge for the first time and accidentally sets the kitchen on fire. Zhao Yinghua uses the incident to rally the neighborhood against Cheng Xi, accusing her of being a dangerous, spoiled burden. Qin An intervenes, publicly defending Cheng Xi and exposing Zhao Yinghua's own history of kitchen fires, effectively shutting down the criticism and ordering Zhao Yinghua's husband to take her home. This act marks a shift in their dynamic; Qin An begins to care for Cheng Xi's well-being, teaching her how to cook and showing concern for her injuries, though he masks his feelings with gruffness.

Despite these small gestures, Cheng Xi remains determined to become self-sufficient and end the marriage. She views Qin An's actions as mere duty rather than affection, maintaining her emotional distance. The story follows their tentative steps toward understanding each other as they navigate the rigid social hierarchy of the military compound, the lingering prejudices of their community, and their own internal reservations about the forced union. Cheng Xi's modern knowledge and resilience begin to earn her respect, while Qin An's protective instincts slowly overcome his initial reluctance, setting the stage for a gradual transformation of their relationship from strangers to allies.

Novel Items

More
Food
A small pack of creamy candies that Cheng Xi carried in her travel bag. These were rare goods very hard to buy in the northern military region area. Cheng Xi gave them to Li Jing as a gift to build a friendly relationship. Li Jing's eyes lit up at the sight of them.
Document
A legal agreement arranged by Qin Zelin's grandfather and Old Master Cen. It stipulates a nominal marriage for one year with financial compensation upon divorce. Cen Miao does not need to fulfill marital duties and can adjust the compensation amount if unsatisfied.
Document
The official certificate obtained by Xi Xingye and Shen Qinci at the Civil Affairs Bureau. Shen Qinci later tosses it into a toolbox beside her motorcycle, showing her disregard for it.
Document
A sheet used by Qin An to record soldiers' target practice results at the training ground. He was holding it when the sentry reported Cheng Xi's arrival. He tucked it under his arm later when heading toward the family quarters.
Medicine
A medicine bottle Qin An obtained from the infirmary for Cheng Xi's sprained ankle. It is used for bumps and bruises on the training ground and helps recovery faster. Qin An brought it to Cheng Xi when he found her injured.
Container
Two aluminum lunchboxes containing rice with one meat and one vegetable dish each, brought back by Jiang Guo'an from the canteen.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c10
2026-08-11shanghai fantasy c9
2026-08-11shanghai fantasy c8
2026-08-11shanghai fantasy c7
2026-08-11shanghai fantasy c6
2026-08-11shanghai fantasy c5
2026-08-11shanghai fantasy c4
2026-08-11shanghai fantasy c3
2026-08-11shanghai fantasy c2
2026-08-11shanghai fantasy c1

Community Reviews

Rating(3.9 / 5.0, 11votes)
5 stars
3(27%)
4 stars
4(36%)
3 stars
4(36%)
2 stars
0(0%)
1 stars
0(0%)

