Summary

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Ling Xiao is a Tasker in the God-Lord Space, a novice with the innate trait of Beauty and a mission to become the favored consort of Emperor Li Yue of Great Jin, requiring a favorability score above 50. Rather than entering the palace as a traditional concubine, she selects the identity of Ling Xiao, the sixth illegitimate daughter of a fifth-rank official, who appears at age eight. Understanding that the Emperor would not pursue a child, she plans to exploit the long time limit of the mission, intending to grow into the role over years. Upon arriving in Great Jin, Ling Xiao subdues her System, 18888, physically restraining it and forcing it into submission. She uses her starter skills, "Silken Tresses Like a Waterfall" and "Light as a Swallow," not for beauty but as weapons. At the palace banquet celebrating the Emperor's military victory, she walks to the center of the hall and confronts Li Yue, claiming to be the daughter of Great Jin's founder, Taizu, who died shortly after birth. When ministers object to her blasphemy, she unleashes her hair, which grows into a living net that ensnares the hall, feeding on the flesh of those who scream and resist. The Emperor, displaying remarkable composure, kneels before her, addressing her as "Aunt" and acknowledging his junior status, which calms the creature. Ling Xiao reveals knowledge of the Underworld Dynasty and the Wheel of Reincarnation, confirming to the court that death is not the end and that the imperial family will retain its hierarchy in the afterlife. This revelation terrifies and delights the nobility, who see an opportunity to secure their posthumous status. The Emperor, recognizing her power and the political advantage of having a Ghost-God relative, confers upon her the title of Grand Princess of Qin, with ceremonial rank above his own, and grants her residence in Fengyang Palace. The noble families, fearing the loss of their underworld status and seeking to control or expose the Grand Princess, conspire to test her. At a subsequent banquet, the Head of the Xie Family accuses her of being a fraud and challenges her to prove her identity. Ling Xiao accepts, grabbing his hand and extracting ten years of his lifespan through visible threads of light, rapidly aging him into a withered corpse. She then uses the extracted life force to create a "Longevity Pill," which she feeds to the Emperor. The pill restores his youthful appearance, extending his vitality and solidifying his political position against the aging aristocracy. When the nobles demand similar pills, Ling Xiao pretends to agree, suggesting she could refine more using human material. The Prince of Chu eagerly offers commoners as ingredients, but the Emperor intervenes, revealing that the offer was a test. Ling Xiao laughs, exposing the nobles' greed and moral corruption. She clarifies that she follows the righteous path and would not risk her cultivation for mere mortals, leaving the nobles humiliated and the Emperor strengthened. Following these events, Ling Xiao consolidates her power. The Emperor, grateful for her support, eliminates the Ling family members who had mistreated her, severing her ties to her biological family. She continues to navigate the palace, using her ghostly abilities and the System's resources to maintain her position as the Emperor's spectral aunt, while secretly planning to manipulate the court and the Emperor himself to ensure her mission's success and her own dominance in the God-Lord Space.

Novel Items

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Skill
A skill orb selected by Ling Xiao from the System's welcome gift package. It relates to hair manipulation abilities, allowing her to control her hair strands extensively.
Skill
A skill orb selected by Ling Xiao from the System's welcome gift package. It likely grants agility or lightness of movement.
Item
An item held by Ling Xiao that she squeezes to cause the System pain, producing a faint wail of agony. It serves as a means of controlling and tormenting the trapped System.
Jewelry
An exquisite jade hairpin that Old Madam Song always treasured. She gives it to Song Yuejiao upon her return, saying she had prepared something else but this is more suitable. The system identifies it as a key prop waiting for the host to explore. Li Jinzhi shows jealousy when she sees it being given to Song Yuejiao.
Item
A package provided by System 18888 containing skills and props related to the palace intrigue setting. Ling Xiao selected two skill orbs from it.
Item
A panel used by Taskers to view and accept missions. Ling Xiao used it to accept her main mission and side missions in the Great Jin world.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c6
2026-08-11shanghai fantasy c5
2026-08-11shanghai fantasy c4
2026-08-11shanghai fantasy c3
2026-08-11shanghai fantasy c2
2026-08-11shanghai fantasy c1

