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Wen Yan is a young woman living in a patriarchal society where women are barred from taking the imperial examinations. To fulfill the dying wish of her eldest brother, she disguises herself as a man and studies diligently for the upcoming Spring Exams. She lives with her mother, Madam Fu, in the Marquis of Wu’an manor, carefully concealing her true identity. Her cousin, Fu Zheng, is a Top Scholar and a high-ranking official known for his cold, aloof, and intimidating demeanor. Wen Yan has always feared him and avoided any interaction, viewing him as an unreachable figure of authority and strict moral code.

The story begins during a birthday celebration at a remote villa owned by the Fu family. Wen Yan seeks solitude by swimming in a secluded pond, hoping to escape the social obligations of the gathering. While in the water, she is suddenly attacked by a man who appears to be under the influence of a powerful aphrodisiac. The man pins her against a rock, his strength overwhelming. In the dim moonlight, Wen Yan cannot clearly see his face but recognizes the surname "Fu" from a jade pendant he presses into her hand. Realizing the man is likely her cousin Fu Zheng, she initially considers fleeing to avoid scandal. However, driven by curiosity and a sense of resignation regarding her future as a woman who cannot marry, she decides to go along with the encounter. The night ends with a passionate and intense encounter in the pond, leaving Wen Yan physically marked and emotionally shaken.

The following morning, Wen Yan returns to the manor, struggling to hide the physical evidence of the night’s events. Her maid, Shao’er, notices scrapes on her knees and red marks on her neck, prompting Wen Yan to fabricate excuses about falling and insect bites. Her mother, Madam Fu, enters the room and expresses deep concern for Wen Yan’s health and safety. She reveals that the risk of Wen Yan’s secret being discovered is capital punishment, yet Wen Yan remains determined to continue her studies. Madam Fu suggests that Wen Yan seek academic guidance from Fu Zheng, who is currently staying at the manor. This news terrifies Wen Yan, as she must now face the man she spent the night with, fearing he will recognize her or suspect her identity.

Despite her anxiety, Wen Yan is summoned to Fu Zheng’s study. The encounter is fraught with tension as both characters navigate the aftermath of their intimate night. Fu Zheng’s behavior shifts subtly, hinting that he may be aware of Wen Yan’s true identity or at least suspicious of her familiarity. Wen Yan struggles to maintain her composure and her male disguise while interacting with him. The core conflict deepens as Wen Yan must balance her academic ambitions with the growing danger of her secret being exposed by the very person she is closest to. Fu Zheng’s position as a powerful official adds another layer of risk, as his discovery of her deception could lead to severe consequences for both her and her family.

As the story progresses, the relationship between Wen Yan and Fu Zheng evolves from one of fear and avoidance to a complex dynamic of suspicion and attraction. Fu Zheng begins to investigate Wen Yan’s background, noticing inconsistencies in her behavior and knowledge. Wen Yan, in turn, finds herself drawn to Fu Zheng despite her fear, recognizing a vulnerability beneath his stern exterior. The narrative explores themes of gender identity, societal expectations, and the personal costs of ambition. Wen Yan’s journey is not just about passing the exams but about surviving in a world that offers no place for a woman with her aspirations. The looming threat of discovery hangs over every interaction, creating a suspenseful atmosphere as both characters move closer to the truth.

The turning point arrives when Fu Zheng confronts Wen Yan with evidence of her disguise. Instead of reporting her, he offers a choice: submit to his control and remain hidden, or face the consequences of her deception. Wen Yan chooses to stay, agreeing to his terms in exchange for his protection and continued access to her education. This agreement binds them together in a secret pact, altering the power dynamic between them. Fu Zheng becomes both her guardian and her captor, while Wen Yan must navigate her dual life with increasing difficulty. The story moves forward with Wen Yan preparing for the exams while managing her complicated relationship with Fu Zheng, who watches her every move with a mix of curiosity and possessiveness.

The narrative continues to build tension as the Spring Exams approach. Wen Yan must prove her worth as a scholar while hiding her gender from her peers and superiors. Fu Zheng’s involvement in the examination process adds further complexity, as he holds the power to expose her at any moment. Their interactions become more intimate and charged, blurring the lines between coercion and genuine connection. Wen Yan’s determination to succeed remains unwavering, but the emotional toll of her double life begins to weigh on her. The story sets the stage for a climax where Wen Yan’s identity may be revealed, forcing her to confront the consequences of her choices and the nature of her relationship with Fu Zheng.

