Summary

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Jing Yuanxi is the only daughter of the prestigious Jing family in Zhongdu, raised in an environment where familial bonds are transactional and emotional warmth is nonexistent. Her father, Jing Yuan, groomed her from childhood to be a ruthless business heir, conditioning her to view every action as a calculated exchange for shares and power. She is engaged to Han Shixu, the heir to the Han family, in a union arranged for political and economic alliance rather than love. Their relationship is distant and formal, governed by mutual expectations rather than affection. However, Jing Yuanxi begins experiencing vivid, terrifying nightmares in which Han Shixu abandons her for a commoner woman, publicly humiliates her, and leaves her to die in a kidnapping scenario. These dreams unsettle her, creating a sense of foreboding that permeates her daily life.

The narrative shifts when Han Shixu secretly leaves Zhongdu without informing Jing Yuanxi, a breach of etiquette that triggers her anxiety. During a drive to confront the situation, Jing Yuanxi is involved in a minor traffic incident with a white van. She pursues the vehicle, leading to a police interception where she discovers a kidnapped young man, Pei Jize, tied up in the back seat. Pei Jize is the grandson of a powerful family patriarch, and his rescue establishes a connection between him and Jing Yuanxi, though she treats him with disdain and indifference. Meanwhile, Han Shixu, in a different city, encounters Song Enya and her mother, Song Zhenxian, who are being harassed by Song Enya’s abusive, alcoholic father. Han Shixu intervenes, paying for Song Enya’s medical treatment after she suffers a leg fracture. Moved by their destitution and Song Enya’s resilience, he offers them employment as housekeepers at his secret villa in Zhongdu, a gesture that inadvertently sets the stage for future conflicts.

Upon returning to Zhongdu, Han Shixu brings Song Enya and her mother to the villa, only to find that his friends, including Li Chengshuo and Jin Mingzhu, have thrown a welcome party there. The collision of these two worlds creates immediate tension. Jin Mingzhu and the other wealthy youths mock Song Enya and her mother, viewing them as inferior interlopers in their high-society circle. Li Chengshuo, harboring hidden ambitions, deliberately exposes the villa to Jing Yuanxi’s social circle, hoping to drive a wedge between her and Han Shixu. Jing Yuanxi, already suspicious due to her nightmares, learns of Han Shixu’s secret residence and the presence of the mother and daughter. She interprets these events as the beginning of her nightmare’s fulfillment, feeling betrayed and humiliated by Han Shixu’s secrecy and his apparent favoritism toward commoners.

Pei Jize, recovering from his kidnapping, is enrolled in Di’an International, the same elite school Jing Yuanxi attends. He seeks out Jing Yuanxi, attempting to forge a connection based on their earlier encounter, but she rebuffs him coldly. Pei Jize, intrigued by her arrogance and beauty, becomes determined to break down her defenses. Simultaneously, Song Enya begins working at a high-end restaurant, where she inadvertently overhears a conversation revealing that Pei Jize is the son of a mistress connected to the Han family. This discovery links the disparate threads of the narrative, suggesting that the Han family’s internal turmoil is more complex than it appears. Han Shixu’s father is embroiled in a scandal involving an affair, which Ji Hua, Han Shixu’s mother, uses to assert her dominance within the family. The power dynamics within the Han and Jing families are fragile, with alliances shifting based on利益 and secret knowledge.

The story progresses as Jing Yuanxi navigates her engagement with Han Shixu, who remains distant and evasive. She suspects he is falling for Song Enya, mirroring the trajectory of her nightmares, and resolves to assert her control over the situation. Her father reinforces the importance of the marriage alliance, reminding her that Han Shixu’s affection is irrelevant to the strategic value of the union. Jing Yuanxi’s cold pragmatism clashes with the emotional chaos surrounding her, as she prepares to confront the threats to her status. The narrative weaves together themes of class disparity, familial duty, and the corrosive nature of power, setting the stage for a confrontation that will test the resilience of all involved characters.

Novel Items

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Vehicle
Sheng Xia's car, which she uses to deliver takeout. She drives it to the construction site, and it is recognized by Jing Ci as the young madam's car.
Vehicle
The van with license plate Yun N·D12333 driven by a kidnapper who had Pei Jize tied up in the back seat. It was intercepted by Jing Yuanxi and police officers.
Item
A wine bottle thrown by Jin Mingzhen into the swimming pool at Triumph Club, shattering it into pieces. Later, Jin Mingzhu poured red wine from a bottle over Jin Mingzhen's head.
Item
Ning Yichu requested a couple of usable suitcases from the servant to pack his belongings from the Ning family. He had previously only taken one suitcase with essentials to the He family, leaving most of his things behind since neither family felt like a true home to him.
Event
The nightmare experienced by Jing Yuanxi where her fiancé Han Shixu chose to rescue another woman over her during a kidnapping. She was gagged, dragged onto a boat, and had her face sliced with a sharp blade, leaving bloody scars. The dream ended with her corpse in a prison cell.
Event
The arrival of police cars with sirens blaring that surrounded the white van and the red sports car. Over a dozen officers stepped forward to inspect the vehicles and arrest the driver.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c3
2026-08-11shanghai fantasy c2
2026-08-11shanghai fantasy c1

