Cheated On by a Scumbag, I Transmigrated with a Billion-Dollar Supply Space

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Novel Info

Author:
落日彩虹
Status:Ongoing

Summary

Ye Qinglan was the wealthiest woman in Jiang City until she discovered her fiancé, Chen Hao, cheating on her with another woman in her own home. The confrontation turned violent when the mistress smashed a wine glass, cutting Ye Qinglan’s neck. Her blood was absorbed by a jade pendant she had worn since childhood, triggering a mysterious transformation. Ye Qinglan found herself transported to a magical space containing a palace, fertile farmland, a spirit spring, and a limitless warehouse. Realizing the space could preserve food indefinitely and that time stood still within it, she understood she was preparing for a catastrophic event. She immediately liquidated her assets, selling her company shares and real estate for tens of billions of yuan. With the help of her best friend, Jia Ni, she embarked on an aggressive stockpiling campaign, purchasing massive quantities of food, clothing, medicine, seeds, and survival equipment from across China. She emptied supermarkets, bought entire factory inventories, and stored everything within her space.

Just as she finished her preparations, Ye Qinglan was struck by a car driven by her stepsister, Ye Bailian, who had been manipulated by their stepmother. The impact killed her in the modern world but transported her consciousness into the body of an eighteen-year-old girl named Ye Qinglan in 1972 China. This new Ye Qinglan was an educated youth facing forced relocation to the countryside. The original owner had been abused by her father, Ye Wei, and her stepmother, Wang Cuihua, who had stolen her mother’s inheritance and plotted to send her to die in the harsh Northeast. Upon waking in the hospital, Ye Qinglan discovered she still possessed her magical space. She retrieved the original owner’s hidden cash and a key to a secret cache of gold bars buried beneath her family’s old home. She sold her job position at the Supply and Marketing Cooperative for a substantial bribe and used the proceeds to buy supplies on the black market.

Ye Qinglan executed a precise revenge plan against her abusive family. She emptied their house of all valuables, leaving it looking like a burglary scene, and anonymously reported her father and stepmother for adultery, using the existence of Ye Bailian as evidence. Both were sentenced to twenty years of labor reform in the northwest. Ye Qinglan then formally severed all ties with her father, signing a legal severance agreement and transferring her household registration out of the family. She registered herself and Ye Bailian for the same countryside assignment, ensuring her stepsister would suffer alongside her. During the train journey to Hei Province, Ye Qinglan encountered Tan Siyu and her brothers, Zhu Guohua and Ran Xiangrong. She shared crucial survival advice about the extreme cold and the dangers of rural life, earning their respect. She also thwarted a theft attempt on the train, further distinguishing herself from the naive Ye Bailian.

Upon arrival at Chaoyang Commune, Ye Qinglan met Zhou Beihan, a twenty-three-year-old battalion commander on leave. Their meeting was instantaneous and mutual; Zhou Beihan was captivated by her beauty and confidence, while Ye Qinglan recognized his strength and stability as ideal for her new life. She publicly exposed Ye Bailian’s true nature and lineage, destroying the stepsister’s chances of marrying well. Ye Qinglan and Zhou Beihan agreed to date, with plans to marry in two years. She moved into the educated youth residence, a former landlord’s house, and began settling into her new reality. She utilized her space to maintain her health, wash clothes, and store her vast supplies. Zhou Beihan, deeply infatuated, helped her furnish her room and brought her game meat from the mountains. Ye Qinglan also navigated the complex social dynamics of the commune, maintaining a polite but distant relationship with her peers while focusing on her survival and her growing romance with the military officer.

The story follows Ye Qinglan as she adapts to life in the 1970s countryside, leveraging her future knowledge and magical space to thrive. She faces the challenges of manual labor, extreme weather, and rural politics while building a life with Zhou Beihan. Her primary goal shifts from mere survival to establishing security and happiness in a new era. She continues to manage her resources carefully, using her space to bypass the scarcity of the time. The narrative explores her interactions with the Zhou family, who welcome her warmly, and her ongoing rivalry with Ye Bailian, who is now powerless and resentful. Ye Qinglan’s journey is one of empowerment, as she transforms from a victim of betrayal into a confident woman who controls her own destiny, armed with wealth, magic, and a supportive partner.

