Reborn as Fan Shengmei: Becoming an Influencer to Change My Fate
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Fan Shengmei, a thirty-year-old woman living in the Ode to Joy apartment complex in Shanghai, experiences a sudden rebirth. She finds herself seated at a dining table during a villa gathering, facing the same humiliation from her past life. Qu Xiaoxiao, a neighbor with a cruel streak, mocks Shengmei’s father’s humble origins while sitting beside Wang Baichuan, the man Shengmei once worshipped and broke up with. In her previous life, Shengmei had panicked and revealed that Wang’s car was rented to save face, causing him to storm off. This time, however, she remains calm. She invites Qu Xiaoxiao to continue her mockery and then publicly admits that she does not own the luxury apartment she claimed, revealing instead that she shares a rental with her neighbors, Guan Ju’er and Qiu Yingying. Wang Baichuan, who had also lied about renting his car, becomes flustered as Shengmei exposes the mutual deception. She leaves the dinner, rejecting Wang’s attempts to chase her, and resolves to change her life.

Back in Shanghai, Shengmei undergoes a significant transformation. She sells her collection of luxury goods, including high-quality replicas and genuine items, to raise capital. Her friends Andy, Guan Ju’er, and Qiu Yingying are initially worried, fearing she is in financial trouble, but Shengmei explains that she no longer believes material possessions bring respect. She decides to pursue independence and self-improvement. Utilizing her knowledge of future trends, she invests in Bitcoin and purchases professional lighting equipment to start a side hustle as a beauty influencer. She records detailed makeup tutorials, focusing on foundation application and skin type analysis, filling a gap in the market at that time. Her videos gain traction quickly, attracting a growing audience and generating income.

Shengmei’s new attitude confuses and impresses those around her. When Qu Xiaoxiao confronts her in the elevator, accusing her of jealousy, Shengmei turns the tables by suggesting that Qu Xiaoxiao is the one obsessed with her. She also advises Andy, who is dating the manipulative Wei Wei, to recognize and resist psychological manipulation. Shengmei helps Andy see that Wei Wei’s critical comments are a form of control. Meanwhile, Shengmei cuts off financial support to her exploitative family in her hometown, reducing her monthly remittance and refusing to be guilt-tripped by her mother. She asserts her boundaries, deciding to stop supporting her brother’s household expenses.

As her influencer career progresses, Shengmei attends a banquet with Andy, using the opportunity to film content that enhances her image. She encounters Qu Xiaoxiao’s relative, Qu Lianjie, who attempts to flirt with her under the mistaken impression that she is a gold digger. Shengmei uses Andy as a shield to avoid him, demonstrating her growing confidence and strategic thinking. She continues to refine her content, planning seasonal color analysis videos and low-fat diet accounts. Her neighbors support her endeavors, with Guan Ju’er and Qiu Yingying offering to model for her tutorials. Shengmei’s journey reflects a shift from seeking validation through men and material goods to building a career and identity on her own terms. She navigates social dynamics with newfound assertiveness, rejecting the roles imposed on her by society and her past self.

The story follows Shengmei as she balances her day job with her burgeoning online career. She meticulously plans her videos, studies market trends, and engages with her audience. Her relationship with Wang Baichuan remains distant, as she no longer seeks his approval. Instead, she focuses on financial stability and personal growth. The narrative highlights her interactions with the other residents of Ode to Joy, particularly the evolving dynamics with Qu Xiaoxiao, who remains a source of conflict but is increasingly outmaneuvered by Shengmei’s composure. Shengmei’s rebirth serves as a catalyst for her to shed old insecurities and embrace a future defined by her own ambitions and resilience.

Novel Items

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Item
Wang Baichuan's rented car that he used to impress Fan Shengmei. In her past life, Shengmei exposed this publicly causing him to storm off. He also asked the security guard to investigate her living situation.
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Fan Shengmei ordered rose petals from the front desk for a bath. She later suggested using them for the hot spring soak instead of a room bath.
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Various swimwear purchased at the mall including minimalist bikinis, sweet and cute-style swimsuits, a blue floral halter-neck bikini with lace trims. Shen Simo also buys ten different silicone swim caps and matching swimming goggles.
Artwork
Jiang Sesè's painting that was identical in composition, color palette, and brushstrokes to Lu Zhenzhu's Metamorphosis. Jiang Sesè claimed it as her original work and used Gu Group sponsorship for its solo exhibition.
Luxury Accessory
A high-end scarf that Shengmei asked Wang Baichuan for as compensation after helping him find work in Shanghai. He showed reluctance when giving it to her.
Cryptocurrency
A digital currency Shengmei decisively bought at a low price, anticipating its future value. She plans to hold it until it soars before cashing in, though she buys cautiously due to lack of experience.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c7
2026-08-11shanghai fantasy c6
2026-08-11shanghai fantasy c5
2026-08-11shanghai fantasy c4
2026-08-11shanghai fantasy c3
2026-08-11shanghai fantasy c2
2026-08-11shanghai fantasy c1