Throughout the early chapters, the setting of the imperial court and the scholarly world provides a backdrop of rigid tradition and strict social hierarchies. Wen Yan’s disguise allows her to enter spaces otherwise closed to women, but it also isolates her and forces her to live a lie. The physical marks from the first night serve as a constant reminder of the risk she takes. Fu Zheng’s character is developed as a man of authority and hidden desires, whose encounter with Wen Yan disrupts his controlled life. The story explores the psychological impact of secrecy and the courage required to pursue one’s dreams in the face of overwhelming societal opposition. The relationship between the two protagonists is central, driving the plot forward through their evolving dynamic of power, trust, and desire.

As the exams draw nearer, the stakes become higher. Wen Yan’s academic performance is crucial not only for her personal fulfillment but for her survival. Any failure or exposure could mean death. Fu Zheng’s role becomes increasingly ambiguous, as he seems to be testing her resolve and loyalty. The narrative hints at a deeper history between the two families, suggesting that their connection may be more significant than a single night in a pond. The story promises a trajectory where Wen Yan must ultimately decide whether her ambition is worth the personal cost, and whether she can trust Fu Zheng with her life and her secret. The tension between her public persona and private reality creates a compelling narrative arc focused on identity, power, and survival.

Novel Items

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Treasure
A half-broken jade pendant that was found by Wang Cuihua when she adopted baby Lin Kexin. It was hung around Lin Kexin's neck for over a decade. Lin Tianci stole it as a gift for a girl, was rejected, and threw it at Lin Kexin's face, breaking it into two pieces. When Lin Kexin's blood touched the jagged edge, it activated a Spatial Spirit Spring mystical space.
Drug
Stolen from the village clinic by Zhang Shufen. When taken in large amounts, it takes ten to twenty minutes to effect; with less, about half an hour. It was used in the scheme in the dorm, causing Gu Dahai, Zhou Shanshan, and Zhang Shufen to become unconscious or incapacitated. The drug's effects last at most twenty minutes.
Event
The imperial examinations that Wen Yan is preparing for, which were her late brother's dying wish. Taking these exams as a woman is a beheading offense if discovered. Wen Yan is determined to continue despite the danger.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c1