Novel Items

Jade pendant

Treasure

A half-broken jade pendant that was found by Wang Cuihua when she adopted baby Lin Kexin. It was hung around Lin Kexin's neck for over a decade. Lin Tianci stole it as a gift for a girl, was rejected, and threw it at Lin Kexin's face, breaking it into two pieces. When Lin Kexin's blood touched the jagged edge, it activated a Spatial Spirit Spring mystical space.

Spirit spring water

Materials

Water from An Ruoyan's space that made her skin white and tender as a peeled egg after drinking it.

Stockpiled food supplies

Supplies

Massive quantities of compressed biscuits, vacuum-packed rice, flour, grains, instant oatmeal, self-heating meals, hotpots, noodles, Luosifen, canned meats, dried seafood, cured meats, egg products, freeze-dried fruits and vegetables, dehydrated vegetables, pickles, chocolates, jerky, dried nuts, honey, milk powder, protein powder, and preserved eggs.

Live Fish and Seafood

Materials

Seafood and live fish, shrimp, and shellfish ordered by Jia Ni. The seafood was stored in the warehouse inside the space, while the live fish and shrimp were released into the lake within the Spirit Spring Space.

Luxury cars

Wedding Vehicle

Several luxury cars adorned with red decorations used as wedding cars. The lead car had license plates from the provincial capital, even surpassing the factory director's car in status.

Clothing and Textiles

Materials

Purchased supplies including 2,000 sets of underwear, 500 sets of thermal underwear in every size and color, twenty of each type of quilt (cotton, silk, air-conditioning, down, cashmere, goose-down), 10,000 bolts of fabric (cotton, polyester, silk, wool fabrics, mixed fabrics), and 5,000 pounds each of various yarns (cashmere, wool, pure cotton, rabbit wool, baby yarn, mohair).

Latest Release

Date	Group	Release
2026-08-11	shanghai fantasy	c4
2026-08-11	shanghai fantasy	c3
2026-08-11	shanghai fantasy	c2
2026-08-11	shanghai fantasy	c1

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Popular reviews

Amelia_Gladhis Review ★ ★ ★ ★ ★ April 29,2025

I have so many thoughts about Ye Bailian. At the start of this section she's this smug little... thing. She comes home all excited about buying leather shoes and mocks her sister: "Big Sister, tomorrow I'll be wearing new leather shoes, while you're only fit to work in the countryside." The audacity. And then Ye Qinglan's response—just a smile that's described as "strangely unsettling." I love that the author doesn't even need dialogue to show the power shift. By the train station scene, it's COMPLETELY reversed. Ye Bailian is begging: "Big Sister... please spare me. I'll never cause you trouble again." And the way she's terrified because she somehow knows her parents' downfall is connected to Ye Qinglan? That's some good psychological writing. She can't prove it but she FEELS it. Meanwhile, the new characters on the train are interesting setup. Tan Siyu is this bright-eyed, sincere girl who immediately strikes up conversation. Zhu Guohua with the gold-rimmed glasses who seems calculating underneath his politeness. Ran Xiangrong who appears honest and straightforward. Three classmates heading to the same commune. And Ye Qinglan is already giving them survival advice—telling them about the extreme cold, warning girls not to go out alone at night. She's not naive like the original novel's female lead would be. She knows exactly what kind of dangers educated youths faced. The dynamic between these new characters and Ye Qinglan is going to be fascinating to watch.