Community Reviews

Rating(4.3 / 5.0, 16votes)
5 stars
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Can we just talk about how incredible Ling Xiao's dialogue is? Every time she opens her mouth, you know exactly who's speaking. 'That's right, we're blood relatives. Even if I bully you, it counts as teaching. Master wouldn't blame me.' The audacity! The casual cruelty wrapped in childlike logic! And then she immediately pivots to 'Mhm, I was delayed because I wanted to be close with my family, not because I was playing around and didn't finish Master's task.' The self-awareness is hilarious. She's fully aware she's making excuses and she's not even sorry about it. Her voice is this perfect blend of ancient supernatural being and bratty little girl, and the author never lets it slip. Even when she's being serious—like during the Zhuan Xu explanation—there's still this edge to her. 'When the mortal realm offers sacrifices to him, he will naturally sense it.' She's performing piety while completely treating it as a transaction. Meanwhile, Li Yue's dialogue is all careful deference mixed with genuine awe, and that contrast between their voices makes every exchange feel alive. The side characters like Wang Yi also have distinct voices—his internal monologue about feeling like 'drinking a mouthful of ice-cold sour plum soup' is such a specific, vivid way to express satisfaction.
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Can we just take a moment to appreciate Prime Minister Wang Yi because this man is a COMEDIC GOLDMINE and I am here for it. The guy sits through a royal banquet, discreetly slips off his shoes under the table to relax his toes, and internally monologues about how he's teaching Xu Yan a lesson about striking first. Meanwhile he's maintaining this perfect calm exterior while the entire court is about to explode. The man is a legend. And the dialogue in this section? Sharp as a knife. Look at how each character's voice is instantly recognizable: Xu Yan: forced smiles, sour attitudes, can't hide his jealousy — 'See you later, Prime Minister' with that insincere grin. Classic. Wang Yi: measured, sarcastic, always three steps ahead. 'After all these years, everyone knows Xu Yan—he just loves putting on a sour face for no reason.' Oof. The noble families: all pompous declarations and hidden threats. 'My word is my bond' from the Xie Family head right before he gets drained of ten years of life. The dramatic irony is *chef's kiss*. Ling Xiao's dialogue is deceptively simple — 'Then I'll take ten years of your life!' delivered with a giggle. But it's the contrast with everything else that makes it hit. She sounds like a child playing, and that's what makes it terrifying. Even the System has a distinct voice. 'Host, what should we do?' vs 'Hmm, Host, don't worry. This System thinks you're already sufficiently malicious.' One is anxious, the other is darkly amused. They feel like two different characters. The author's narrative voice itself is wonderful too — that moment where Li Yue is pacing and thinking about what gift to bring, going through jewelry and gems before realizing 'how could such mundane things appeal to a Ghost-God?' It's funny and humanizing in one sentence.
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I need to sit with this image for a minute. The threads of light — those fine, swaying filaments drawn from the Xie Family head's body, connecting his aging flesh to Ling Xiao's crystalline fingertips. They're literally the visual representation of lifespan, of time itself being harvested like crop. But the threads mean more than that. Think about what they symbolize in the context of this whole story. These aristocratic families have spent centuries building their power on the idea that lineage equals permanence. Old families stay old. Nobles stay noble. Death is just a transition where you hopefully maintain your status. The Head of the Xiao Family produced his jade ring like it was a credential, like his family name opened doors in the underworld too. The threads of light strip all of that away. When Ling Xiao pulls them, you're not a count or a duke or a head of a millennia-old clan. You're just... time. Finite, fragile, extractable time. The threads don't care about your family name or your Buddha's relics or your refined ghost blood. They only care that you're alive, and therefore you can be drained. There's also the moon-and-sun imagery that I can't stop thinking about. The hall contains both simultaneously — the blazing summer sun outside and the crescent moon with stars above. This isn't just a magic trick, it's a statement about the nature of reality in this world. The boundaries between life and death, light and dark, mortal and divine are thinner than anyone in the Great Jin court realizes. The nobles came prepared to negotiate with a ghost, but they didn't understand that the ghost was already operating on a completely different plane of existence. Even the ice containers in the hall are symbolic — artificial cold trying to mimic the natural cold of the underworld, just like the nobles' prepared talismans and relics are artificial attempts to control forces they don't comprehend.