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Okay so let me just say this out loud because I need to process it: Wen Yan just had sex with her cousin Fu Zheng and now her MOM is telling her to go ask him for study help the very next day. The sheer audacity of this family dynamics situation is something else. Fu Zheng is introduced to us as this cold, aloof, intimidating figure—"loftily aloof and intimidating" is literally how the text describes him. But then in the dark pond, he's this completely different person, desperate and pleading. The contrast is fascinating. He's not just some generic cold male lead; there's clearly more going on underneath that ascetic exterior. And Wen Yan? She's not your typical innocent heroine here. She's got this sharp, pragmatic streak. When she realizes the man might be Fu Zheng, her first instinct isn't romantic swooning—it's "how do I escape this trouble." But then she also has this wild, almost reckless side that comes out. She thinks about those erotic novels she's read, considers that she'll never marry anyway, and just... goes for it. That's not a passive character. That's someone making active, if slightly chaotic, choices. The mother-daughter relationship is also interesting. Madam Fu is clearly worried but also pushing Wen Yan toward this exam path despite the danger. There's love there but also pressure. And the fact that she casually suggests Wen Yan seek Fu Zheng's guidance right after the whole pond incident? Either she has no idea what happened, or she's oblivious in a way that's almost comedic. Wen Yan's internal screaming when she hears the servant announce Fu Zheng is waiting in the study—"Wen Yan: '...'"—that silence says everything. I need to know how she's going to face him tomorrow.
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Let's talk stakes because this is NOT a story where the protagonist can afford to slip up. Wen Yan is a woman disguised as a man preparing for the imperial exams, and the text literally says: "If this is discovered, it's a beheading offense." Beheading. That's not a casual threat—that's the highest possible stake in this world, and the author doesn't let us forget it. But the conflict isn't just external. There's this incredible internal tension every time Wen Yan has to interact with Fu Zheng. She just spent the night with him—well, technically he spent the night with her, but the ambiguity is part of the tension—and now she has to sit across from him in his study and ask about academic matters like nothing happened. The dramatic irony is suffocating in the best way. Every time her mother mentions Fu Zheng, the stakes feel like they're rising. "Wen Yan's heart sank with a heavy thud"—that's not just nervousness, that's the weight of a secret that could destroy everything. And what does she stand to lose? Her brother's dream, her family's hopes, her own future. If she fails the exams, she's back to being invisible. If she's discovered, she's dead. The pressure is relentless and the author maintains it masterfully by constantly reminding us of what's at stake through small details—the mother's worried face, the mention of the beheading offense, the trembling hand when the jade pendant falls into the water. The suspense is tight because we know something the other characters don't. We know about the pond. We know about the pendant. And we're waiting for the moment when that secret comes crashing into the daylight.
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'May I?' He actually asked. Like, with everything that was happening, he still had the decency to ask for consent. That one line completely changed how I felt about Fu Zheng. I was ready to write him off as some drugged-out guy taking advantage, but no—he paused, he asked, and he waited. And Wen Yan's reaction? Her mind going to those erotic manuals she'd secretly read? The blood rushing to her face? I felt that. I felt so much that. The way she rationalizes it—she'll never marry anyway, the night is dark and windy, perfect for doing something wicked, and honestly, Fu Zheng is handsome so she's not losing out—this is such a realistic internal monologue. It's not some grand romantic declaration. It's messy and practical and a little bit desperate and honestly kind of hot in its own way. But then the aftermath? That's where it got me. She's lying to her maid about insect bites on her neck. She's hiding marks from her mother. She's pretending to study when her whole body is aching. The guilt and fear and... something else... all swirling together. And then her mother's voice: "Your cousin Fu Zheng is quite free these few days... you can go to his study." The dread on Wen Yan's face is palpable. She's terrified of facing him, but there's also this undercurrent of anticipation, isn't there? Like part of her wants to see what happens next. I keep thinking about that jade pendant. He pressed it into her hand and said he'd take responsibility. That's a promise. That's him giving her something tangible, something real, in the middle of all that chaos. I'm already emotionally invested and we're only on chapter one.
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This story is layered with the idea of disguise and hidden identity, and it's not just about Wen Yan presenting as a boy. That's the surface-level reading, sure, but there's so much more happening beneath it. Wen Yan is disguised as her dead brother. She's living someone else's life, someone else's dream. Her mother looks at her and sees the late son's face. "Madam Fu's eyes dimmed. She stared blankly at her daughter's face, which looked so much like her late son's." That line hit me hard. Wen Yan isn't just hiding her gender—she's hiding her own identity entirely, performing someone who no longer exists. The imperial exams were her brother's dying wish, and she's fulfilling it, but at what cost to herself? Then there's Fu Zheng, who appears ascetic and devoid of desire in public but is completely transformed in private. His disguise isn't about gender—it's about the mask of propriety he wears as a successful scholar-official. The aphrodisiac strips that away, literally and figuratively. The jade pendant is another symbol worth noting. It's a token of responsibility, a promise made in the dark. In a world where everyone is performing roles and hiding truths, that pendant is something real—a tangible object that represents a moment of honesty between two people who usually wear masks. And the body itself becomes a site of hidden truth. The scraped knees, the marks on the neck, the aching back—all physical evidence of what happened that Wen Yan must conceal. Her body knows what her social identity denies.
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The opening scene is so vivid I can literally see it. Moonlight, a remote pond, the sound of water being churned, shadows swaying in the trees. The author doesn't over-describe it—just enough to paint the picture and then get out of the way. "The moonlight was dim tonight and the surroundings were pitch black; she couldn't see the man's face at all. She could only make out the faint, high bridge of his nose." That detail! Just the bridge of his nose in the moonlight. It's intimate and mysterious and slightly terrifying all at once. Then we cut to the West Wing of the Marquis of Wu'an's Manor and the contrast is sharp. Warm indoor light, a bronze mirror, a maid fussing over scraped knees. The domestic scene feels grounded and real after that charged nighttime encounter. I love how the author shifts from the sensual, almost dreamlike quality of the pond scene to the very practical concerns of hidden bruises and avoiding one's mother's questions. The manor itself feels lived-in. There's the study where Fu Zheng is waiting, the rooms where Wen Yan studies, the kitchen and servant areas implied but not over-explained. The villa where the birthday celebration happened is mentioned in passing but you can picture it—remote, far from the capital, big enough to host guests for the night. The world feels coherent even without heavy exposition. You understand the social hierarchy, the importance of the imperial exams, the constraints on women—all through what the characters experience rather than through info-dumps. That's good craft.
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