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Popular reviews

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The stakes in this story just keeps escalating and I am HERE for it. Let's talk about what everyone is actually fighting for here, because it's way more complicated than a simple arranged marriage drama. Jing Yuanxi's conflict isn't just about losing Han Shixu's affection — that would be almost romantic, almost normal. Her conflict is existential. Her entire identity has been built on being the perfect heir, the daughter who completes every task, who owns seven percent of the family shares before she's even out of school. And now Han Shixu is choosing someone — someone his father's mistress's daughter no less — over the most powerful marriage alliance in the city. What does that say about her value? That's the real wound. Han Shixu's conflict is equally layered. He's caught between his father's world (with all its secrets and scandals) and his own desire for autonomy. Bringing Song Zhenxian and her daughter into the villa isn't just rebellion — it's him trying to build something that belongs entirely to him, away from the Jing family's control. But he's also being manipulated by Li Chengshuo, who is playing both sides like a chess master. And the Song mother-daughter storyline? Their stakes are survival. Eighteen thousand yuan a month isn't just money — it's Song Enya's education, their future, their escape from whatever situation they've been in. The moment Song Enya walks into that private room and sees her future employer's father having dinner with a mistress... that's the moment all their carefully laid plans are about to collide with reality. How much can they really trust Han Shixu when the man who promised them help is also the son of the man cheating on his wife? The tension is absolutely suffocating in the best way.
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Okay so let's talk about Han Shixu because this guy is a walking contradiction and I am HERE for it. On one hand, he literally steps between Song Enya and her mother and the entire wealthy mob and says "Everyone, shut up!" — that's a protective move, right? He even takes the blame on himself like it's his fault they walked into the wrong room. But then... he also lets Jin Mingzhu get away with basically everything. When she's throwing cake at Song Zhenxian's head and Li Chengshuo is shattering wine glasses just to watch the maid clean it up, Han Shixu gives ONE half-hearted warning and that's it? He doesn't kick them out until 11 PM. And the worst part? He brought them there under the pretense of being "housekeepers" when they're actually nannies for his family. He's using them as cover to get them out of the Han household. Is that protection or is that manipulation? I keep going back and forth on this. He clearly cares about them — he wouldn't have gone through all this trouble if he didn't — but he also seems completely unwilling to actually stand up to his friends in any meaningful way. Meanwhile, Li Chengshuo's character just got even more infuriating. The guy literally says "Can't you see yourselves for what you are?!" to people who walked into the wrong room by accident. That's not just rude — that's a fundamental worldview problem. He genuinely believes people have "places" they belong based on status. And Jin Mingzhu? She's the kind of person who will throw cream on someone's head and then say "sorry, my hands are unsteady" like it's nothing. These characters aren't just villains — they're comfortably villainous because their wealth insulates them from consequences. The mother-daughter dynamic between Song Zhenxian and Song Enya is what really got me though. Song Zhenxian's willingness to take every humiliation silently — cleaning up cake, picking up glass, saying "yes" when told to be a maid — it's heartbreaking. But Song Enya's explosion, even if it's internal, even if she's crying alone in her room... that's where the real character depth is. She's furious at her mother for being spineless, but also recognizes she's "a woman who loved her but couldn't give her anything." That complexity — love mixed with resentment — is what makes this relationship feel real.
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The atmospheric writing in this novel is genuinely impressive. Let me start with that opening nightmare scene—"A desolate island, waves crashing against the sky." Just three words and I'm already in this bleak, cinematic space. The author doesn't overdescribe but every detail lands. The way the nightmare transitions to Yuanxi waking up drenched in sweat in her luxurious bedroom, the contrast between the dream's desolation and her reality's opulence, it's all so deliberate. Then there's the night chase scene. "The pitch-black night stretched endlessly, with neon lights crisscrossing the bustling city. A flash of bright red sped down the main road." I could literally see this as a movie. The red sports car against the black night, the white van, the sparks from the tires—it's visual storytelling at its finest. And the Triumph Club pool scene! Jin Mingzhu pouring red wine over Mingzhen's head, the wine staining her clothes like blood, the glamorous crowd watching from above like vultures. The contrast between the sparkling pool water and the ugly cruelty happening in it is devastating. Even the airport scene with Han Shixu watching the mother and daughter struggle with their cheap suitcases, everything spilling out in the darkness—that's a whole social commentary packed into one moment. The author is building a world where wealth and power create these invisible hierarchies, and everyone knows their place.
