Summary

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Jiang Zhaoyue, a modern woman with no knowledge of ancient customs, suddenly transmigrates into the body of a cannon fodder ex-wife in a web novel she had just finished reading. In the story, this original Jiang Zhaoyue was the selfish, greedy, and malicious eldest legitimate daughter of the Chengnin Marquis Mansion. Despite being arranged to marry Pei Jingzhou, the second son of the prestigious Zhenguo Duke Mansion, she spent her marriage abusing servants, bullying her husband’s younger siblings, and driving her in-laws to illness. Her story ended in tragedy when she eloped with a poor scholar, was sold into a brothel, and died of disease in agony. Upon waking on her wedding night, Jiang Zhaoyue realizes she has the chance to rewrite her fate. She immediately apologizes to her horrified husband, Pei Jingzhou, who is initially shocked by her sudden change in demeanor but remains cold and distant.

Pei Jingzhou, a handsome and disciplined official at the Ministry of Personnel, had been forced into this marriage by his late grandfather’s wishes. He expected his new wife to continue her vicious ways, but Jiang Zhaoyue proves to be unexpectedly reasonable. She treats her traumatized maid, Xiang Qiao, with kindness, breaking the cycle of abuse that defined the original host’s behavior. When the spoiled Fifth Master, Pei Heng, throws a rattan ball at her, Jiang Zhaoyue does not resort to violence or tears. Instead, she throws the ball back, establishing a boundary that surprisingly earns the child’s respect. She handles the unruly boy with a mix of firmness and humor, eventually bonding with him over games and snacks, which confuses and intrigues the entire household.

The core conflict arises from the deep-seated prejudice against Jiang Zhaoyue within the Zhenguo Duke Mansion. Madam Wang, the Duchess, despises her new daughter-in-law and constantly seeks to humiliate her. During the tea ceremony, Madam Wang accuses Jiang Zhaoyue of beating Pei Heng, but the child himself defends her, declaring they are now friends. This incident marks a turning point, as Jiang Zhaoyue’s unconventional methods begin to chip away at the family’s negative perceptions, even if Madam Wang remains hostile. Jiang Zhaoyue also navigates the treacherous dynamics of her natal home, where her stepmother, Wu Shi, and half-sister, Jiang Wanxue, plot to ruin her marriage. Jiang Wanxue, who harbors secret feelings for Pei Jingzhou, attempts to frame Jiang Zhaoyue by feigning illness and falling to the ground. Jiang Zhaoyue counters the scheme with blunt logic and physical force, exposing the manipulation and leaving Jiang Wanxue humiliated.

Throughout these early chapters, Pei Jingzhou’s attitude toward Jiang Zhaoyue shifts from disdain to bewildered curiosity. He witnesses her intelligence, her ability to manage household affairs efficiently, and her protective nature toward her family. Their interactions are marked by comedic misunderstandings, particularly regarding marital intimacy, as Jiang Zhaoyue’s modern directness clashes with Pei Jingzhou’s rigid sense of propriety. Despite his initial frustration, he finds himself defending her against external attacks, such as when he steps in to protect her from her stepmother’s wrath. The story follows Jiang Zhaoyue as she systematically dismantles the reputation of the original host, winning over servants and family members through competence and genuine kindness, while Pei Jingzhou gradually uncovers the truth behind her transformation and the abuse she suffered under her stepmother’s guidance.

As Jiang Zhaoyue settles into her role, she faces the ongoing challenge of reconciling her modern values with the strict social hierarchies of the Great Jin Dynasty. She refuses to be a passive victim of the schemes orchestrated by her stepfamily, choosing instead to confront them head-on. Her relationship with Pei Jingzhou evolves from a cold arrangement into a partnership based on mutual respect and growing affection. The narrative highlights her journey from a feared and despised figure to a respected matriarch, as she navigates political intrigue, family drama, and personal growth. The story sets the stage for further complications, as the original plot’s tragic elements are altered by her presence, and new challenges emerge from both within the noble circles of the capital and the complexities of her evolving marriage.