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Dream_Lord14r6 Review ★ ★ ★ ★ ★ July 8,2025

There's this one object in these chapters that I can't stop thinking about: the wooden box. "Inside were all of his personal belongings. From now on, you'll manage our household finances." A wooden box containing gold bars, a jade bracelet, and a savings passbook with over five thousand yuan. It's small enough to carry with one hand, light enough to lift while standing, and yet it represents the entire weight of Zhou Beihan's life up to this point. Every mission, every year of service, every sacrifice compressed into a single container that he places into Ye Qinglan's hands. And Ye Qinglan's response is equally symbolic. She doesn't marvel at the money. She doesn't act greedy or calculating. Instead, she tells him she has more money than he can imagine—which is technically true but also a deflection. She's acknowledging his gesture while quietly maintaining her own mystery. The space inside her is her own version of a wooden box: a container of secrets she's not ready to open. Then there's the cilantro incident, which seems small but actually says everything about their relationship. He dislikes it. She loves it. His immediate response: "Then I'll start eating cilantro too." And her reaction—surprise, then tenderness. This tiny exchange about a herb is actually about two people negotiating their differences, about willingness to adapt without losing themselves. He's offering to change; she's offering to accept him as he is. That's the theme right there: partnership as mutual accommodation. The household division is another symbol—Zhou Beihan literally carving his new family unit away from his old one. He's not rejecting his parents; he's establishing independence. The ten yuan he promises to send home is both practical support and a symbolic thread connecting his two worlds. And Zhou Jingyuan? He's the shadow version of Zhou Beihan—wanting the same things (a wife he chooses, freedom from rural life) but getting none of it. He's what happens when you don't have the merits, the rank, the face to claim what you want.

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I_am_UNKNOWN01 Review ★ ★ ★ ★ ★ January 12,2025

Okay so I have to talk about how this whole furniture-buying scene is actually doing SO MUCH narrative heavy lifting without anyone noticing. On the surface it's just Ye Qinglan going to buy a table and chairs, right? Wrong. This is where the entire social web of the story gets mapped out in real time. First, you've got the introduction of the Zhou family as a unit—parents, eldest brother with his wife and two kids, younger brother Zhou Jingyuan, younger sister Zhou Qingya. That's six people introduced in one scene, and each one gets a tiny beat that tells you everything about their role in the story. Li Chunxiang immediately likes Ye Qinglan (future mother-in-law approval arc set up). Qin Baozhu is warm and gives her peanuts (the supportive sister-in-law trope, checked). Zhou Qingya is envious of Ye Qinglan's fair skin (potential rival energy, or maybe just a kid being a kid—I'm watching). But the real plot masterstroke is Zhou Baoguo throwing in those free stools and broom. It seems like a small generous gesture, but it establishes the Zhou family as genuinely kind people in a genre where in-law conflicts are basically mandatory. The author is already subverting expectations here. Then there's the brigade leader peeking in, thinking about his own son. That's a subplot planted in three sentences. And Zhou Jingyuan's little scene with Ye Bailian? That's the secondary romance track being laid down. The author is juggling at least three relationship storylines simultaneously and making it feel effortless. The chicken soup delivery at the end is the cherry on top—Zhou Beihan hunting wild chicken himself shows his dedication without a single romantic monologue. Actions over words, and it works. Also can we talk about the gold bars and jade bracelets reveal? That's a massive plot bomb dropped in the final paragraphs. A Hong Kong-connected mother hiding family wealth in a rural peasant household? That's not just worldbuilding—that's a ticking clock for future conflict. What happens when that secret gets out? Who finds out? The author is playing 4D chess while pretending to write a cozy romance.

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Aon9114 Review ★ ★ ★ ★ ★ February 13,2025

Let me just say—the pacing in these chapters is really well controlled. The author doesn't dump everything at once. It starts with Ye Qinglan remembering her job, then she goes to the cooperative, gets the money, buys supplies, comes home, puts pills in the thermos, waits for everyone to sleep, then systematically empties the house. Each action flows naturally into the next, and the reader gets to watch her execute this plan step by step. There's no rushing. Even the discovery that she's in a novel happens at the END of the section, which is a great structural choice—it recontextualizes everything we just read. The train journey section is where the pacing slows down a bit, but it's not dragging. It's giving us breathing room while introducing new characters and building the world. The detail about the sleeper carriage having hot water service, Ye Qinglan knitting a sweater, the enamel mug—these small moments ground the story in its era. And the warning she gives the other educated youths about rural dangers? That's foreshadowing. The author is setting up future conflicts without making it obvious. I think what works best is that every scene has a purpose—either advancing the plot, developing character, or building the world. Nothing feels filler.