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Can we talk about Yin Meiyan for a second? Because this girl is fascinating and I have strong opinions about her. She brushes past Jin Mingzhu like she's nothing. She calls Jing Yuanxi a bitch to her face. She's clearly obsessed with Han Shixu choosing the Jing family over hers. And yet—there's something almost sympathetic about her. She's not evil, she's just... cornered. Her father blamed HER for losing the alliance. She has nothing but her pride, and Jing Yuanxi keeps taking it. The line that got me was: 'Still holding a grudge because you couldn't steal the marriage alliance from me? What can you do about it?' Jing Yuanxi says this like it's nothing, like she's swatting a fly. But she's not wrong. Yin Meiyan's entire identity seems tied to this one loss. Meanwhile, Han Shixu is just... there. Nodding perfunctorily at his mom's requests to spend time with Jing Yuanxi, forgetting her words the second he's in the car. He's engaged to her but he can't even be bothered to pretend he cares. And yet he watches Song Enya. He MISSES her. The contrast is killing me. And Pei Jize—this guy enters the scene and immediately changes the energy. He ignores everyone except Jing Yuanxi, he brings police officers as a PRODUCTION, he mouths things to her like they share a secret language. Who IS this boy?
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I need to talk about the atmosphere in these chapters because the author really knows how to paint a mood. The opening nightmare sequence — "Raging seawater crashed violently, the only lifeboat drifting farther away, the sky darkening ominously" — this is such a visceral image. It's not just a dream, it's a metaphor for Jing Yuanxi's entire situation. She's on that lifeboat, drifting away from something she can't control, and the water is literally swallowing everything. Then you cut to the next morning and Jing Yuan is sitting at the dining table like some kind of cold monarch holding court. The contrast between that dark, turbulent nightmare and the sterile, controlled atmosphere of the Jing household breakfast is chef's kiss. And Jing Yuan's dialogue — "the least valuable thing in the entire Han family is Han Shixu himself" — that line is so chilling because it's delivered with the calm precision of a businessman negotiating a deal. Which, of course, is exactly what this marriage is to him. The Han family villa scenes also have this incredible texture. The luxurious villas surrounded by unknown flowers and plants, the servants, the sheer scale of it all. But then you have Song Zhenxian and her daughter arriving with their modest belongings, and the contrast is so sharp it almost hurts. The world feels layered and alive — every location tells you something about the characters who inhabit it.
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The suitcase scene. Let me just start there. Jin Mingzhu doesn't just insult Song Enya — she physically grabs her left hand, wrenches it, and sends the already-worn suitcase flying apart. Clothes scatter everywhere. This isn't verbal abuse anymore. This is assault. And the author makes it clear that this is just... normal for these people. What makes this conflict so terrifying is the complete absence of consequences. Li Chengshuo witnesses the whole thing and his response is to deliberately raise his voice and tell Song Enya to come clean the table. Song Zhenxian — the mother, the victim of the entire evening — is the one who says "Yes, I'll be right out." The victim is being trained to serve her abusers, and she's doing it while her daughter watches in helpless fury. The stakes here are enormous, and the author communicates them without a single internal monologue from the antagonists. These kids have never faced resistance. They've never encountered someone who won't just fold. Jin Mingzhu's surprise when Song Enya says "Being a housekeeper is a legitimate profession" — that moment of genuine shock tells us everything about how insulated these characters are. In their world, people like Song Enya and Song Zhenxian don't have opinions. They don't have dignity. They have positions, and those positions are below them. But the real stakes aren't just about this evening. They're about what happens when Song Enya's anger finally has an outlet. The author sets up a pressure cooker: Song Enya is young, she's intelligent, she's watching her mother be degraded daily, and she has nowhere to direct her rage. Currently it's turning inward — she's crying in her room, calling herself incompetent. But how long before it turns outward? The conflict isn't just rich vs. poor, employer vs. employee. It's about a young woman who is slowly realizing that the system she's trapped in is designed to keep her silent, and the question on the horizon is: what does she do when silence stops being an option? Han Shixu occupies this conflict in a deeply uncomfortable way. He's the bridge between the two worlds — wealthy enough to move in Li Chengshuo's circle, but caring enough to bring Song Enya and her mother to the villa. Yet every time he tries to protect them, he also reinforces the power structure. He tells them to move to the easternmost room. He warns Jin Mingzhu once and then stops. He sends everyone away at 11 PM but doesn't actually confront any of them. The stakes for Song Enya include the painful realization that the one person who might help her is also part of the system that's crushing her.
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