Novel Items

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Toy
A toy ball used by Pei Heng to throw at maidservants and later at Jiang Zhaoyue. It strikes her knee and is then thrown back at him by Jiang Zhaoyue.
Self-defense Tool
A modern self-defense spray Jiang Zhaoyue intended to use on Pei Jingzhou but could not find in the transmigration setting. It symbolizes her initial fear and desire to defend herself.
Daily Item
Pei Jingzhou uses a teapot to pour a bowl of tea before leaving for the yamen. It is a simple object in the bedchamber.
Clothing
The robe Pei Jingzhou puts on after receiving the yamen summons, along with a silver-edged belt and black boots with subtle patterns.
Accessory
Part of Pei Jingzhou's attire, fastened deftly before he leaves for the yamen.
Footwear
Boots worn by Pei Jingzhou as he swiftly gets dressed to leave for the yamen.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c11
2026-08-11shanghai fantasy c10
2026-08-11shanghai fantasy c9
2026-08-11shanghai fantasy c8
2026-08-11shanghai fantasy c7
2026-08-11shanghai fantasy c6
2026-08-11shanghai fantasy c5
2026-08-11shanghai fantasy c4
2026-08-11shanghai fantasy c3
2026-08-11shanghai fantasy c2
2026-08-11shanghai fantasy c1