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DaoistMB16yL Review ★ ★ ★ ★ ★ April 11,2025

The stakes in this story hit different because they're so personal. This isn't some grand world-saving plot—this is about a girl who was exploited by the people supposed to love her, and her fight to survive and take back control. When Ye Qinglan finds 3,238.5 yuan hidden in various places around the house, that money represents years of her labor, her contributions to the family, everything she was denied. Taking it back isn't theft—it's restitution. The sleeping pill scene is where the stakes get really tense. She's risking everything: if she gets caught, she goes to the countryside with nothing, or worse. But she does it anyway because she has no other choice. And then the anonymous letters—this is where the stakes escalate from personal survival to destroying her abusers completely. In this era, adultery meant prison. Twenty years. She's not just escaping her family; she's ensuring they can never hurt her again. The conflict with Ye Bailian on the train is also interesting because it's not physical—it's psychological. Ye Bailian is terrified but can't prove anything. She's trapped in a situation where her only defense is the plot armor of being the novel's female lead, but Ye Qinglan isn't even from this world. She doesn't care about narrative rules. That's a really smart way to raise the stakes—the original protagonist's advantage is neutralized by an outsider who operates by different logic. And the warnings Ye Qinglan gives about rural dangers? That's the author telling us the real conflict is still ahead. The family drama is resolved, but the countryside is where the actual survival story begins.

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Dplank Review ★ ★ ★ ★ ★ December 27,2025

I've been turning over some of the symbolic layers in these chapters, and I think the author is doing something more ambitious than the surface romance suggests. The most obvious symbol is the space itself. Ye Qinglan's private dimension with electricity, running water, a washing machine, and unlimited food supplies—it's essentially paradise disguised as a storage dimension. But what does it represent thematically? I think it's about agency. In a setting where educated youths are supposed to be humble, struggling, assimilating into peasant life, Ye Qinglan has a secret source of power and independence. She doesn't need to cook with the others. She doesn't need to rely on the commune. She can buy her own furniture and pay her own way. The space is her independence, her secret self, her refusal to be fully absorbed into the collective. Then there's the Zhou family's hidden gold bars and jade bracelets. Li Chunxiang's dowry, concealed from everyone except her husband, stored in a wooden box in a poor peasant household. This is a symbol of hidden value, of wealth that exists beneath the surface of apparent poverty. The family looks like ordinary rural peasants, but they're sitting on treasure. And Li Chunxiang's Hong Kong connections represent another kind of hidden world—another layer of secrecy beneath the socialist realist surface. The furniture itself is symbolic too. Ye Qinglan choosing a table, chairs, a kang cabinet, a wardrobe, a storage cabinet, a washstand—she's building a home, creating domestic space in a place that wasn't meant to be home. The act of furnishing is an act of claiming belonging. And the fact that she pays for everything, refuses free meals, insists on independence even from her future in-laws—this is a theme of self-determination running through every interaction. The wild animals in the mountain—boars, bears, tigers, wolves—are more than danger. They're the untamed world beyond the commune, the unknown that Ye Qinglan is curious about. Her desire to explore the mountains mirrors her inner desire for something more than the prescribed life. The ginseng she mentions is a symbol of rare value hidden in the wilderness, waiting to be found. That's basically her own story. And Zhou Beihan hunting wild chicken for her soup—this is the theme of devotion expressed through action rather than words. In a genre full of grand romantic declarations, the author chooses the quieter, more powerful language of doing. He doesn't say "I love you." He brings her soup and firewood and plans their future together. The brown sugar water, the peanuts, the chicken soup—food as love language is a recurring motif. Every act of care is mediated through sustenance. In a time and place defined by scarcity, the sharing of food becomes the primary expression of human connection.

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