Popular reviews

... Read More
The pacing in these chapters is absolutely ruthless and I am here for it. Chapter 20-21 basically operate on a comedy-of-errors track. Cheng Xi demands a toilet, gets refused, makes a scene at the training ground, comes home and SLAMS the door on Qin An. Classic. Then the next morning—BOOM—he's already laying bricks. The pivot from conflict to resolution happens so fast you almost miss it, and that's the point. The author doesn't let the tension sit. It builds, it snaps, and then immediately pivots to the next beat. Then Zhao Yinghua enters and the pacing shifts into gossip-horror mode. She's not just a neighbor—it's like the entire alley becomes a Greek chorus of judgment. The scene where she's spreading rumors, the crowd growing, voices rising—each paragraph adds another layer of pressure. And then Qin An appears. Silence. The bucket handle creaking. One by one, the women realize they've been wrong. The release of tension when he walks away is perfect. But then—AND THIS IS THE BEST PART—the story immediately pivots from romantic tension (the abs scene, the rice moment) to DOMESTIC DISASTER. Cheng Xi tries to cook. A fire starts. She runs outside covered in soot. And Zhao Yinghua—of all people—screams "Battalion Commander Qin's house is on fire!" to passing soldiers. The chapter doesn't let you breathe. Romance → gossip → romance → fire. It's chaotic in the best way. Every time you think the scene is settling, something explodes. Literally.
... Read More
I need to talk about the kitchen fire scene because the visual writing here is INSANE. Cheng Xi trying to cook porridge for the first time in her life—crumpling newspaper, striking matches, the flame catching and then going out, catching again and burning her fingers. It's so specific and so vulnerable. She's a woman who's never touched a stove in her life, and the author makes you feel every awkward movement. And then the fire spreads. The rag catches fire. Smoke billowing. Her tears mixing with soot on her face. She runs outside clutching that matchbox like a weapon she doesn't know how to use. The image of her standing in the doorway—"face streaked with black soot, hair dusted with paper ash, eyes red"—the author calls her a "little calico cat fished out of a stove" and I literally laughed out loud. It's devastating and hilarious at the same time. But the worldbuilding shines brightest in the contrast. This is a military compound in what feels like 1970s China—dry latrines, honeycomb briquettes, brick stoves, military bugles at dawn, soldiers on patrol. Cheng Xi's entire existence is foreign to her. The electric rice cookers, the induction stoves, the auntie who cooked at the Cheng family home—all gone. She's holding a bag of rice like it's treasure and has no idea how to turn it into food. The courtyard itself becomes a character. The latrine with its bamboo ventilation pipe and clay pot of wood ash, the drainage ditch, the lime lining—these aren't just set dressing. They're proof that someone thought about this space carefully. And Qin An reinforcing it with bricks, the cement dust on his hands, the short-sleeved T-shirt clinging to him in the morning light... every detail grounds us in a world that feels lived-in and real.
... Read More
I need to talk about Qin An because this man is absolutely fascinating and I am HERE for it. On the surface he's all sharp tongue and straight face—"You eat like you haven't had a meal in three days"—but the SUBTEXT is doing SO MUCH WORK. He cooks for her. He leaves notes. He says "so you don't starve and lose weight, or the old man will start nagging me again" but what he MEANS is I want you to be healthy and I don't want anything bad to happen to you. The man is a whole novel in himself. And Cheng Xi's reaction? She doesn't point it out, she just feels this "secret delight" and smiles to herself. That's such a subtle character beat. She's been through trauma, she's in a new body, she's dealing with transmigrating into a life that isn't hers—and yet she can still notice and appreciate when someone does something kind for her. Their dynamic is so understated. He never says anything soft directly, but his actions are constantly speaking for him. Meanwhile, the Cheng Xi and Li Jing friendship is developing in this really organic way. Li Jing was the FIRST person who showed her kindness in this compound—helped her up when she fell, dug the latrine with her. And when Zhao Yinghua starts tearing Li Jing apart, Cheng Xi doesn't hesitate. She steps in. Not because she owes Li Jing, but because she recognizes cruelty when she sees it. The way they look at each other after the fight—both disheveled, both smiling—that's a bond forming. Real, genuine, no words needed.
... Read More
There's this recurring contrast in these chapters that I can't stop thinking about. Cheng Xi eats food cooked over firewood—porridge with that smoky fragrance, hand-pulled noodles with lard and scallions—and it's described with this almost sacred attention to detail. She devours two bowls of rice, two bowls of noodles, and lies in bed feeling warm and content. This is the first time in the text that she's truly at peace. The food isn't just food; it's a symbol of the life she's building, the safety she's finding, the domestic warmth that was stolen from her in her past life. And then there's the jade bracelet. Warm against her skin. Passed down through generations. The one thing that survived transmigration. It represents her past, her family, her identity—but also something awakening, something dormant and powerful. The moonlight hitting it, the faint glow... it's as if the bracelet is a mirror to her own situation. She's been lying dormant in this new world, and something is slowly stirring. Both the food and the bracelet are about nourishment and potential. One feeds her body, the other seems destined to feed something greater. And the author keeps placing them in moments of quiet vulnerability—lying in bed, staring at the ceiling, the moonlight on her pillow. These aren't random details. They're the story telling us that Cheng Xi is about to wake up fully, in every sense of the word.
... Read More
I'm still not over the moment after the fight when Cheng Xi and Li Jing lock eyes. Let me just say that again: THEY LOCK EYES. Both of them absolutely wrecked—hair pulled, faces scratched, sleeves twisted—and instead of being upset or embarrassed, they just... smile at each other. And Cheng Xi smiles BACK. In a story full of scheming wives and gossiping neighbors, that moment of pure, unfiltered connection between two women who just stood up to a bully together hit me right in the feels. It wasn't romantic, it wasn't familial, it was something else entirely. It was solidarity. It was "I see you and you see me and we're in this together." And Li Jing's backstory? Zhao Yinghua basically dragged it into the sunlight in front of everyone—forced her way into a marriage, the commissar never wanted her, she ruined his relationship with his childhood sweetheart. The way Li Jing stood there trembling, lips pressed tight, fighting back tears... it broke my heart. Because she's not a villain. She's a complicated woman who made a desperate choice years ago and has been paying for it ever since. And Cheng Xi, who barely knows the full story, still chose to stand beside her. That's the kind of emotional depth that makes a story unforgettable. The author didn't need melodrama or dramatic music—just two women, a messy alley, and a look that said everything.
... Read More
The scene in the dependents' committee office is PURE TENSION. Zhao Yinghua is wailing, slapping her thigh, trying to paint herself as the victim—and Cheng Xi just CUTS THROUGH IT with one line: "But wasn't it you who started it?" Cold. Calm. Devastating. And then Li Jing backs her up. Two against one, and Zhao Yinghua panics because she realizes she has no allies in that room. Her usual mahjong friends aren't there to vouch for her. But then Cheng Xi drops the nuclear option: children. "Children don't care about anyone's status, nor do they play favorites. Who threw the first punch, who hurled the first insult—children don't lie." I literally gasped. This is such a brilliant narrative move because it raises the stakes in a completely unexpected way. Zhao Yinghua's face—stiffened, mouth opening and closing like a fish. She's trapped. The author is building this conflict layer by layer: the initial splash of water, the verbal ambush about Li Jing's marriage, the physical fight, the committee hearing, and now the witness question. Each escalation feels earned. The stakes aren't just about who wins an argument—they're about reputation, survival, and power in a compound where everyone's watching everyone. And Cheng Xi, the newcomer, the "capitalist's daughter," is holding her own against the most connected woman in the alley. What happens when the children are brought in? I need to know right now.
See all reviews

Characters

See all characters

Custom lists

Oops…There is nothing here.