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Okay so I have to talk about the living space in this book because it's honestly one of the most vividly rendered settings I've encountered in recent reads. The Ode to Joy apartments—specifically unit 2202—feel so real I could walk through them. Fan Shengmei's corner of the living room, shoved to one side with her filming setup, the ring light, the phone positioned just right... I could picture it perfectly. And the contrast between her cramped "room" (which is really just a converted living space) and the rest of the apartment tells you everything about her situation without the author having to spell it out. The dinner scene at the restaurant is another gem. Andy ordering pasta and salad, Guan Ju'er getting pasta and mushroom soup, and Shengmei with just a plain green salad so bare it looked almost pitiful—that single detail about the salad does so much heavy lifting. It tells us about her discipline, her priorities, her willingness to sacrifice comfort for goals. And then later when she's editing videos in the living room at night, the apartment transforms from a shared living space into her personal studio. The quiet so intense you could hear a pin drop because her roommates are respecting her hustle—that's worldbuilding through behavior, not description. Even Qu Xiaoxiao leaning against the doorframe, lounging casually while chatting with Yingying, paints a picture of class and attitude through posture and space. The elevator encounters, the hallway dynamics, the way characters occupy different areas of the apartment based on their personalities and relationships—it all feels lived-in. This isn't a backdrop; it's a living ecosystem.
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Can we just take a moment for Andy? Because her dialogue is genuinely one of the funniest things in this entire book and I don't say that lightly. So Shengmei is teasing her about having something on her mind, and Andy goes: "My driving is fine. We won't get into an accident." And Shengmei bursts out laughing because she was joking. This woman is so earnest it hurts. But then immediately after, she's the one quietly worrying most about Shengmei doing something rash. The contrast is everything. The dialogue in this book never feels written. It feels overheard. Like when Qu Xiaoxiao yells at Yingying: "Why are you, little earthworm, jumping up and down? You should learn from her." That's not dialogue—that's a personality explosion. You don't need narration to know exactly what this woman looks like mid-rant. And Shengmei's voice is so distinct now compared to earlier chapters. When she says to her roommates: "Stop being so cautious. I've lived in Shanghai for years—I've weathered far greater storms. Do you really think something this small could break me?" That's not the woman who was falling apart at the hot spring. That's someone who's found her center. The dialogue carries the entire character arc. Even the saleswoman on the phone has a voice: "Sis, I've already made the arrangements. Are you really sure you want to sell so many at once?" Casual, familiar, slightly nervous. Three lines and I know exactly who this person is. The author understands that dialogue isn't just about what people say—it's about what they can't bring themselves to say. Andy wants to ask about the money. Guan Ju'er wants to ask about Qu Xiaoxiao. Shengmei wants to say she's scared but instead says she's fine. The gaps between the lines are where the real writing lives.
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This book is obsessed with the question of what makes a woman valuable, and it answers it by having Shengmei literally sell her entire collection of luxury goods. Think about what those items represent. They're mostly A-grade fakes—high-quality counterfeits that she bought to project a version of herself she thought the world would respect. Qu Xiaoxiao's mockery wasn't just cruel; it was accurate in the worst way. Shengmei had been performing wealth, performing sophistication, performing the idea of a woman who could "marry up" and change her fate. The buyer at the bridge even thinks that's exactly what happened: "Looks like she really did manage it." But selling them isn't defeat. It's liberation. "These are just things outside of myself," she tells her roommates. "It's time to sell them off and turn them into cash." The transformation from objects to capital mirrors her transformation from performance to authenticity. Then there's Bitcoin. She buys some "at its current price, practically as cheap as vegetables compared to what it would one day become." This is such a loaded detail—she's investing in something invisible, something that requires faith in the future rather than display in the present. She's betting on herself. And the tree metaphor Andy thinks about? "Before, she had been like a drifting leaf... Now, she was like a tree. Still small, perhaps, but stretching toward the sun, drawing in nourishment, determined to grow tall and strong." A tree doesn't perform. It doesn't need to look expensive. It just grows. That's the whole theme in one image. The beauty blog she starts is another symbol—teaching other women to create value from themselves rather than from what they own. The ring light isn't a status symbol; it's a tool. Everything shifts from display to function, from appearance to substance.