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I have to admit, the relationship between Ling Xiao and 18888 absolutely stole my heart in this batch. The way she emotionally manipulates her own system is both hilarious and kind of touching? Like, she puts 18888 on the brink of tears by saying things like 'you're so useless' and 'I'm the only one who would take you as a System,' and then immediately softens with 'since you're my System, I can't just abandon you.' That's... that's basically toxic relationship energy but also deeply affectionate in a weird way. And then there's her dynamic with Li Yue—this uncle-niece relationship that's constantly shifting. One moment she's terrorizing him under the quilt, the next they're cooperating seamlessly, exchanging glances like seasoned politicians. The scene where she explains the myth of Zhuan Xu and Li Yue immediately understands what she's hinting at and vows nationwide sacrifices? That's not just political maneuvering, that's genuine trust between them. She's teaching him how to play the game, and he's learning. And the way she calls him 'nephew' while simultaneously using him as her tool—it's complicated and I love it.
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I literally gasped out loud at the banquet scene. The author described it like a film director was behind the camera and I was watching it unfold frame by frame. Let me paint this for you: bright midsummer sun outside, so hot the bluestone slabs seem to warp. Inside the hall, large ice containers every few steps. And then — poof — the sunlight vanishes and a crescent moon appears above the lofty hall with scattered stars floating silently in the air. All within a single space. The Emperor looks outside and sees the sun still blazing, then looks back at his aunt and his hands are trembling under his dragon robes. This is the kind of worldbuilding that doesn't need exposition dumps. You don't need a paragraph explaining the rules of the underworld or how Ghost-Gods work. You just show me a little girl in a goose-yellow palace dress stepping over a threshold, and suddenly the sun and moon coexist in one room and I understand everything I need to know about the power dynamics here. The ice containers, the fragrant tea, the cloves between the lips — these details make the Great Jin court feel alive. It's not just a backdrop, it's a character. The nobles arriving with their jade rings and Buddha's relics and Eight-Treasure Wheels refined from women's blood? That's worldbuilding that tells you exactly what kind of society this is: one where the aristocracy would sell their souls for more lifespan, where ancient families have been preparing secret weapons against ghosts for generations. And Ling Xiao's bedroom with the hundred-herb embroidered bed curtain and Lady Yang quietly extinguishing candles? That domestic scene contrasts so perfectly with the cosmic horror about to unfold at the banquet. The author knows how to shift tones like a pro.
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The tension in this batch is absolutely relentless, and I think the best part is how the stakes operate on multiple levels simultaneously. On the surface, there's the political conflict—Wang Yi versus Xu Yan, the literati versus the nobles, all fighting over who gets to control the narrative of Taizu's memorial. But underneath that, there's this deeply personal stakes for Ling Xiao: her master is coming, and she's terrified of being found out. 'If Master finds out I've been mischievous... No, no!' The way her voice rises sharply at the end—that's not just dramatic flair, that's genuine fear. And then there's the stakes for Li Yue, who's caught between being a competent emperor and being completely out of his depth. He's navigating court politics while also being the target of a supernatural being's emotional manipulation. The scene where Yan Pei tries to ram open the hall doors and the dozen eunuchs can't budge them? That's the author reminding you what kind of power is in that room. If Ling Xiao loses control, people die. The Dream Pill scheme adds another layer—Ling Xiao is essentially planning to deceive the entire court, and the system points issue makes it feel like she's operating on a tightrope. Every decision could blow her cover. And honestly, that's what keeps me turning pages.
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