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Let me just say this: the pacing in these chapters is absolutely ruthless and I love it. We go from a comedic bedroom scene where the heroine is draped over the hero like a piece of laundry to a full-blown ideological confrontation about family, respect, and upbringing—and the transition is so seamless you don't even notice the tonal shift until you're already in the deep end. Chapter 8 is basically one long sequence of physical comedy and awkward tension. She grabs his sleeve. He pulls away. She grabs again. He pulls again. They arrive at Songqing Hall having had approximately zero meaningful conversation but the author makes you laugh through it so you don't notice you're being set up for the emotional bomb that drops in Chapter 9. And then BOOM—parents discussion, dowry rejection, "you show no regard for your parents," the whole thing unravels in what feels like five minutes but is actually several days of narrative time. The author is playing with two different clocks here: the real-time clock of their marriage (days passing, dowry being sorted, servants being managed) and the emotional clock (each interaction layering more understanding or misunderstanding on top of the last). The chapter ends with them in a carriage in silence, heading to her natal home, and Pei Jingzhou's internal monologue has hardened into this tragic misconception about who she is. That's a cliffhanger that doesn't rely on danger or drama but on the quiet horror of two people who keep missing each other. The pacing here is masterful because it makes you FEEL the accumulation of small moments building toward a breaking point.
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I need to talk about Pei Jingzhou because this man is a walking contradiction and I am HERE for it. On paper he's the perfect nobleman—fourteen years old and already the youngest top scholar, disciplined, reserved, handles old foxes in the Ministry of Personnel without losing his footing. But the second Jiang Zhaoyue so much as looks at him, his entire carefully constructed persona crumbles. Watch how he handles the rattan ball scene: he watches her play from a distance, notices the details (her movements like a red silk ribbon), but says absolutely nothing about it. Then at dinner, he asks why Pei Heng listens to her so much, and when she gives him that absurd answer about being good-looking, he just tells her to focus on her meal. He's trying so hard to maintain decorum. But then—the bed scene. The way he keeps shifting toward the edge of the bed while she keeps inching closer? That's not indifference, that's someone actively fighting his own instincts. And when she wraps her arms around his forearm like a little snake and presses her face against his shoulder? His hand touches her chest and he explodes. Not because he's angry at her, but because he has no defense against someone who operates on an entirely different frequency. The relationship dynamic here is fascinating because she's the one who's calm and measured while he's the one losing control. She apologizes sincerely when she realizes she was too hasty, which shows emotional intelligence, but she also doesn't back down from what she wants. That push-pull is everything.
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"Her hand landed squarely on Pei Jingzhou's chest. It felt a bit soft. A bit firm. And warm. The texture was indeed wonderful! Her restless hands, beyond her control, grabbed twice." I AM NOT OKAY. This scene is EVERYTHING. Let me just sit with this for a moment. Jiang Zhaoyue wakes up in a compromising position, her leg is numb, she's groggy and half-asleep, and her HANDS just... decide to explore. And Pei Jingzhou's reaction? "A tingling sensation shot through Pei Jingzhou's body and mind. He gritted his teeth and said, 'Jiang Zhaoyue!'" BRO. He's flustered. He's embarrassed. He's definitely not unaffected. And then the absolute gem of the scene—Jiang Zhaoyue pretends nothing happened and starts massaging her leg like that's a normal response to accidentally gro feeling his chest twice. The comedic timing is impeccable but underneath all the humor there's this quiet intimacy that neither of them is ready to name yet. She's clingy in her sleep because she feels safe. He's exasperated but never actually pushes her away. That's the whole romance arc in one scene, folks. And then later when she's grabbing his sleeve walking to pay respects and he keeps pulling away and she keeps grabbing back—it's the same energy but in daylight. Playful. Persistent. He pretends to be annoyed but he's clearly not mad. This author understands that romantic tension isn't about grand gestures, it's about these tiny moments where two people keep circling each other, testing boundaries, and neither one will admit they're having fun.
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"Is that how you speak of your own parents?" This line from Pei Jingzhou is the moment everything changes and I am STILL recovering. Up until this point, their conflicts have been cute and low-stakes—sleeping positions, walking speeds, sleeve-grabbing. But when Jiang Zhaoyue looks at the gift ledger and says "None of these need to be sent. They don't deserve it," she's not just being difficult. She's revealing something enormous about her past, about the people who raised her, and Pei Jingzhou hears only disrespect. The stakes just skyrocketed from "will these two figure each other out" to "do they even share the same understanding of basic human decency?" And Jiang Zhaoyue's response is even more charged: "Have you met my father and mother, or have you been their child? When you say I have no regard, do you know what they've done?" SHE'S HIDING SOMETHING. Something big. And Pei Jingzhou's response—"Raising you to adulthood—is that not enough for you to be grateful?"—reveals everything about his worldview and everything that will drive a wedge between them. This isn't just a marital spat. This is two people from completely different emotional universes colliding. The external conflict is obvious (family expectations, social propriety, the Duke's household politics), but the INTERNAL conflict is what's killing me. Pei Jingzhou genuinely believes he's the wronged party here. Jiang Zhaoyue genuinely believes he doesn't understand anything about her. Both are right. Both are wrong. And the tragedy is that neither one is in a position to actually explain themselves. Sun Momo's voice from outside like a plot device interrupting the climax—"It's time to get up and wash. You'll be returning to the natal home soon"—is almost cruel in its timing. Life doesn't pause for your emotional breakdowns. The carriage ride into silence at the end? That's not resolution. That's the calm before everything falls apart.
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Okay, first of all—can we talk about how Pei Jingzhou is literally the most restrained husband in the history of arranged marriages? Like, he wakes up to find his wife wrapped around him like a human octopus and his FIRST response is just a cold "Can you let go?" Not yelling, not pushing her off violently, just... deadpan exhaustion. That's character depth right there. But then the real moment hits when he takes the blame in front of his mother for Jiang Zhaoyue grabbing his sleeve. Madam Wang calls her out for lacking propriety and Pei Jingzhou steps in like "it was my fault." Jiang Zhaoyue literally feels warmth in her chest because she REALIZES he's protecting her. But here's what gets me—later that night, after their argument about her parents, he's thinking "No wonder everyone said Jiang Zhaoyue was unruly, untalented, immoral, and lawless" and calling himself "far too naive" to think he could guide her. The man is SO conflicted. He's caught between genuine care and societal conditioning, and it shows in every interaction. He slows his walking pace for her. He takes the blame publicly. But then he also calls her unreasonable and walks away mid-conversation. This is not a villain—this is a man who genuinely doesn't know how to process someone who doesn't fit the mold he was raised to respect. And honestly? That makes him way more interesting than a flat "cold husband" archetype. The question is: when does he stop seeing her as a project and start seeing her as a person? Because the seeds are definitely there.
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There's this one moment that I cannot stop thinking about. Pei Jingzhou tells Jiang Zhaoyue 'Since you're unwilling, I won't force you'—or rather, he says something equivalent to that effect—and then she turns around and says the exact same thing back to him on their wedding night. The narrative literally highlights this: 'These were the words Pei Jingzhou had said to Jiang Zhaoyue yesterday. Today, she said them to him.' That's not just clever writing, that's an emotional pivot point. It's the moment the power dynamic flips and both of them realize they're playing the same game. But what makes it genuinely touching is what happens after. She doesn't use it as a weapon. She says it, he's stunned, and then she follows up with 'I'm sorry'—meaning she realizes she was too aggressive. That's vulnerability from someone who usually projects confidence. And Pei Jingzhou? He's the one who can't handle it. He ends up tucking her into bed like a mother hen because he literally doesn't know what else to do. The romantic tension here isn't built on grand declarations or dramatic confessions—it's in the small moments. Her watching him bathe and feeling 'a little flutter of excitement.' His noticing she's already asleep and still moving toward the edge of the bed to give her space. The way she sleeps peacefully against his shoulder even though he's clearly tense. This CP works because both characters are genuinely trying, even when they're terrible at it.
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