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Okay so I need to talk about this one moment because it genuinely stopped me mid-chapter. Andy looking at Shengmei and thinking: "Before, she had been like a drifting leaf, fragile and afraid to face the storm. Now, she was like a tree." That's it. That's the whole character arc in one sentence. I literally sat there staring at my phone. What I love about this book is how it handles Shengmei's relationships without making them one-dimensional. Guan Ju'er and Andy aren't just side characters—they're genuinely perceptive. Andy noticing the shift immediately, Guan Ju'er connecting the dots about Qu Xiaoxiao... these women actually SEE each other. And when Shengmei decides to sell everything, their first instinct isn't judgment, it's worry. "If you're short on money, I've saved some—I can lend it to you." That's the kind of friendship most books pretend exists but never actually write. But here's what really got me—Qu Xiaoxiao. The woman who mocked Shengmei at the villa, who looked down on her as some gold-digger... she shows up at the door hearing about hot pot and just barges in like nothing happened. And Shengmei? She doesn't explode. She doesn't cry. She just says: "Yes, I am treating everyone to hot pot. But I'm not inviting you. Sorry to disappoint." And walks away. I screamed. That's not revenge—that's just... growth. She doesn't need to prove anything to that woman anymore. The relationship between Shengmei and Wang Baichuan is also fascinating in its quietness. She asks for a Hermès scarf as a hint, sees his reluctance, and lets him go without a word. He comforts himself with "maybe I still have a chance" while she goes to sleep peacefully. That contrast says everything about who's actually winning here.
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Okay I need to vent about the Andy-Wei Wei storyline because the tension in these chapters is BRUTAL and I am HERE for it. Let me set the scene: Andy has been dating this guy she met online, and something feels off. But here's the thing that makes it so well-written—the author doesn't make Wei Wei a cartoon villain. He's not abusive or overtly cruel. He's just... subtly corrosive. He "likes to analyze every person he meets" and Andy feels it's "a bit too one-sided." That's it. That's the red flag. And it's so realistic because that's exactly how manipulation starts. Shengmei's intervention is where the stakes become crystal clear. She doesn't just say "dump him." She asks the fundamental question: "Do you actually want to stay with him or not?" And then she explains the mechanism—psychological suggestion, what would later be called PUA. The line that got me was: "Sometimes, the influence creeps in so subtly we don't even notice—it works little by little." This is terrifying because it's true. Andy admits she unconsciously accepted his judgments about people because she wasn't sensitive enough to push back. That's not weakness—that's how smart, capable women get worn down. The stakes aren't just about a breakup; they're about Andy losing her sense of self. Meanwhile, the external conflict with Qu Xiaoxiao is simmering. Yingying confronting Shengmei at the door, suspicious and angry about the makeup gift—this creates immediate tension. Will Shengmei explain? Will Yingying believe her? And Xiaoxiao's reaction to Shengmei accepting her offer without pride getting in the way leaves her "stunned." These are small conflicts but they're building something bigger. The suspense is maintained perfectly because the author gives us Shengmei's internal calculations—she's thinking about money, about her future, about what she's willing to sacrifice. We know she's playing a long game, and that makes every interaction charged with meaning.
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The stakes in this section are escalating on every front and it's making me genuinely anxious for this woman. Let's catalog what Shengmei is fighting for: financial independence through her vlog (now validated by the viral numbers), social mobility (the banquet invitation, the industry connections), personal boundaries (Old Hu's warning about Shengying), and basic housing security (the rent hike). Every single one of these is under threat simultaneously. The Shengying subplot is the most dangerous because it's not just a problem—it's a trap. He's her family, she can't fully cut him off, but Old Hu is literally telling her that everything he messes up will be blamed on her. The stakes aren't abstract; they're about whether she can maintain the life she's building or whether her past will drag her back. And the Qu Lianjie encounter? That's a smaller-scale conflict but it reveals the constant vigilance she has to maintain in spaces where she doesn't belong. She's always one wrong move away from being exposed as a fraud, from being dismissed, from losing the ground she's gained. The concert tickets subplot adds another layer—Guan Ju'er doesn't want to owe anyone, and Shengmei has to navigate that delicacy. Every relationship is a potential source of conflict or support, and the author makes you feel the weight of that uncertainty.
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